Shop Categories
- General Surgery
- Thorne, Tamara
- General
- Study
- Instruments & Supplies
- Lankhmar
- Litigation
- Castillo, Ana
- Janowitz, Tama
- Ashbery, John
- Child Care
- Biological & Chemical
- Entomology
- Discipleship
- Blaze
- Level 3
- Surrealism
- Stories
- Peake, Mervyn
- Asian American
- Pediatrics
- Trees
- Mystery & Detective
- Commercial
- Drafting & Mechanical Drawing
- Education
- Saramago, Jose
- Science
- Anger Management
- Princess Diana
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Entertainment : Movies : Screenplays
-
-
-
-
The hilarious, Academy Award-nominated screenplay that features six old friends, three disastrous receptions, a tongue-tied priest, and the role that made Hugh Grant the world's favorite bumbling bachelor.Toasted by romantics and cynics, critics and fans, Four Weddings and a Funeral grossed more than $250 million worldwide, garnered Academy Award nominations for Best Picture and Best Original Screenplay, and was unanimously pronounced the romantic comedy of the 90s.Richard Curtis's smart, irreverent, and brilliantly crafted screenplay will delight fans of the movie, as well as screenwriters and film students. From the first spoken line to the last ("I do"), it's a jubilant celebration of friendship, romance, and good humor.
-
For almost twenty-five years, aspiring screenwriters have turned to guru Syd Field for clear and insightful step-by-step guidelines on the art and craft of writing screenplays. Now, with a totally new, up-to-date perspective on today's film industry, Syd Field again proves why he is revered as a master - and why SCREENPLAY remains the bible of the film industry. From inception through completion, from opening scene to finished script, here is a sourcebook designed to help today's aspiring screenwriters turn their ideas into scripts that will sell and succeed on the screen tomorrow.
-
Critically acclaimed director Christopher Nolan follows up his blockbuster film Batman Begins with the highly anticipated The Dark Knight. Batman Begins was a successful re-boot of the popular Batman franchise, and The Dark Knight sequel takes the fresh perspective further, developing the highly anticipated, raw cat-and-mouse game between our superhero Batman and his twisted arch-nemesis The Joker. Celebrated stars include Christian Bale, Michael Caine, Morgan Freeman, and Gary Oldman, returning as Batman, Alfred, Lucius Fox, and Lieutenant Gordon, respectively; and new additions Heath Ledger as The Joker, as well as Maggie Gyllenhaal, and Aaron Eckhart. The Art of the Dark Knight is the ultimate companion book to the movie, showcasing production ephemera including storyboard art, character sketches, Nolan’s original shooting script, still photos, and even personal behind-the-scenes material created by the Nolans and Crowley during the movie. The Art of the Dark Knight is certain to appeal to diehard and new fans alike.
-
When a routine burglary in an elegant, upscale Virginia mansion goes awry, career thief Luther Whitney finds himself witness to a brutal murder involving none other than Alan Richmond, the youthful, charming, and thoroughly corrupt President of the United States. Torn between fear for his life and devotion to his family and country, Luther must make a decision that will change not only his own destiny, but the destiny of the world as we know it. Based on the best-selling thriller by David Baldacci, described as "relentlessly entertaining" by The Atlanta Journal and Constitution, William Goldman's screenplay captures the paranoia, greed, and corruption of politics through the ages and around the world.
-
-
Includes all the essentials for writing a screenplay, from crafting dialogue to marketing a script
Packed with easy-to-understand guidelines and writing projects, Screenwriting For Dummies makes film writing accessible to novices and helps more experienced writers improve their scripts. This engaging guide walks readers through the essential elements of every good screenplay, from character development, to creating a story, to writing compelling dialogue, to adopting a screenplay from a different source. It also includes all the specific formatting details that go into writing a visual screenplay from scripting character introductions, to writing the camera into the script, to creating a cinematic collage. In addition, Screenwriting For Dummies covers the important task of selling a screenplay, including tips for getting a spec script into the proper marketing format, protecting intellectual property rights, and securing an agent.
-
-
Deaf, blind, and mute twelve-year-old Helen Keller was like a wild animal. Scared out of her wits but still murderously strong, she clawed and struggled against all who tried to help her. Half-blind herself but blessed with fanatical dedication, Annie Sullivan began a titanic struggle to release the young girl from the terrifying prison of eternal darkness and silence.
-
-
“The writing of the screenplay became an intense and extremely stimulating sort of game in which, with a camera in the hands of God rather than any mortal cinemaphotographer, I wrote the scenes one after the other as I would like to have them be.”—from the Afterword
This is the original screenplay that Dickey submitted to Warner Brothers. He had begun it with the idea of creating a work that would stand on its own as a work of art and still enhance and deepen the audience’s apprehension of their individual experience of Deliverance and its special meaning to them. When he sent this screenplay to Warner Brothers it was with a sense of having accomplished that goal—“I was convinced I had put down on paper what I wanted to happen on the screen, no matter who the director was, or the actors, or any of the rest of the crew.”
But while acknowledging the creativity, bravery, and dedication of John Boorman and the actors and the crew who made the film version of Deliverance, Dickey also states that their realization is not the film as he would have had it. That film exists only in his imagination and within this screenplay. The story as filmed is presented in twenty-two production stills that speak of the undeniable strengths of the production that received nominations from the Motion Picture Academy for its awards of best picture, best direction, and best editing. Arthur Knight described the film as “one of those rare films that resonates like a literary work but that—rarer still—avoids either being or sounding literary.” Dickey concludes his Afterword with an invitation to the reader to “show [the screenplay] in the widescreen theater of his mind and compare it with the version he has seen in actual theaters, or on television.”
-
A startling dissection of cruelty and artistic creation from the author of In the Company of Men and Your Friends and NeighborsIn a modern version of Adam's seduction by Eve, The Shape of Things pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than "flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable." Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? The Shape of Things challenges society's most deeply entrenched ideas about art, manipulation, and love.
-
A lifetime member of the Writer's Guild of America who has had three feature films produced from his screenplays, Akers offers beginning writers the tools they need to get their screenplay noticed.
-
The slamming of the front door at the end of A Doll's House shatters the romantic masquerade of the Helmers' marriage. In their stultifying and infantilized relationship, Nora and Torvald have deceived themselves, and each other, both consciously and subconsciously, until Nora acknowledges the need for individual freedom.
Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged "songbird," his flawed heroine, Nora, remains one of the most striking dramatic depictions of a late-nineteenth century woman.
"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama."-George Steiner
-
Though written near the end of his career, The Tempest stands first in Shakespeare's First Folio of 1623. Recently redefined by modern criticism as a romance, the play has been read as an escapist fantasy, a political allegory, and a celebratory fiction. Most often, however, The Tempest is interpreted as a summary of Shakespeare's view of his own art of playwriting. In this edition, Stephen Orgel reassesses the evidence for each of these critical speculations, and finds the play to be both more open and more historically determined than traditional views have allowed. The text has been newly edited, and includes a stage history of its production, from the radical revisions of Davenant, Dryden, and Shadwell to the recent stagings of Peter Hall, Jonathan Miller, and Peter Brook.
-
Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up and taken to settlements to be institutionally assimilated. In Rabbit-Proof Fence, award-wining author Doris Pilkington traces the story of her mother, Molly, one of three young girls uprooted from their community in Southwestern Australia and taken to the Moore River Native Settlement. There, Molly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls planned and executed a daring escape from the grim camp.
-
-
