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Books : Entertainment : Movies : Screenwriting
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In this pathbreaking book one of America-s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks- Red River and John Ford-s The Man Who Shot Liberty Valance and The Searchers. Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its -second founding,- or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state-s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected. Pippin-s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.
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The Writer's Eye teaches effective composition across media by showing how rhetorical purposes and principles inform multimedia texts throughout the culture. By establishing the fundamentals of effective composition and demonstrating how these fundamentals inform multimedia texts, The Writer's Eye gives students the tools to better interpret the different cultural media in their own daily lives and to better compose their own meaningful and well-developed texts.
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"Roberta Munroe is that rare person in the film world who can not only recognize an inspired, great film, but she can actually help you make one."
--Mark Duplass, Sundance and SXSW award-winning filmmaker."Roberta Munroe is brilliant. Her advice and insights on our project, The Tribe, from rough cut to completed film were instrumental and invaluable to its success. It is exciting to think that all filmmakers will have access to her incredible mind and experience through this book."
--Tiffany Shlain, award-winning filmmakerAnyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right?
Wrong.
Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself.
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Contents: Marathon Man * Butch Cassidy and the Sundance Kid * The Princess Bride * Misery.
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A revised and expanded sequel to Stealing Fire from the Gods, this 2nd edition includes important new revelations concerning the ultimate source of unity, the structures of the whole story passage, the anti-hero's journey, the high-concept great idea, the secrets of charismatic characters, and the analyses of many important new stories and successful films.
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Great dialogue attracts great actors. It grabs the attention of eminent directors. It impresses smart producers. It enthralls an audience. In twenty lessons, Talk the Talk gives screenwriters and playwrights a complete tool kit for mastering the art of dialogue. To complement the lessons, the Talk the Talk includes more than eighty dialogue-writing exercises. There are exercises for beginner, intermediate and advanced writers; discussion and feedback questions to guide classrooms, workshops and writers' groups; rewrite exercises to sharpen dialogue scenes; solo exercises to repeat as a regular writer's work-out; and script analysis exercises which examine how key concepts play out in existing scripts. By using this book to master dialogue writing, authors can breathe life into their characters and create scripts which stand out from the crowd.
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The Unfilmed Original Screenplay of an American classic.
This is a landmark volume of the epic, original film script written by Lorraine Hansberry, adapted from her stage play. But movie audiences did not know that nearly a third of her powerful screenplay had been cut. This edition restores all of these deletions and delivers the screenplay that is true to Hansberry's vision.
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This romantic, hilarious, and astonishingly moving story, winner of the Grand Jury prize at the 1998 Cannes Film Festival, explores the power of the imagination, set against the stark reality of World War II Europe. The companion screenplay to the Miramax film presents the profound yet tender story that has touched the hearts of so many.
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As entertaining as it is enlightening, Created by… presents a stellar cast of 21 show creators who candidly talk about writing and selling hit television series.J.J. Abrams (Alias, Lost)
Alan Ball (Six Feet Under)
Yvette Lee Bowser (Living Single, Half & Half)
Mark Brazill (That '70s Show)
Ilene Chaiken (The L Word)
Larry David (Seinfeld, Curb Your Enthusiasm)
Tom Fontana (Oz)
Tracy Gamble (8 Simple Rules)
Dave Hackel (Becker)
Barbara Hall (Joan of Arcadia)
Brenda Hampton (7th Heaven, Fat Actress)
Bill Lawrence (Scrubs)
Dennis Leoni (Resurrection Blvd.)
Max Mutchnick and David Kohan (Will & Grace)
Tracy Newman and Jonathan Stark (According to Jim)
Josh Schwartz (The O.C.)
Shawn Ryan (The Shield)
Amy Sherman-Palladino (Gilmore Girls)
Joss Whedon (Buffy the Vampire Slayer, Angel)They discuss influences • writing spec scripts • first jobs in TV • getting an agent • mentors • being staffed as a writer • the pitch • writing a pilot • putting yourself in the characters you create • rewriting • producing a pilot • marketing • hiring a writing staff • making a show last • TV writing vs. film writing • drama vs. sitcom • cable vs. network TV • what show creators look for in a writer • writers block • luck … and much more.
Created by… is a lively, well-written must-have book for all screenwriters and television writers—wannabes, novices, and pros—as well as all avid TV fans.
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What is cinematic storytelling? How can we understand its technique and complexities? What are its extents and limitations? In this monumental work, David Bordwell catalogues every aspect of film narrative, offering insight into an amazing variety of fiction films. The author, who is as comfortable talking about Al Jolson movies as he is describing the career of Jean-Luc Godard, has made a major contribution to film studies and the field of narrative theory.
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To break into the screenwriting game, you need a screenplay that is not just good, but great. Superlative. Stellar. Writing Movies provides everything you need to know to reach this level. In a single book. And, like the very best teachers, Writing Movies is always practical, accessible, and entertaining. Inside you'll find: Explanations of the fundamental elements of screenwriting craft (plot, character, scenes, etc.); insight into such crucial (but seldom discussed) topics as description, voice, tone, and theme; analysis of five brilliant screenplays--Die Hard, Thelma & Louise, Tootsie, Sideways, and The Shawshank Redemption; strategies for breaking into the business; a guide to screenwriting format; assignments that strengthen your command of screenwriting craft; step-by-step tasks that take you from rough idea to polished script; and tie-ins to supplementary material at the book's website. Written by Gotham Writers' Workshop expert instructors and edited by Dean of Faculty Alexander Steele, Writing Movies offers the same methods and exercises that have earned the school international acclaim.
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A professional TV writer's real-world guide to getting paid to write great television
"No need for me to ever write a book on TV writing. Alex Epstein has covered it all . . . along with a few things I wouldn't have thought of. Save yourself five years of rookie mistakes. Crafty TV Writing and talent are pretty much all you'll need to make it."
--Ken Levine, writer/producer, MASH, Cheers, Frasier, The Simpsons, Wings, Becker
Everyone watches television, and everyone has an opinion on what makes good TV. But, as Alex Epstein shows in this invaluable guide, writing for television is a highly specific craft that requires knowledge, skill, and more than a few insider's tricks.
Epstein, a veteran TV writer and show creator himself, provides essential knowledge about the entire process of television writing, both for beginners and for professionals who want to go to the next level. Crafty TV Writing explains how to decode the hidden structure of a TV series. It describes the best ways to generate a hook, write an episode, create characters the audience will never tire of, construct entertaining dialogue, and use humor. It shows how to navigate the tough but rewarding television industry, from writing your first "spec" script, to getting hired to work on a show, to surviving--even thriving--if you get fired. And it illuminates how television writers think about the shows they're writing, whether they're working in comedy, drama, or "reality."
Fresh, funny, and informed, Crafty TV Writing is the essential guide to writing for and flourishing in the world of television.
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An analysis of Thelma and Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances With Wolves provides tips on script writing for original productions, sequels, novel adaptations, and adaptations by original authors.
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"A feast of information that addresses every conceivable issue with clarity and insight. It deserves a place in every serious screenwriter's library."-Richard Walter, chairman, UCLA screenwriting program
The Complete Screenwriter's Manual is the most complete and comprehensive presentation of screenplay format and style on the market. Written by an author team with extensive professional and academic credentials and based on a unique step-by-step approach, this book features:
A systematic approach to formatting a screenplay
An accessible style beginners can easily grasp
Accurate information on current industry practices
Methods for creating professional-looking scripts
Illustrations of common problems and their solutions
Cross-referenced index
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From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules.
Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
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The leap from concept to final draft is great, and the task is filled with hard work and horrors. It is here that most writers struggle to get the plot right at the expense of the story's real power. The result is a script that is logical in every way, yet
unmoving. Emotional Structure, by Emmy- and Peabody-Award winning producer, writer, and teacher, Peter Dunne, is for these times, when the plot fits nicely into place like pieces in a puzzle, yet an elemental, terribly important something remains missing.