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Books : Entertainment : Music : Business
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A giant of the music industry grants an all-access pass to the world of rock and roll, with mesmerizing stories of thirty-five years spent working with legends from Led Zeppelin, to Stevie Nicks, to Nirvana.
Danny Goldberg has been a hugely influential figure in the world of rock and roll. He did PR for Led Zeppelin; he managed the career of Nirvana; he ran Atlantic Records, Mercury Records, and Warner Bros. Records; he launched Stevie Nicks’s solo career. In Bumping into Geniuses, Goldberg shares his stories about performers who represent a broad and powerful portion of the psychic real estate of the rock and roll kingdom: Patti Smith, Warren Zevon, Bruce Springsteen, KISS, Kurt Cobain and Nirvana, Hole, Stevie Nicks, Bonnie Raitt, Steve Earle, Led Zeppelin, and more.
But there’s more to this story than just Goldberg’s varied career. It’s also a look at the industry itself: a business that was neither the romantic vehicle for self-expression that its most naive fans imagined, nor the purely crass money machine depicted by its most cynical critics. It was complex and chaotic—a mixture of art and commerce, idealism and selfishness—and sometimes, rock’s most gifted and influential musicians were able to transcend it all.
For anyone interested in the rock and roll industry, or simply the mores and temperaments of the musicians themselves, Bumping into Geniuses is an incredible insider’s tale that only Goldberg could tell.
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The author of Free Culture shows how we harm our children—and almost anyone who creates, enjoys, or sells any art form—with a restrictive copyright system driven by corporate interests. Lessig reveals the solutions to this impasse offered by a collaborative yet profitable “hybrid economy”.
Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war—a war waged against our kids and others who create and consume art. America’s copyright laws have ceased to perform their original, beneficial role: protecting artists’ creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions.
For many, new technologies have made it irresistible to flout these unreasonable and ultimately untenable laws. Some of today’s most talented artists are felons, and so are our kids, who see no reason why they shouldn’t do what their computers and the Web let them do, from burning a copyrighted CD for a friend to “biting” riffs from films, videos, songs, etc and making new art from them.
Criminalizing our children and others is exactly what our society should not do, and Lessig shows how we can and must end this conflict—a war as ill conceived and unwinnable as the war on drugs. By embracing “read-write culture,” which allows its users to create art as readily as they consume it, we can ensure that creators get the support—artistic, commercial, and ethical—that they deserve and need. Indeed, we can already see glimmers of a new hybrid economy that combines the profit motives of traditional business with the “sharing economy” evident in such Web sites as Wikipedia and YouTube. The hybrid economy will become ever more prominent in every creative realm—from news to music—and Lessig shows how we can and should use it to benefit those who make and consume culture.
Remix is an urgent, eloquent plea to end a war that harms our children and other intrepid creative users of new technologies. It also offers an inspiring vision of the post-war world where enormous opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.
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For fifteen years, All You Need to Know About the Music Business has been universally regarded as the definitive, essential guide to the music industry. Now in its sixth edition, it has been completely revised and updated with crucial, up-to-the-minute information on the industry's major changes in response to today's rapid technological advances and uncertain economy. Veteran music lawyer Donald Passman is in the thick of this transformation and understands that anyone involved in the music business is feeling the deep, far-reaching effects of it. This latest edition of what the Los Angeles Times called "the industry bible" will lead novices and experts alike through the fundamental practices as well as the new, uncharted territory of one of this country's most dynamic industries.In the music business, the key to success lies in knowing how to protect yourself. To do that, you need the best and most up-to-date advice available. Whether you are -- or aspire to be -- a performer, writer, or executive, Passman's comprehensive guide to the legal and financial aspects of the music world is an indispensable tool. Drawing on his unique professional experience as one of the most trusted advisors in the industry, Passman offers authoritative information on how to:
- Select and hire a winning team of advisors -- personal and business managers, agents, and attorneys -- and structure their commissions, percentages, and fees in a way that will protect you and maximize these relationships
- Master the big picture and the finer points of record deals
- Navigate the ins and outs of songwriting, music publishing, and copyrights
- Maximize concert, touring, and merchandising deals
This latest edition also includes information on:
- Music downloads, webcasting, streaming-on-demand, and podcasting
- The new video streaming services
- How royalties are computed in the digital age
- The latest developments in deals with independent labels, including upstream deals
- Updates on all the traditional industry matters, such as royalties, advances, video budgets, and copyright law
In All You Need to Know About the Music Business, one of the industry's most influential figures shows you how to thrive in the most exciting business in the world. It's a book that no musician, entertainment lawyer, agent, promoter, publisher, manager, record company executive -- anyone who makes their living from music -- can afford to be without.
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Part tell-all, part cautionary tale, this emotionally charged memoir from a former video vixen nicknamed 'Superhead' goes beyond the glamour of celebrity to reveal the inner workings of the hip-hop dancer industry—from the physical and emotional abuse that's rampant in the industry, and which marked her own life—to the excessive use of drugs, sex and bling.
Once the sought-after video girl, this sexy siren has helped multi-platinum artists, such as Jay-Z, R. Kelly and LL Cool J, sell millions of albums with her sensual dancing. In a word, Karrine was H-O-T. So hot that she made as much as $2500 a day in videos and was selected by well-known film director F. Gary Gray to co-star in his film, A Man Apart, starring Vin Diesel. But the film and music video sets, swanky Hollywood and New York restaurants and trysts with the celebrities featured in the pages of People and In Touch magazines only touches the surface of Karrine Steffans' life.
Her journey is filled with physical abuse, rape, drug and alcohol abuse, homelessness and single motherhood—all by the age of 26. By sharing her story, Steffans hopes to shed light on an otherwise romanticised industry and help young women avoid the same pitfalls she encountered. If they're already in danger, she hopes to inspire them to find a way to dig themselves out of what she knows first-hand
to be a cycle of hopelessness and despair.
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"Comprehensive and lively, Hotel California offers a front-row seat on the wild ride—fueled by drugs, sex, and lots of cash—that took Southern California singer-songwriters from hot tubs and local bars to sold-out stadiums,private jets, and the bestselling album of all time."
—Alan Light, author of The Skills to Pay the Bills: The Story of the Beastie Boys"Through hundreds of interviews conducted over the last dozen years, Hoskyns methodically chips away at the era's artifice and ego-driven mythologizing, revealing a creative landscape that was less stardust and golden than it was green with greed and white with cocaine residue."
—Erik Himmelsbach, Los Angeles Times Book ReviewThis book is a remarkable look at one of the most dramatic, creative, and revolutionary settings in American popular culture: the Los Angeles popular music scene from the late 1960s to the late 1970s. Drawing on extraordinarily candid firsthand interviews Barney Hoskyns has conducted over more than three decades, Hotel California takes you on an intimate tour—from the Sunset Strip to Laurel Canyon—of the creative and personal lives of the legendary songwriters, superstars, and producers who made the music that everyone listened to. You'll read things you've never read before about such fascinating, complex people as Joni Mitchell, Neil Young, Jackson Browne, Glenn Frey, Mama Cass Elliot, James Taylor, Linda Ronstadt, David Geffen, and many others. Packed with riveting anecdotes and sharp musical insights, Hotel California captures the amazing results of brilliant creative collaboration and the dark side of fame, wealth, and unbridled ambition. It is a story of rise and fall like none other, and you won't be able to put it down.
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#1 bestselling author Shannon Holmes returns with the explosive sequel to his national bestseller, Bad Girlz. Tonya Morris a.k.a. "Tender" is back and this time the ride is wilder than ever.Coming of age in the Badlands of north Philadelphia--one of the toughest and poorest communities in the country--Tonya Morris has had to make some desperate and, at times, ruthless moves in her bid to survive. When Tonya stepped into the unforgiving business of stripping, she found herself caught up in a world of sex-filled nights, dirty money, backstabbing cohorts, and murder.She left that world behind to become a hairstylist. However, after she is blacklisted from salons across Philadelphia and is evicted by her shady landlord, Tonya finds herself back in the stripping business. Except this time, she promises herself, things are going to end differently.Tonya teams up with her best friend, Na'eema, to organize underground sex parties, and it's not long before they have a team of beautiful girls and are rubbing elbows with athletes, rappers, and celebrities.Then Tonya's ex-lover and now music industry superstar, Q, steps onto the scene, and everything takes a dramatic new twist. Because it's not just Q who is back in her life. His murderous baby mama, Niecey, is fresh out of jail and ready to raise hell. And she's got Tonya in her sights. In the meantime, Tonya's past has risen like a beast, threatening to tear away all her newfound success. But Tonya isn't going down without a fight.
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Motion Picture and Video Lighting explores the technical, aesthetic and practical aspects of lighting for film and video. Written by a professional in the field, this comprehensive book reveals inside information based on years of experience and thoroughly explores the challenges faced by cinematographers, lighting directors, gaffers and grips.
Through a hands on approach which is augmented by insightful diagrams, tables, charts and photographs, the author illustrates the power of light as one of the most important elements of filmmaking. Whether the reader is a professional, or student, a gaffer, grip or cameraman, this book will be a useful reference.
Blain Brown is a cinematographer and lighting director based in Los Angeles, California. He has lit and photographed a range of productions - from macro/table tops to boxing arenas, and from no-budget shoestring productions to large-scale features. Mr. Brown has also worked as a producer and line producer on commercials, music videos and feature films.
Provides a comprehensive look everyone involved in motion picture or video lighting.
Contains diagrams, tables, charts, and photographs to supplement the text.
A perfect reference for the professional or the student.
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Now in its tenth edition, This Business of Music has been revised and completely updated to reflect the latest changes in the ever-evolving music business. Every chapter has been revised. An entirely new chapter has been added, asking and answering the question "Are there borders in cyberspace?" The answer is yes, and the book clearly and concisely explains what they are and how to maintain them. Commentary on recent legislation, a reader-friendly summary of the laws on copyright duration, and much more insightful analysis--plus fully updated lists of music organizations and important websites--make This Business of Music indispensable for musicians, agents, managers, marketers, music publishers and groups, colleges and universities, and everyone who wants to make music and make money.
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Music exec offers an affordable, no-nonsense guide to the basics and beyond.
Music publishing is one of the most complex parts of the music business and yet it can be the most lucrative area of income for musicians. Expert and industry veteran Ran
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"Daylle Deanna Schwartz has conveniently packaged all you need to know to start your own record label in a very reader-friendly new edition. What took me over ten years to learn the hard way has been easily explained in Start & Run Your Own Record Label. If you’re thinking about competing in the often-treacherous world of independent record labels, arm yourself with this book." – RYAN KUPER, Redemption RecordsIn its first edition, Start and Run Your Own Record Label was an authoritative resource for anyone who ever dreamt of building their own record business from the ground up. Comprehensive, informative, practical, and accessible, the book covered every aspect of setting up, owning, and operating a record label.
Since the publication of that edition, the music industry has witnessed a new era for independent record labels. While not profoundly different, new technology has made it easier and more affordable for practically anyone to record their own music at home and to sell it online and at performances. As a result, increasingly more musicians are finding it easier to achieve their musical goals.
In the Updated and Expanded edition, new chapters are included to address such issues as resources for the business end of running a record label, getting exposure, exploring alternative markets for all genres of music, and maximizing the use of the Internet. In addition, all chapters are rewritten and more interviews with cutting edge experts on today's music market have been added.
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"George," he said, "I don't know if you'd be interested, but there's a chap who's come in with a tape of a group he runs. They haven't got a recording contract, and I wonder if you'd like to see him and listen to what he's got?""Certainly," I said, "I'm willing to listen to anything. Ask him to come and see me." "O.K., I will. His name's Brian Epstein..."All You Need Is Ears is the story of George Martin, the man who spotted the Beatles' talent, who recorded and produced them from the start, and who brought their musical ideas to life. In this witty and charming autobiography, he describes exactly what it was like to work in the studio with the Beatles--from the first audition (and his decision to scrap Pete Best on drums) to the wild experimentation of Sgt. Pepper (complete with sound effects, animal noises and full orchestras in evening dress at the direct request of Paul McCartney).This is a singular look at the most important musical group of all time, and how they made the music that changed the world: No other book can provide George Martin's inside look at their creative process, at the play of genius and practical improvisation that gave them their sound; it is an indispensable read for Beatle lovers and anyone interested in the music world.
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Features hundreds of listings for music publishers, record companies, managers & booking Agents, and record producers, as well as songwriter support organizations, contests, and online resources.Includes interviews with successful pro songwriters, including Paul Simon and Kara DioGuardi (Christina Aguilera, Santana, Celine Dion, Kelly Clarkson, plus two BMI Pop Awards in 2006).
Crucial articles inform readers about how money is made in music and how to protect themselves from the scam artists of the industry.
The 2008 Songwriter's Market is packed with information about the inner workings of the music industry that can mean the difference between success and failure. Readers will find support and encouragement through support organizations, online resources, and songwriting-related books and magazines, as well as articles and interviews with industry insiders. The reader will also find numerous listings for music industry companies and executives including their contact information, the type of music they are looking for, and how much they pay.
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The Indie Band Survival Guide is the ultimate resource for musicians looking to record, distribute, market, and sell their music for less than most rock stars spend on green M&M's. Musicians and web gurus Randy Chertkow and Jason Feehan cover every step of the process. With nothing but creative talent and the Web, they've gotten tens of thousands of fans for their band, in addition to being hired to write music for film, television, theater, and other media.
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The classic guide to independent music promotion -- now revised and updated! With this manual, you'll discover that music marketing doesn't have to be expensive or flashy to be effective. Whether you're promoting a fast-growing indie band, record label or solo act from your basement, the "Guerrilla Music Marketing Handbook" gives you the tools you need to get the most out of your music career. Within these pages you'll find: - Dozens of simple, high-impact ways to promote yourself, your band or your new release - Tips on how to double your music sales (in 90 days or less) - 25 ways to finance your next recording project, music video or major equipment purchase - The 29 most important elements in creating sizzling music publicity materials. Don't create great music in the dark. Get the "Guerrilla Music Marketing Handbook" today. It's already helped thousands of artists get more exposure and generate more gigs and CD sales. Now it's your turn to soak up these ideas and put them to work for you.
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The maxim in the music industry has always been "You can't make it on talent alone," and with This Business of Music Marketing & Promotion, you don't have to. In language that is simple and direct, author Tad Lathrop details promotional skills, publicity plans, royalty guidelines, and more, all supported by real-world examples. He shows how the Web and other technological developments have revolutionized not only how music is made, but how it is marketed and promoted. The old rules still apply--create a marketing plan, know your audience, be familiar with the laws of commerce--but there are a host of new ones as well, along with new strategies on how to give your recording the exposure it deserves. This streamlined, reorganized, and updated edition features an all-new chapter ("Twenty Profile-Building Ideas to Use Right Now"), which will help readers get a running start in the recording business. They'll also find completely updated material about Internet sales and promotion techniques, the latest information available on integrated marketing and e-marketing strategies, and brand-new listings of information resources.
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A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance.
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Snatched from the docks of New Orleans, 13-year-old Jessie is thrown aboard a slave ship where he is sickened by the horrible practices of the slave business. But they are nothing compared to the one final horror that Jessie will witness. Can the cruelty be stopped before it’s too late?
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Working as a recording engineer presents challenges from every direction of your project. From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.
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In this market-leading text, Stanley Alten, an internationally recognized scholar and expert in the area of audio production, provides students with an introduction to the basic techniques and principles needed for audio production in media. The text has helped professors effectively teach this technically-based course to the introductory audio production student through its clear and current illustrations and photos and student-friendly writing. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process--from planning to post-production.