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Books : Entertainment : Music : Theory, Composition & Performance : Conducting
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One of the most gifted, celebrated, scrutinized, and criticized musicians in the second half of the twentieth century, Leonard Bernstein made his legendary conducting debut at the New York Philharmonic in 1943, at age 25. A year later, he became a sensation on Broadway with the premiere of On the Town. Throughout the 1950s, his Broadway fame only grew with Wonderful Town, Candide, and West Side Story. And in 1958, the Philharmonic appointed him the first American Music Director of a major symphony orchestra—a signal historical event. He was adored as a quintessential celebrity but one who could do it all—embracing both popular and classical music, a natural with the new medium of television, a born teacher, writer, and speaker, as well as a political and social activist. In 1976, having conducted the Philharmonic for more than one thousand concerts, he took his orchestra on tour to Europe for the last time.
All of this played out against the backdrop of post-Second World War New York City as it rose to become the cultural capital of the world—the center of wealth, entertainment, communications, and art—and continued through the chaotic and galvanizing movements of the 1960s that led to its precipitous decline by the mid 1970s.
The essays within this book do not simply retell the Bernstein story; instead, Leonard Bernstein's brother, Burton Bernstein, and current New York Philharmonic archivist and historian, Barbara B. Haws, have brought together a distinguished group of contributors to examine Leonard Bernstein's historic relationship with New York City and its celebrated orchestra. Composer John Adams, American historians Paul Boyer and Jonathan Rosenberg, music historians James Keller and Joseph Horowitz, conductor and radio commentator Bill McGlaughlin, musicologist Carol Oja, and music critics Tim Page and Alan Rich have written incisive essays, which are enhanced by personal reminiscences from Burton Bernstein. The result is a telling portrait of Leonard Bernstein, the musician and the man.
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First published in 1966, Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, including a new preface.
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Familiar to conductors, orchestra managers, and music librarians, this compact sourcebook provides information necessary to plan orchestral programs and organize rehearsals. The third edition features 4500 compositions that cover the standard repertoire for American orchestras (a 30% increase over the second edition), clearer entries, and a more useful system of appendixes.
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Teaching Music with Passion is a one-of-a-kind, collective masterpiece of thoughts, ideas and suggestions about the noble profession of music education. Both inspirational and instructional, it will surely change the way you teach (and think) about music. Filled with personal experiences, anecdotes and wonderful quotations, this book is an easy-to-read, essential treasure! "One of the most 'real' writings I have read during my 35 years in music education." - Mel Clayton, President, MENC: The National Association for Music Education
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THE GRAMMAR OF CONDUCTING: A COMPREHENSIVE GUIDE TO BATON TECHNIQUE AND INTERPRETATION provides a comprehensive introduction to the techniques and practical concerns of leading an orchestra. The text proceeds from basic conducting patterns to sophisticated explorations of performance and rehearsal techniques.
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The definitive biography of one of the most influential, flamboyant, and multifaceted musical talents of the 20th century, a man whose concert hall performances inspired generations of musicians and music lovers, and whose theatrical triumphs dazzled Broadway.
From the Trade Paperback edition.
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This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.
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Seasoned conductor Diane Wittry draws a comprehensive roadmap to a successful career in Beyond the Baton. With first-hand understanding of how the role of the conductor has changed across the years, she expertly examines the new set of duties--both on and off of the podium--that now fall upon the shoulders of the music director.
From getting a job to fundraising and educational outreach, Wittry's comprehensive tips and strategies guide students and professional conductors alike through the leadership and organizational skills necessary for success. Numerous real-life examples illustrate vital skills for artistic leadership such as programming subscription, pops, and educational concerts; understanding the budget and the music director's role in funding the artistic vision; and presenting speeches, and radio and televised interviews. In informative conversations with the author, successful conductors Leonard Slatkin, Robert Spano, and JoAnn Falletta offer tips from personal experience on how music directors can work successfully with orchestras, and what their roles are with the board and the community.
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Robert Shaw is considered to be the most influential choral conductor in American history. This is the first collection of his letters and notes about music ever published—at another time, it is the book Shaw would have written himself.
The letters are an invigorating mix of music history and analysis, philosophy, inspiration, and practical advice. Shaw examines technique, but only as a means to an end—he moves beyond that, delving into the essence of what music is and what it has to say to us. The heart of the book is composed of Shaw’s previously unpublished notes on fifteen major choral works, ranging from Bach’s B Minor Mass to Stravinsky’s Symphony of Psalms.
Often inspiring and sometime hilarious, these writings reveal the full breadth of Shaw’s knowledge, intensity, and humor.
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Sound Advice is a valuable resource for college students, beginning teachers, and experienced conductors of children's choirs. It covers the vast array of skills needed by today's conductor and will benefit all choir directors who want their choirs to reach a higher level of artistry.
This book will be useful on many levels: for the college student studying the child voice and elementary teaching methods; for the teacher beginning to direct choirs in schools, synagogues, churches and communities; for experienced children's choir directors who wish to know more about orchestral repertoire for treble voices, conducting an orchestra, and preparing a children's choir to sing a major work with a professional orchestra.
The underlying educational philosophy is sound; the author sees development of musicianship through singing as the primary goal of a children's choir program. This philosophy differs dramatically from the traditional concept of the conductor as all-knowing and the singers as receptacles. An outstanding aspect of the book is how the author leads the reader to an understanding of how to teach musicianship. Developing literacy in the choral setting is a mysterious, amorphous process to many conductors, but the author clearly outlines this important process with practical suggestions, well-documented examples, and a clear reading style which will reach readers on many levels. The comprehensive repertoire, skill-building sheets, and programs for all types of children's choirs will provide teachers with immediate and highly valuable resources.
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This comprehensive text by Anthony Maiello on the art of conducting is designed to be hands on, user friendly, playable by any instrumentation, a step-by-step approach to baton technique, great for use with a wind, string or voice conducting class, and excellent as a refresher course for all conductors at all levels of ability. The 232-page book covers a variety of conducting issues and the included CD contains all the musical exercises in the book (there are more than 100).
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Extensively refined and updated, this new edition on conducting posits that conducting is atime-space art. It builds basic book techniques and includes additional band scores excerpts, placed in proximity with the classic repertoire. The text adds new baton timing techniques, and shows the relationships of time, speed, and motion. Key words and principles are highlighted in boldface or italics. This book states a new principle regarding gesture-speed as related to dynamics and phrasing. Drills to train the mind and hands simultaneously are presented. Complete diagrams, all time-beating patterns, and logical classification of expressive gestures are included. Offers manual-technique photo illustrations and a wealth of music examples that show the application of techniques. Features an extensive appendix that includes seating charts, language tables (scores), less common terms, and an outline of musical form to aid in score study. For musicians.
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A LIFE IN MUSIC reviews five decades of the rich and uniquely varied musical life of Daniel Barenboim. A child prodigy as a pianist and a virtuoso conductor of symphonies and opera, he has known and worked with many of the most distinguished and exciting musicians of the 20th century, including Rubinstein, Klemperer, Furtwangler, Zubin Mehta, Pierre Boulez, Fischer-Dieskau, Pablo Casals and not least his own wife Jacqueline du Pré, among many others. `He still insists on undertaking grand projects that only a madman or genius would contemplate', The Times noted in August 2001, and recent years have included his work at the annual Wagner Festival in Bayreuth; his involvement with the rebirth of the State Opera House in Berlin; taking over from George Solti's 22-year reign in Chicago; his summer festivals at Weimar in Germany where young Arab and Israelis can play music together; and his worldwide travels. He gives us his trenchant thoughts on Israel today, the problems facing young musicians and the changing world of music at the beginning of the 21st century.
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The biography of Simon Rattle, the new music director of the Berlin Philharmonic, updated for paperback publication.
Still in his mid-forties, Simon Rattle is a musician for the new century: he is equally at home conducting Beethoven symphonies, the twentieth-century repertory with which he made his reputation with the City of Birmingham Orchestra, new works he has commissioned, jazz by Ellington and Bernstein, or baroque opera with the Orchestra of the Age of Enlightenment. His range is unique, his achievements already remarkable. As Rattle takes on the music directorship of the Berlin Philharmonic, Nicholas Kenyon talks to him as well as to his friends and colleagues about what has made Rattle one of the most powerful musical communicators of our time--and looks at the challenges that await him in Berlin.
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This competency-based workbook provides sound and practical hands-on procedures for beginning and advanced conducting enthusiasts. It features a broad repertory of musical excerpts, and—since most are reduced to a four-part format—users can practice conducting skills and rehearsal techniques readily. The workbook promotes self-directed learning by challenging users to attempt conducting techniques as they arise in the music. The workbook details conducting techniques including the baton, beat patterns, fractional beat preparations, the fermata, asymmetrical and changing meters, tempo changes and accompanying. It also outlines score preparation and rehearsal technique and provides musical excerpts. For individuals interested in learning the finer points of musical conducting.
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An accessible and complete introduction to writing and scoring music for each instrument of the orchestra. Clear explanations, vivid descriptions of various instruments, expert advice, and numerous musical examples to maximize the student's understanding of concepts being presented. A valuable resource and reference for students in their future professional endeavors, this text maximizes its usefulness beyond the classroom.
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Directing the Choral Music Program is a comprehensive introduction to developing and managing choral music programs from elementary through high-school and adult levels. Designed primarily as a choral methods text for the undergraduate music education curriculum, it is also useful for choral directors in schools, churches, and communities. Broad in scope and practical in orientation, the book is structured around three basic units: the administrative process, rehearsal and performance planning, and choral techniques. In addition to core topics--including recruitment and auditioning, classroom management, vocal development, and curriculum and performance planning--it features many subjects not covered in other texts, such as student discipline, philosophy of choral music education, and the history of choral conducting. The author also presents material on directing show choirs and musicals; organizing choir tours, festivals, and contests; working with adolescent singers; and teaching sight-reading skills.
Directing the Choral Music Program incorporates study and discussion questions at the end of each chapter, numerous illustrations and musical examples, and a variety of class projects throughout. The appendixes offer helpful lists of music publishers and distributors; manufacturers of equipment, supplies, and attire; recommended choral repertory; voice class resources; and sight-singing materials. Grounded in the author's extensive experience in directing choirs at all levels, this book combines practical methods with a research base, providing readers with a solid foundation for a career in choral directing.
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One of the greatest and most celebrated performing artists of the twentieth century, Herbert von Karajan (1908-1989) dazzled, intrigued, and intimidated the music world. As the young Karajan told his brother, "Whether it's conducting, skiing, or motor racing, I simply want to be the best."
Richard Osborne draws on his own extensive conversations with Karajan, interviews with those who knew the conductor, and a treasure trove of primary sources to bring into focus the flamboyance and flaws of an extraordinary musician as well as the turbulent international music scene over six decades. The author debunks many legends about Karajan, particularly those relating to his membership in the Nazi Party, which he opportunistically joined in 1935 to obtain a conducting appointment. While the decision haunted him throughout his life, Karajan's career flourished after the war. A jet-setting superstar, he once held, simultaneously, six of the world's most prestigious musical posts, including director of the Salzburg Festival, artistic director of the Vienna State Opera, and conductor for life of the Berlin Philharmonic. After signing with legendary producer Walter Legge, Karajan achieved international fame through his best-selling recordings. He also embraced the challenge of adapting to rapidly changing technologies, and quickly mastered each new medium -- television, vinyl LPs, tapes, and CDs.
This comprehensive, well-balanced, and objective biography will stand as the definitive work on this exceptional maestro.