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Books : History : United States : 19th Century : Gilded Age
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In a grand-scale narrative history, the bestselling author of two finalists for the Pulitzer Prize now captures the decades when capitalism was at its most unbridled and a few breathtakingly wealthy businessmen utterly transformed America from an agrarian economy to a world power.
The years between the Civil War and the end of the nineteenth century saw the wholesale transformation of America from a land of small farmers and small businessmen into an industrial giant. Driven by unfathomably wealthy and powerful businessmen like J. P. Morgan, Andrew Carnegie and John D. Rockefeller, armies of workers, both male and female, were harnessed to a new vision of massive industry. A society rooted in the soil became one based in cities, and legions of immigrants were drawn to American shores. What’s more, in accomplishing its revolution, capitalism threatened to eclipse American democracy. “What do I care about the law?” bellowed Cornelius Vanderbilt. “Hain’t I got the power?” He did, and with it he and the other capitalists reshaped every aspect of American life. In American Colossus, H.W. Brands portrays the emergence, in a remarkably short time, of a recognizably modern America.
The capitalist revolution left not a single area or aspect of American life untouched. It roared across the South, wrenching that region from its feudal past and integrating the southern economy into the national one. It burst over the West, dictating the destruction of Native American economies and peoples, driving the exploitation of natural resources, and making the frontier of settlement a business frontier as well. It crashed across the urban landscape of the East and North, turning cities into engines of wealth and poverty, opulence and squalor. It swamped the politics of an earlier era, capturing one major party and half of the other, inspiring the creation of a third party and determining the issues over which all three waged some of the bitterest battles in American history.
Brands’s spellbinding narrative beautifully depicts the oil gushers of western Pennsylvania, the rise, in Chicago, of the first skyscraper, the exploration of the Colorado River, the cattle drives of the West, and the early passionate sparks of union life. By 1900 the America he portrays is wealthier than ever, yet prosperity is precarious, inequality rampant, and democracy stretched thin. American Colossus is an unforgettable portrait of the years when the contest between capitalism and democracy was at its sharpest, and capitalism triumphed.
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The secret double life of the man who mapped the American West, and the woman he loved
Clarence King is a hero of nineteenth century western history; a brilliant scientist and witty conversationalist, best-selling author and architect of the great surveys that mapped the West after the Civil War. Secretary of State John Hay named King “the best and brightest of his generation.” But King hid a secret from his Gilded Age cohorts and prominent family in Newport: for thirteen years he lived a double life—as the celebrated white explorer, geologist and writer Clarence King and as a black Pullman porter and steel worker named James Todd. The fair blue-eyed son of a wealthy China trader passed across the color line, revealing his secret to his black common- law wife, Ada Copeland, only on his deathbed.
King lied because he wanted to and he lied because he had to. To marry his wife in a public way – as the white man known as Clarence King – would have created a scandal and destroyed his career. At a moment when many mixed-race Americans concealed their African heritage to seize the privileges of white America, King falsely presented himself as a black man in order to marry the woman he loved.
Noted historian of the American West Martha Sandweiss is the first writer to uncover the life that King tried so hard to conceal from the public eye. She reveals the complexity of a man who while publicly espousing a personal dream of a uniquely American “race,” an amalgam of white and black, hid his love for his wife, Ada, and their five biracial children. Passing Strange tells the dramatic tale of a family built along the fault lines of celebrity, class, and race—from the “Todd’s” wedding in 1888, to the 1964 death of Ada King, one of the last surviving Americans born into slavery.
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In the half-century between the Civil War and World War I, widespread yearning for a new beginning permeated American public life. Dreams of spiritual, moral, and physical rebirth formed the foundation for the modern United States, inspiring its leaders with imperial ambition. Theodore Roosevelt's desire to recapture frontier vigor led him to promote U.S. interests throughout Latin America. Woodrow Wilson's vision of a reborn international order drew him into a war to end war. Andrew Carnegie's embrace of philanthropy coincided with his creation of the world's first billion-dollar corporation, United States Steel. Presidents and entrepreneurs helped usher the nation into the modern era, but sometimes the consequences of their actions failed to match the grandeur of their hopes.
Award-winning historian Jackson Lears richly chronicles this momentous period when America reunited and began to form the world power of the twentieth century. Lears vividly captures imperialists, Gilded Age mavericks, and vaudeville entertainers, and illuminates the roles played by a variety of seekers, male and female, from populist farmers to avant-garde artists and writers to progressive reformers. Some were motivated by their own visions of Christianity; all were swept up in longings for revitalization.
In these years marked by wrenching social conflict and vigorous political debate, a m
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Rockefeller, Morgan, Vanderbilt, Carnegie, Harriman, Gould, Frick...this is the story of the giant american capitalists who seized economic power after the Civil War and altered the shape of american life forever. Index.
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An absorbing tale of greed, sex, crime, betrayal, and murder, King of Heists blends all the richness of history with the thrills of the best fiction.
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Age of Betrayal is a brilliant reconsideration of America's first Gilded Age, when war-born dreams of freedom and democracy died of their impossibility. Focusing on the alliance between government and railroads forged by bribes and campaign contributions, Jack Beatty details the corruption of American political culture that, in the words of Rutherford B. Hayes, transformed “a government of the people, by the people, and for the people” into “a government by the corporations, of the corporations, and for the corporations.” A passionate, gripping, scandalous and sorrowing history of the triumph of wealth over commonwealth.
From the Trade Paperback edition.
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On May 4, 1886, a bomb exploded at a Chicago labor rally, wounding dozens of policemen, seven of whom eventually died. A wave of mass hysteria swept the country, leading to a sensational trial, that culminated in four controversial executions, and dealt a blow to the labor movement from which it would take decades to recover. Historian James Green recounts the rise of the first great labor movement in the wake of the Civil War and brings to life an epic twenty-year struggle for the eight-hour workday. Blending a gripping narrative, outsized characters and a panoramic portrait of a major social movement, Death in the Haymarket is an important addition to the history of American capitalism and a moving story about the class tensions at the heart of Gilded Age America.
From the Trade Paperback edition.
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In the tradition of The Devil in the White City comes a spell-binding tale of madness and murder in a nineteenth century American dynasty
On June 3, 1873, a portly, fashionably dressed, middle-aged man calls the Sturtevant House and asks to see the tenant on the second floor. The bellman goes up and presents the visitor's card to the guest in room 267, returns promptly, and escorts the visitor upstairs. Before the bellman even reaches the lobby, four shots are fired in rapid succession.
Eighteen-year-old Frank Walworth descends the staircase and approaches the hotel clerk. He calmly inquires the location of the nearest police precinct and adds, "I have killed my father in my room, and I am going to surrender myself to the police."
So begins the fall of the Walworths, a Saratoga family that rose to prominence as part of the splendor of New York's aristocracy. In a single generation that appearance of stability and firm moral direction would be altered beyond recognition, replaced by the greed, corruption, and madness that had been festering in the family for decades.
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Winner of the Letitia Brown Memorial Publication Prize.
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On the afternoon of June 25, 1867, an overwhelming force of Sioux and Cheyenne Indians quickly mounted a savage onslaught against General George Armstrong Custer’s battalion, driving the doomed troopers of the U.S. Seventh Cavalry to a small hill overlooking the Little Bighorn River, where Custer and his men bravely erected their heroic last stand.
So goes the myth of the Battle of the Little Bighorn, a myth perpetuated and reinforced for over 100 years. In truth, however, "Custer’s Last Stand" was neither the last of the fighting nor a stand.
Using innovative and standard archaeological techniques, combined with historical documents and Indian eyewitness accounts, Richard Allan Fox, Jr. vividly replays this battle in astonishing detail. Through bullets, spent cartridges, and other material data, Fox identifies combat positions and tracks soldiers and Indians across the Battlefield. Guided by the history beneath our feet, and listening to the previously ignored Indian testimonies, Fox reveals scenes of panic and collapse and, ultimately, a story of the Custer battle quite different from the fatalistic versions of history. According to the author, the five companies of the Seventh Cavalry entered the fray in good order, following planned strategies and displaying tactical stability. It was the sudden disintegration of this cohesion that caused the troopers’ defeat. The end came quickly, unexpectedly, and largely amid terror and disarray. Archaeological evidences show that there was no determined fighting and little firearm resistance. The last soldiers to be killed had rushed from Custer Hill.
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New Spirits: Americans in the Gilded Age, 1865-1905 provides a fascinating look at one of the most crucial chapters in U.S. history. Rejecting the stereotype of a "Gilded Age" dominated by "robber barons," author Rebecca Edwards invites us to look more closely at the period when the United States became a modern industrial nation and asserted its place as a leader on the world stage. Employing a concise, engaging narrative, Edwards recounts the contradictions of the era, including stories of tragedy and injustice alongside tales of humor, endurance, and triumph. She offers a balanced perspective that considers a number of different viewpoints, including those of native-born Anglos, Native Americans, African Americans, and an array of Asian, Mexican, and European immigrants. Beginning with Emancipation and ending with the first deployment of U.S. troops overseas, New Spirits traces the roots of today's diverse and conflicted nation. Organized around major themes, the text consists of three parts. Opening with the legacies of the Civil War, Part I focuses on the era's political and economic transformations. Part II explores upheavals in family life, scientific thought, and religious faith. Part III follows the depression of the 1890s and its aftermath. The book reveals a world of hopeful immigrants and striving professionals; generations in conflict with one another; a ne
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Even before he was shot dead on the stairway of the tony Grand Central Hotel in 1872, financier James “Jubilee Jim” Fisk, Jr., was a notorious New York City figure. From his audacious attempt to corner the gold market in 1869 to his battle for control of the geographically crucial Erie Railroad, Fisk was a flamboyant exemplar of a new financial era marked by volatile fortunes and unprecedented greed and corruption. But it was his scandalously open affair with a showgirl named Josie Mansfield that ultimately led to his demise.
In this riveting short history—the first in his American Portraits series—H. W. Brands traces Fisk’s extraordinary downfall, bringing to life New York’s Gilded Age and some of its legendary players, including Boss William Tweed, Cornelius Vanderbilt, and the railroad tycoon Jay Gould.
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When the United States entered the Gilded Age after the Civil War, argues cultural historian Christopher Benfey, the nation lost its philosophical moorings and looked eastward to “Old Japan,” with its seemingly untouched indigenous culture, for balance and perspective. Japan, meanwhile, was trying to reinvent itself as a more cosmopolitan, modern state, ultimately transforming itself, in the course of twenty-five years, from a feudal backwater to an international power. This great wave of historical and cultural reciprocity between the two young nations, which intensified during the late 1800s, brought with it some larger-than-life personalities, as the lure of unknown foreign cultures prompted pilgrimages back and forth across the Pacific.
In The Great Wave, Benfey tells the story of the tightly knit group of nineteenth-century travelers—connoisseurs, collectors, and scientists—who dedicated themselves to exploring and preserving Old Japan. As Benfey writes, “A sense of urgency impelled them, for they were convinced—Darwinians that they were—that their quarry was on the verge of extinction.”
These travelers include Herman Melville, whose Pequod is “shadowed by hostile and mysterious Japan”; the historian Henry Adams and the artist John La Farge, who go to Japan on an art-collecting trip and find exotic adventures; Lafcadio Hearn, who marries a samurai’s daughter and becomes Japan’s preeminent spokesman in the West; Mabel Loomis Todd, the first woman to climb Mt. Fuji; Edward Sylvester Morse, who becomes the world’s leading expert on both Japanese marine life and Japanese architecture; the astronomer Percival Lowell, who spends ten years in the East and writes seminal works on Japanese culture before turning his restless attention to life on Mars; and President (and judo enthusiast) Theodore Roosevelt. As well, we learn of famous Easterners come West, including Kakuzo Okakura, whose The Book of Tea became a cult favorite, and Shuzo Kuki, a leading philosopher of his time, who studied with Heidegger and tutored Sartre.
Finally, as Benfey writes, his meditation on cultural identity “seeks to capture a shared mood in both the Gilded Age and the Meiji Era, amid superficial promise and prosperity, of an overmastering sense of precariousness and impending peril.”
From the Hardcover edition.
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Mrs Astor, undisputed queen of New York society in the decades before World War I, used her prestige to create a social aristocracy in the city; an invitation to one of her parties was a coveted mark of social acceptance, and exclusion meant social banishment. Mrs Astor's story, which reads like a novel by Edith Wharton, sheds light on the origins, extravagant lifestyle, and social competitiveness of this aristocracy, and it is told here by Eric Homberger. Homberger argues that the arrival in New York of a tidal wave of new wealth after the Civil War pushed the city's old families into a redefinition of the practices and responsibilities of aristocracy. The public wanted to know more about the neighbourhoods, clothes, marriages, entertainments, scandals and divorces of the wealthy, so during the 1880s, Mrs Astor presided over a revolution in their social visibility. With Ward McAllister she created the Patriarchs, whose annual balls were the most sought-after social events of the time. She also established the "400", the definitive list of the socially acceptable, ordaining which families could be accepted and which must remain in social exclusion. Homberger describes the festivities of this social elite, their homes and environments, and their social struggles. His diverting account of lives of discreet and not-so-discreet excess recaptures New York's high society and shows how its mem