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Books : Arts & Photography : Artists, A-Z : ( J-L ) : Koons, Jeff
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In 1975, a young art student named Jeff Koons (b. 1955) moved to Chicago, where he studied at the School of the Art Institute; worked as a studio assistant to his hero, painter Ed Paschke, for $1 an hour; and socialized with many of the city's most talented artists. This handsome book takes a fresh look at the rise and career of Jeff Koons, who is now arguably one of the world's most famous artists.Koons collaborated extensively on this book, which accompanies the first solo museum exhibition in the U.S. in 16 years and offers a survey of nearly thirty years of his work, beginning with iconic sculptures from 1979 to new paintings completed in 2007. Francesco Bonami reconsiders his career, making intriguing connections to the work of Andy Warhol, A. A. Milne, Marcel Duchamp, and Gustave Courbet, among others. This is the first publication to explore a little-known but highly influential period in the artist's career, his time in Chicago in the 1970s. It also provides an accessible and comprehensive introduction to Koons' work for new audiences and short texts about each of his series and many major works.
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The man who enshrined a Hoover vacuum cleaner, who suspended a basketball in a fish tank half filled with water, who created a life-size polychromed wooden replica of Michael Jackson and his pet chimp Bubbles, who transferred his sex life with his then-wife, Italian porn star Ilona Staller (aka Cicciolina), onto canvas, and who made a monumental topiary sculpture in the shape of a puppy, is here given a mini-retrospective in the form of a book. Jeff Koons: Pictures 1980-2002 focuses primarily on the formation and development of Koons's paintings, but, given that he considers his early sculptures to be "three-dimensional paintings," this limit need hardly be considered medium-restrictive. Thomas Kellein's extended interview provides a walloping good tale told by the artist himself. In it, Koons remembers his childhood drawing lessons, his first sale (his father had a decorating business and showroom where he would display and sell his 11-year-old son's art), his experiences at art school, his courtship with ex-wife Cicciolina (they fell in love after he hired her to make his Made in Heaven series), and how the birth of his son inspired his Celebration series, all the while sharing his philosophies on art. Organized chronologically and with an extended biography and bibliography, Pictures presents each of the main works from Koons's painting series from 1980 to the present.
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What a lush garden! Imagine the berserk beds that could sprout Koons' polychromed wood begonias next to Warhol's Matisse-adrift-on-Monet silkscreened petunias. This smart volume plants Koons' mostly sculptural exploration of the flower motif alongside a history of Warhol's serialized prints and drawings of the same from the 50s, 60s and 70s.
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The man who enshrined a hoover vacuume and a basketball, who created a life-sized polychromed wood replica of Michael Jackson and his pet chimp Bubbles, who transfered his sex life with Italian porn star wife Ilona Staller onto canvas, and who made a monumental topiary sculpture in the shape of a puppy, is back. After a seven-year hiatus from the public eye, bad boy Jeff Koons returns in this comprehensive and overdue survey of his work of the past five years. Three elaborate, highly-produced series are presented, including the joyously effusive "Celebration," an ambitious body of 16 photo-realist paintings and 20 stainless steel sculptures that draw upon the symbols and objects associated with the observance of life's festive rituals.
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"A wonderfully playful assemblage of language, rhythmic and hypnotic, comic and profound. It travels from the nightclub to the bedroom to the artist's studio to the street and beyond."-Gordon Andersen, Actors Touring Company
Inspired by the title artist, without actually using him as a character, Jeff Koons is a puzzling and enticingly experimental play from a celebrated German writer.
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Published to accompany an exhibition at the Los Angeles County Museum of Art, Jasper Johns to Jeff Koons presents contemporary art from the private collections of Eli and Edythe Broad, which are among the most important in the world. Featuring works by 22 significant artists, including Andy Warhol, Roy Lichtenstein, Ed Ruscha, Jean-Michel Basquiat, and Cindy Sherman, this handsome volume addresses major movements such as American Neo-Dada and Pop, and German Neo-Expressionism, as well as art of the 1980s and current works from California.An interview with the Broads and scholarly texts addressing important aspects of the collections situate the 160 full-color plates in art-historical context.
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All ways lead to Rome--talking to la Cicciolina.: An article from: C: International Contemporary Art
This digital document is an article from C: International Contemporary Art, published by C The Visual Arts Foundation on March 22, 2004. The length of the article is 1551 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: All ways lead to Rome--talking to la Cicciolina.
Author: Suzana Sucic
Publication: C: International Contemporary Art (Magazine/Journal)
Date: March 22, 2004
Publisher: C The Visual Arts Foundation
Issue: 81 Page: 40(2)
Distributed by Thomson Gale
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"Hypermental" tracks, with unprecedented insight, the unfinished project of surrealism, exploring the visual art of the modern era not in terms of genres, schools, or media, but through the lens of subjectivity. This new catalogue explores how the modernist critique of the subject--exemplified by the art and philosophy of the Surrealists--has continued on through the postwar period and through to the present day. From Merit Oppenheim and Yayoi Kusama in the 1950s and 60s to Cindy Sherman and Matthew Barney in the 90s, we find works that interrogate the construction of the subject, and the body, through sexual difference. From the Pop-era pieces of Richard Hamilton and James Rosenquist to the more recent work of Richard Prince and Barbara Kruger, we find a narrative of the production of desire, one that refers explicitly to the elevated status of the commodity. "Hypermental" presents work by these artists and many more, juxtaposing their work with that of the original surrealists, and the resulting book is an exceptionally unique history of the most radical trends in the history of 20th century art.
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40 pages, illustrated.
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