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Books : Mystery & Thrillers : Authors, A-Z : ( C ) : Connor, Beverly
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Lindsay Chamberlain has a problem. People keep finding bodies in shallow graves and bringing the bones to her. It's not that she doesn't know what to do with the remains. An anthropologist who specializes in archaeology, she is an expert in the forensic analysis of bones.It's the bones of missing children, however, that disturb her, and lately she's had more than her share of them. Someone has been abducting young girls in the area for several years, and their remains have recently been found in shallow graves in a nearby wooded area. And Lindsay is asked to identify them.
A lot of strange things have happened since Lindsay and her colleagues from the Anthropology Department at the University of Georgia first began excavating the Indian settlement at Jasper Creek. First came the grave robbers and pot hunters, then the mysterious opposition that jeopardizes their work. After the shady lawyer who has orchestrated some of the trouble is murdered and someone attempts to abduct a nine-year-old girl, Lindsay finds herself in the middle of a crime that took place sixty years earlier. Because so much time has passed, it looks as if the murderer will get away with the crime. Can Lindsay provide the proof needed to bring the killer to justice?
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As a child, Juliet Price witnessed the bloody slaying of an entire family. Then the killer chased her down, brutalized her, and left her for dead. The police were never able to find the man responsible. For years, Juliet's traumatized mind hid the events from her. Then she sees a television show featuring the unsolved cold case, and the horrors come to her in her nightmares. She shares her fears with Diane Fallon, who realizes that Juliet's shattered visions recall not one, but two intertwined crimes-crimes that Diane intends to uncover.
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With spot-on details, a smart new voice, and ingenious plot twists, Beverly Connor has been compared to the hottest crime writers on the scene. Now, she ratchets up the suspense with a brand new series featuring one of today's most cunning and complex sleuths: forensic anthropologist Diane Fallon. Her new job as director of the RiverTrail Museum of Natural History in Georgia takes Diane out of the game-until a former love and a murdered family bring her back in.
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Some skeletons just won't stay hidden.No one knows that better than University of Georgia archaeologist Lindsay Chamberlain. Still, she is shocked when a skeleton dressed in its Sunday best falls out of a packing crate that had been stored in a kudzu-covered shed on her grandfather's farm for more than sixty years. When other crates are discovered, each containing a stash of valuable artifacts, Lindsay begins to wonder. Could her beloved grandfather, a prominent archaeologist, have been a thief, a looter-even a murderer?
As Lindsay struggles with these troubling questions, she helps a local private investigator locate the wooded grave of Shirley Foster, a missing faculty member. Lindsay is sucked into the investigation, which leads to more questions that answers. Why did Shirley Foster lie to the world about her life? Who wanted her dead?
Secrets and lies loom large in Lindsay's life, both professional and personal, as she struggles to find solutions to the mysteries. When artifacts disappear from the university and she and her students are threatened, the stakes are raised. With her job, her reputation, and her life on the line, Lindsay must find a thief and a killer before the police assume she is ultimately responsible.
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In Beverly Connor's absorbing series, the bones of the dead reveal the secrets of the living. In this latest investigation, forensic anthropologist Diane Fallon must lead a chilling excavation of a crime with harrowing implications: the murder of three people, hanged execution-style in an isolated patch of Georgia woods.
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A woman dies under suspicious circumstances, supposedly after finding evidence of her incarcerated brother's innocence. Now to prove a possible murder, Diane Fallon must root through the victim's family secrets-and the many skeletons in her closet...
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Forensic investigator Diane Fallon fights for her life in her eighth mystery
Diane is driving through a downpour on a windy mountain road after picking up a set of rare Indian artifacts when a tree suddenly slams across the hood of her car, revealing a human skeleton in its hollow trunk. As she starts to investigate, she's ambushed by a stranger and forced to run for her life. Stranded in the night with a killer, Diane must uncover a secret hidden away by time and distance-or she may not live to see another morning...
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Local politics get nasty when Rosewood, Georgia, elects a new mayor—and Diane Fallon is replaced with an incompetent crony as head of the crime lab. But just as she’s adjusting to life without murder, the newly appointed chief of police and the mayor are shot dead. Back on the job, Diane realizes that no one is safe—least of all her.
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When forensic anthropologist Diane Fallon discovers a trio of decades-old skeletons, she also unearths the key to a mystery that reaches back seventy years in a legacy of love, greed, and murder-and an unearthed family secret that still holds the power to kill.
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Forensic anthropologist Diane Fallon has tried to put the past behind her, establishing herself as head of the River Trail Museum of Natural History. Late one night at the museum, Diane hears terrified cries and finds an injured man-a former coworker from her time as a human rights activist in South America.
Left with a body, a bone, and a cryptic message, Diane has to dig back into her past with World Account International, before the next human rights abused are hers...
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Clymene O'Riley is in prison for killing her husband-though Diane Fallon is sure she killed another, and suspects she may have left a veritable graveyard of dead men in her wake. Either way, Diane was happy to help put her behind bars. So when Clymene informs her that one of the prison guards may be in danger from a serial killer, Diane is suspicious.
And when Clymene escapes from jail, Diane becomes the prime suspect in a bloody murder that puts her in the path of an angry killer who wants her dead...
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Archaeologist Lindsay Chamberlain excavates the 1558 wreck of a Spanish galleon and finds evidence of a murder at sea. As she discovers clues to the identity of the murderer, her own situation becomes less tenable because of the presence of modern-day pirates and two killings possibly related to the excavation. This is the fourth book in the Lindsay Chamberlain series.
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Man's eternal quest for gold proves as enduring as it is fatal when forensic archaeologist Lindsay Chamberlain unearths a four-hundred-year-old mystery -- and a mondern-day murder. Vacationing in Tennessee, Lindsay studies the bones of a centuries-old corpse hiding a fascinating secret. She's also asked to look into the suspicious deaths of two adventurous cavers whose fatal foray into Hell's Slide spells murder for one family member.But bones don't lie, and before long, Lindsay knows she's digging up trouble. Someone wants the case to remain closed -- and the mounting threats tell her she's getting closer to the truth. But as murder old and new come together in shocking ways, Lindsay finds herself digging for her life -- to survive the clever trap of a killer.
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In a seemingly random event, forensic anthropologist Lindsay Chamberlain is attacked and left for dead. Buried in a shallow grave in the woods, she manages to escape, although she suffers from loss of memory as a result of the ordeal.When Lindsay's memory returns, it is incomplete. She copes with the trauma by ignoring it, and she allows the authorities to handle the investigation. As the probe quickly comes to a dead end, however, the assault looms like a dark cloud over her peace of mind.
Lindsay joins excavations at an 1830s farm site on the edge of the Great Smoky Mountains National Park. Unlike previous digs where Lindsay has worked, this site is an unhappy one. Crew members are on edge and argue among themselves, and the site director takes an instant dislike to Lindsay. Furthermore, the principal investigator is under suspicion of murdering a local resident and stealing valuable papers from her. If that weren't enough, Lindsay and the crew are lodged in a haunted house, and even though she is the only crew member who doesn't believe in ghosts, she is the only one who sees them.
When very old sealed lead coffins dating from the 1700s are discovered, Lindsay becomes so excited with the discovery that she momentarily forgets her own troubles. However, her relief is short-lived, for inside one of the coffins are the disturbing remains of a woman who has something frig
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