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Books : Mystery & Thrillers : Authors, A-Z : ( K ) : Katzenbach, John
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Scott Freeman is a man of reason–a college professor grounded in the rational and practical. But he becomes uneasy after finding an anonymous love letter hidden in his daughter’s room: “No one could ever love you like I do. No one ever will. We will be together forever. One way or another.” But the reality of Ashley’s plight far exceeds Scott’s worst suspicions.
One drink too many had led Ashley, a beautiful, bright art student, into what she thought was just a fling with a blue-collar bad boy. But now, no amount of pleading or reasoning can discourage his phone calls, ardent e-mails, and constant, watchful gaze.
Michael O’Connell is but a malignant shadow of a man. His brash, handsome features conceal a black and empty soul. Control is his religion. Cunning and criminal skill are his stock-in-trade. Rage is his language.
The harder Ashley tries to break free, the deeper Michael burrows into every aspect of her life, so she turns in desperation to her divorced parents and her mother’s new partner–three people still locked in a coldly civilized triangle of resentment. But their fierce devotion to Ashley is the common bond that will draw them together to face down a predator.
For Ashley’s family, it is a test of primal love that will drive them to the extreme edge–and beyond–in a battle of wills that escalates into a life-or-death war to protect their own.
From the bestselling master of suspense, John Katzenbach, The Wrong Man is an elegantly crafted and breathtakingly intense read that asks the question, “How far would you go to save the child you love?”
From the Hardcover edition.
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It’s been twenty years since Western State Hospital was closed down and the last of its inmates reintegrated into society. Francis Petrel was barely out of his teens when his family committed him to the asylum, after his erratic behavior culminated in a terrifying outburst. Now middle-aged, he leads an aimless, solitary life housed in a cheap apartment, periodically tended to by his sisters, and perpetually medicated to quiet the chorus of voices in his head. But a reunion on the grounds of the shuttered institution stirs something deep in Francis’s troubled mind: dark memories he thought he had laid to rest, about the grisly events that led to Western State Hospital’s demise.
It begins in 1979, when twenty-one-year-old Petrel descends into the state-run purgatory of an overcrowded, understaffed Massachusetts mental hospital. Surrounded by inmates roaming the halls like drugged zombies and raving behind locked doors, well-meaning orderlies, jaded nurses, and patronizing doctors, Francis finds friendship with a motley assortment of fellow patients: a would-be Napoleon, a wise ex-firefighter, and a man obsessed with battling imagined devils. But there’s nothing imaginary about the young nurse found sexually assaulted and brutally murdered late one night after lights-out.
The police suspect an inmate, while patients whisper about visions of a white-shrouded “angel.” But the striking and mysterious prosecuting attorney who arrives to investigate has her own chilling theory—about the grim, telltale “signature” left on the victim’s body, a string of unsolved sex killings, and a very real devil who, by chance or design, has come to turn a madhouse into a slaughterhouse.
Now, with the past creeping back to haunt his thoughts, and nothing but a pencil and the bare walls of his bleak apartment, Francis surrenders to the overwhelming need to tell the story of those nightmarish days. But because the crime was never solved, it’s a story doomed to remain unfinished. Until, like Francis’s long-buried recollections, the killer resurfaces . . . with a vengeance.
A tour de force narrative journey through the eerily unpredictable mind of an utterly unusual hero, The Madman’s Tale will keep even the most astute thriller reader uncertain, unnerved, and unable to resist the tantalizing twists and turns of this fiendishly suspenseful shadow show.
From the Hardcover edition.
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When Florida newspaperman Matthew Cowart receives a note from an inmate on death row, he tries to ignore its plea, but Cowart becomes convinced of the prisoner's innocence and his investigative articles contribute to the pardon of a monster.
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When a mysterious letter bearing threatening words is delivered to Dr. Frederick Starks, his predictable life is thrown into chaos. Suddenly, the psychoanalyst is plunged into a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks Starks must guess the man's identity and the source of his fury. If he succeeds, he goes free. If he fails, Rumplestiltskin will weekly kill one of Dr. Starks' loved ones, unless the good doctor agrees to kill himself. Starks must rouse himself from the cocoon of his life, unlock the secret of Rumplestiltskin, and find a way to stop the madman before he himself is driven mad.
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The first novel by Carl Hiaasen's ace Miami Herald crime-reporter colleague John Katzenbach stars a reporter who stumbles onto the story of his life in Miami's mean season, July. (It was adapted as the Kurt Russell/Mariel Hemingway film The Mean Season.) Katzenbach's tale blazes with local color, and his depiction of the newspaper life is accurate, entertaining, and animated by an interesting dilemma: What does a newshound do when he becomes part of the story he's covering?
That's what happens to Malcolm Anderson of The Miami Journal. One day in 1975, fate hands him Page One material: a beautiful teenager found with the back of her head removed by a .45 bullet. Katzenbach takes us through the reporter's paces: eliciting quotes from the victim's family and friends (the girls at school wonder who'll replace the deceased on the cheerleading squad); getting great "art" for the photographer; negotiating the story's space, timing, and emphases with the city editor.
But this is no ordinary killing. The only thing worse than a dead teen is a dead teen with a note in her pocket reading, "Number One." Worse yet, Malcolm gets a call at his desk from the "Numbers Killer," who taunts him with an elliptical account of his tormented childhood and violent Vietnam experiences. As Malcolm desperately tries to deduce the killer's motives and prevent the next murder, he wrestles with the terrible question of his own complicity. The bad guy here is just OK, but the reporter is a very good character, and the novel well merits its Edgar Award nomination. --Tim Appelo
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Narrated by Francis Xavier Petrel, a man who relies on psychiatric medicine to quiet the voices in his head, this novel exhibits a profound understanding of the dark side of the human psyche. Twenty years have passed since Western State Hospital closed its doors and its remaining patients, including young Francis, were reintegrated into the outside world. Upon re-encountering the grounds of the institution certain memories emerge from the recesses of Francis's agitated mind: events that led up to the hospital's closing and the unsolved murder of a young nurse whose mutilated body was found in a closet one night after lights out—the murderer was always suspected to be one of her own patients.
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A serial killer who has been terrorizing Miami chooses Malcolm Anderson, a reporter for The Miami Herald, to be his anonymous conversation partner. The men soon establish a morbid relationship in which Malcolm is attempting to gain the confidence of the elusive killer while simultaneously struggling to identify and apprehend him.
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Second Lieutenant Tommy Hart's B-25 is shot out of the sky in 1942. Burdened with guilt as the only surviving crew-member, he is held captive at Stalag XIII in Bavaria. Routine comes to a halt with the arrival of a black American airman; when he is accused of murder, Hart is expected to defend him.
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