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Books : Mystery & Thrillers : Authors, A-Z : ( S ) : Smith, Julie
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Brand-new stories by: Thomas Adcock, Ace Atkins, Patty Friedmann, David Fulmer, Barbara Hambly, Greg Herren, Laura Lippman, Tim McLoughlin, James Nolan, Ted O'Brien, Eric Overmyer, Jeri Cain Rossi, Maureen Tan, Jervey Tervalon, Olympia Vernon, Christine Wiltz, Kalamu Ya Salaam, and Julie Smith.
Julie Smith is the author of two detective series set in New Orleans and an Edgar Award winner. A former reporter for the New Orleans Times-Picayune and the San Francisco Chronicle, she lives in the Faubourg Marigny section of New Orleans, which is much funkier than it sounds.
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he nemesis of New Orleans police detective Skip Langdon is Errol Jacomine. This evangelical preacher has been leader of his own frenzied army of converts, has run for mayor of New Orleans, and now wants to become president of the United States. His campaign methods are rabble-rousing, theft, kidnapping, and multiple murder. Skip thinks Jacomine is as dangerous as Jim Jones. She has chased him for years with no luck. Now Jacomine comes after Skip, her lover, and her friends. She must track him down, but his disguise this time is so clever even his own children don't recognize him. In Mean Woman Blues, Edgar Award-winner Julie Smith returns triumphantly to her popular series about hip New Orleans detective Skip Langdon, once again operating in sensual, sexy, exotic New Orleans. This time Skip is able to teach Jacomine that 'nemesis' originally meant the goddess of retributive justice.
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When PI Talba Wallis gets a frantic phone call from Orleans Parish Prison, the last person she expects to hear from is her boss's lawyer daughter, Angie. Popped for drug possession, Angie insists the drugs were planted. She's a target for representing a neighborhood group protesting the illegal commercial use of a marina by its owner, Judge Buddy Champagne. According to Angie, the judge is dirty---and he's the one who had her set up.
Talba and her boss, Eddie, are outraged---knowing Angie as they do, they pull out all the stops for her. And when Talba goes undercover as a housekeeper for Judge Champagne, she finds a household straight out of Cat on a Hot Tin Roof, with the judge playing Big Daddy. The weak son and the hot daughter-in-law are in residence, being "between jobs." Big Mama's absent, though---she died some time ago, and the judge is now adding his fiancée to the mix. That would be Miss Kristin LaGarde, an impossibly lovely, and possibly innocent, young lady who seems hopelessly in love with the old coot.
Talba dredges up lots of interesting material; such as that someone was accidentally electrocuted at the marina and that the judge is in bed with certain bail bondsmen. She finds evidence of bribes and kickbacks. He's dirty all right.
When the story breaks and the scandal deepens, Judge Champagne winds up dead. And, to her surprise, Talba is asked to investigate. Did politics kill the judge? Or was it his own family?
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Allyson Brown, the Girl Gatsby, is a woman of wealth, hostess of fabled parties, patron of the arts--especially of poets. Found floating in her own swimming pool, shot to death.
Poet and fledgling detective Talba Wallis gets an urgent call from the sister she barely knows: Janessa. To Girl Gatsby Janessa is close friend. But this call isn't an invitation to an elegant literary salon. Janessa wants off the hook as the principal murder suspect.
Investigating, Talba and her irascible boss, Eddie, find the reality behind the Gatsby glamour. Allyson was widely hated, a con artist who neglected her children, failed to pay her bills, and lied to everyone she wanted something from. The one person she loved may have ushered her to her death.
The case takes Talba and Eddie from literary parties to Gulf Coast bait shops, from biker bars to abandoned wharves, and finally, to the story of another Gatsby, which may yield answers, or greater mysteries.
Louisiana Lament is Talba's journey through the not-so-genteel Southern literary scene, where backbiting and petty jealousies abound, and mint juleps are served with canapés of carnage.
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For New Orleans police detective Skip Langdon, her nemesis is the evangelical preacher Errol Jacomine. As the leader of his own army of converts he now wants to become president of the United States. But his campaign methods include rabble-rousing, theft, kidnapping and multiple murder. Now Jacomine is coming after Skip, her lover and her friends in a guise so clever that even his own children don't recognise him. It is up to Skip to teach Jacomine the original meaning of nemesis: goddess of retributive justice.
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Who or what is The Jury? To her horror, NOPD detective Skip Langdon discovers it is a new, national, fast-growing, and very volatile organization headquartered in New Orleans. Its mission: to execute those who have "escaped" prosecution. What's more, Skip perceives that behind this deadly, clandestine group lies the evil brilliance of her old adversary, charismatic con man and cold-blooded killer Errol Jacomine. She's been waiting for Jacomine to orchestrate his twisted plan for revenge. The time is now. . . .
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"A genuinely moving mystery...It's always a pleasure to spend time with Skip, a no-nonsense, level-headed heroine in a wild and reckless city."
THE BALTIMORE SUN
Smack in the middle of the summer, Skip finds herself investigating the stabbling death of the universally beloved producer of the New Orleans Jazz and Heritage Festival. Then the victim's sixteen-year-old sister disappears, and Skip suspects that if the young woman isn't herself the murderer, she's in mortal danger from the person who is. And with her long-distance love, Steve Steinman, and her landlord, Jimmy Dee, to assist her, Skip trails an elusive killer through the delirium of a city caught up in the world's most famous music bash....
From the Paperback edition.
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Lawyer-sleuth Rebecca Schwartz heads to an Easter morning sunrise service and gets the shock of her life when she sees a real body nailed to the cross. Rebecca learns the man was a tourist. And he's only the first to die. A man identifying himself as the Trapper is out to destroy San Francisco's tourist trade by killing visitors. But when the cops arrest an innocent man as the Trapper, Rebecca takes on an impossible defense and goes undercover to find a killer . . .
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Julie Smith's claim to the New Orleans crime scene is indisputable. In House of Blues, she stretches her net of suspense and danger over the whole bewitching city, and her New Orleans beat goes on, ever stronger.
Crime is Topic A across America. Even New Orleans, the most gracious American city, has hundreds of homicides each year, and sufficient random violence to keep the city's police force working overtime. So what's one more fatal shooting? When the victim is prominent restaurateur Arthur Hebert, whose distinguished restaurant of the same name attracts both knowledgeable visitors and natives, it's what the cops call a heater case, and the heat is on Homicide Detective Skip Langdon.
During the family's Monday night supper, Hebert is murdered in his beautiful Garden District home. At the same time, several other family members vanish: Hebert's daughter, who was soon to have taken over the management of the restaurant, his ex-addict son-in-law, and his small granddaughter--all missing without a trace.
A kidnapping gone wrong? Skip thinks it's possible, but why should the kidnappers have taken three hostages when one would have been enough?
Skip's hunt for a murderer and the missing Hebert heirs embraces worlds within worlds--the elegant, dangerous Garden District, the French Quarter, the seedy Treme, broken-down projects, exclusive mansions, and lowdown bars. It takes her into places where the city's dirty business is transacted, and those where life is mostly madness, sadness, and badness. It may even take her to her death. (
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"ABSORBING...ENTERTAINING...Smith not only gives us the lowdown on the Big Easy but also take us into the often weird world of computer bulletin boards....NEW ORLEANS BEAT is reader-friendly from log-on to log-off."--The Orlando Sentinel
An unclassified death on the coroner's daily record is nothing special: a healthy young man found dead after an apparent fall from a ladder. Yet in a neglected old house set inside a jungle of greenery, Detective Skip Langdon listens to an unusually listless mother talk about her son's death and his empty life...and wonders. It seems the shy thirty-one-year-old victim, Geoff Kavanagh, was a computer genius who often frequented the TOWN, a computer network of some 10,000 faceless voices. Within this extraordinary community, strangers achieve an odd type of intimacy, sharing the darkest of secrets.
Skip learns that Geoff confessed his own deep secret: he saw his father murdered. Now the TOWN believes Geoff, too, was murdered--and Skip must follow the electronic trail of a killer....
"[A] SUSPENSEFUL MYSTERY...Smith is a skilled writer who can evoke the steamy, mysterious ambiance of New Orleans."
--Booklist
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"A BREATHLESS THRILLER . . . Smith pushes her protagonist to the breaking point and the series to a new high water mark of suspense."
--Los Angeles Times
On temporary leave of absence from the force, Police Detective Skip Langdon becomes obsessed with exposing the frightening figure beneath the good-guy image of Errol Jacomine--a liberal-minded, civic-spirited preacher who is running for mayor of New Orleans.
Immediately, an anonymous army of hatchet men go to work on Skip, who learns that opposing Jacomine is dangerous business. And when the only witness to the preachers crimes turns up dead, Skip follows her instincts to the dark center of bayou country . . . where dead cops tell no tales.
"Displays the writing skills of one of the genres leading exponents . . . The climax, a frantic rescue effort in the teeth of Hurricane Hannah, will stay with you."
--The Cleveland Plain Dealer
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"Julie Smith not only firmly establishes her claim to the New Orleans crime scene, but she explores an intriguing new franchise for the serial killer."
Sue Grafton
For detective Skip Langdon, the murder of a multiple self-help group member is no fun. Even if the guilty character is claiming the mantle last held by the Axeman, a notorious New Orleans serial killer of seventy years ago. Yet as Skip threads her fascinated way from one self-help group to another, she finds she has more in common with the twelve-steppers than just the murder. And she knows what they do not: that among their anonymous numbers is a deadly murderous, and dangerously attractive -- psychopath....
From the Paperback edition.
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Rebecca Schwartz is a fairly normal Bay-area attorney. But when she almost gets busted for playing piano in a bordello, and Kandi, a part-time student-prostitute is killed in her home, and then the killer stalks Rebecca, it's time to take action--which is just what she does....
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When the heir to the Martinelli family's renowned sourdough starter is murdered before they were to auction it off, Rebecca Schwartz is determined to discover if he died for a handful of dough. The more she sifts through the tangled relationships of the city's bread-making dynasties, though, the closer she gets to the recipe for murder....
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Rebecca Schwartz is nonplussed when she learns that Chris Nicholson, her law partner and best friend, is a suspect in a murder case. But that's not the half of it, as Chris says she has an alibi but is not telling what it is. What could be so shameful you can't even tell your best friend? To her amazement, Rebecca finds it's not just her partner who's been leading a secret life. The victim, dashing critic Jason McKendrick, had his own secrets to hide. One thing Rebecca knows with certainty: she has to shake some skeletons from closets, and fast, or Chris is going to prison.
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Editor Lia Matera has compiled an irresistible concoction of mystery and suspense filled with the clever twists and chilling turns of breakups, family feuds, broken partnerships, and lovers' quarrels. As this acclaimed cast of authors probes the minefield of intimace, devotion, and trust upon which human lives are built, Irreconcilable Differences explodes with heart-stopping mayhem.Joyce Carol Oates, Amanda Cross, Jeffery Deaver, John Lutz, Edna Buchanan, Bill Pronzini, Marcia Muller, Laurie R. King, Sarah Lovett, Jan Burke, Jeremiah Healy, Julie Smith, Judith Kelman, Margaret Maron, Gillian Roberts, Joan Hess, Sarah Shankman, Pete Hautman, Eileen Dreyer, Lia Matera
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