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Books : Mystery & Thrillers : Authors, A-Z : ( M ) : Macdonald, Ross
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Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.
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Generations of murder, greed and deception come home to roost in time for the most shocking conclusion ever in a Lew Archer novel.
At first glance, it's an open-and-shut missing persons case: a headstrong daughter has run off to be with her hothead juvenile delinquent boyfriend. That is until this bush-league Bonnie & Clyde kidnap Stephen Hackett, a local millionaire industrialist. Now, Archer is offered a cool 100 Gs for his safe return by his coquettish heiress mother who has her own mysterious ties to this disturbed duo. But the deeper Archer digs, the more he realizes that nothing is as it seems and everything is questionable. Is the boyfriend a psycho ex-con with murder on the brain or a damaged youngster trying to straighten out his twisted family tree? And is the daughter simply his nympho sex-kitten companion in crime or really a fragile kid, trying to block out horrific memories of bad acid and an unspeakable sex crime?
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In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as ‘crazy for men’ and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts.
Filled with dope, delinquents and murder, this is classic Macdonald and one of his very best in the Lew Archer series.
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Ross Macdonald (1915-1983) was the author of eighteen books that a New York Times critic called the finest series of detective novels ever written by an American : the Lew Archer canon, which included such breakthrough best-sellers as "The Underground Man," "The Goodbye Look," and "The Blue Hammer. " Macdonald (born Kenneth Millar) also wrote several novelettes and short-stories involving Southern California private-detective Lew Archer. "The Archer Files" for the first time collects all the brief Archer fiction: the stories from Macdonald s 1955 paperback-original "The Name Is Archer," the additional tales included in the Otto Penzler-edited 1977 volume "Lew Archer: Private Investigator," and the three then-unknown novellas presented in Crippen & Landru s 2001 book "Strangers in Town." Also included in "The Archer Files" are several lengthy, never-before-published fragments of unfinished Macdonald stories: case notes, as it were, from the files of Lew Archer. Edited by Macdonald biographer Tom Nolan, "The Archer Files" is prefaced with Nolan s biographical sketch of Lew Archer himself -- the character Eudora Welty described as "a champion" and "a distinguished creation ... As a detective and as a man he takes the human situation with full seriousness. " Jeff Wong s cover is adapted from the 1955 paperback original, but depicting Ross Macdonald rather than Lew Archer.
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The beautiful, high-diving blonde had Hollywood dreams and stars in her eyes but now she seems to have disappeared without a trace. Hired by her hotheaded husband and her rummy “uncle,” Lew Archer sniffs around Malibu and finds the stink of blackmail, blood-money, and murder on every pricey silk shirt. Beset by dirty cops, a bumptious boxer turned silver screen pretty boy and a Hollywood mogul with a dark past, Archer discovers the secret of a grisly murder that just won't stay hidden.
Lew Archer navigates through the watery, violent world of wealth and privilege, in this electrifying story of obsession gone mad.
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As a mysterious fire rages through an affluent community in Southern California, Lew Archer tracks a missing--and possibly kidnapped--child and uncovers and entire secret history of wayward parents, wounded offspring, and murder. Along with its merciless suspense, The Underground Man possesses a moral vision as complex as that of a classic Greek tragedy.
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A hard-faced woman clad in a blue mink stole and dripping with diamonds hires Lew Archer to track down her former maid, who she claims has stolen her jewelry. Archer can tell he's being fed a line, but curiosity gets the better of him and he accepts the case. He tracks the wayward maid to a ramshackle motel in a seedy, run-down small town, but finds her dead in her tiny room, with her throat slit from ear to ear. Archer digs deeper into the case and discovers a web of deceit and intrigue, with crazed number-runners from Detroit, gorgeous triple-crossing molls, and a golden-boy shipping heir who’s gone mysteriously missing.
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Hired by Carl Hallman, the desperate-eyed junkie scion of an obscenely wealthy political dynasty, detective Lew Archer investigates the suspicious deaths of his parents, Senator Hallman and his wife Alicia. Arriving in the sleepy town of Purissima, Archer discovers that orange groves may be where the Hallmans made their mint, but they’ve has been investing heavily in political intimidation and police brutality to shore up their rancid wealth. However, after years of dastardly double-crossing and low down dirty-dealing, the family seem to be on the receiving end of a karmic death-blow. With two dead already and another consigned to the nuthouse, Archer races to crack the secret before another Hallman lands on the slab.
Murder, madness and greed grace The Doomsters, where a tony façade masks the rot and corruption within.
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Has Tom Hillman run away from his exclusive reform school, or has he been kidnapped? Are his wealthy parents protecting him or their own guilty secrets? And why does every clue lead Lew Archer to an abandoned Hollywood hotel, where starlets and sailors once rubbed shoulders with grifters--and where the present clientele includes a brand-new corpse.
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The desert air is hot with sex and betrayal, death and madness and only Archer can make sense of a killer who makes murder a work of art.
Finding a purloined portrait of a leggy blonde was supposed to be an easy paycheck for Detective Lew Archer, but that was before the bodies began piling up. Suddenly, Archer find himself smack in the middle of a decades-long mystery of a brilliant artist who walked into the desert and simply disappeared. He left behind a bevy of muses, molls, dolls, and dames-each one scrambling for what they thought was rightfully theirs.
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Las Cruces wasn’t a place most travelers would think to stop. But after Lew Archer plays the good samaritan and picks up a bloodied hitchhiker, he finds himself in town for a few days awaiting a murder inquest. A hijacked truck full of liquor and an evidence box full of marijuana, $20,000 from a big time bank heist by a small time crook, corruption, adultery, incest, prodigal daughters and abused wives all make the little town seem a lot more interesting than any guide book ever could. And as the murder rate rises, Archer finds himself caught up in mystery where everyone is a suspect and everyone’s a victim.
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In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.
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Strictly speaking, Lew Archer is only supposed to dig up the dirt on a rich man's suspicious soon-to-be son-in-law. But in no time at all Archer is following a trail of corpses from the citrus belt to Mazatlan. And then there is the zebra-striped hearse and its crew of beautiful, sunburned surfers, whose path seems to keep crossing the son-in-law's--and Archer's--in a powerful, fast-paced novel of murder on the California coast.
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Hard-boiled detective Lew Archer is moving through the Southern California underbelly in a plot whose twists and turns include an offshore oil slick, a $100,000 ransom note, a lethal dose of Nembutal, and the deadly lifestyle of a wealthy and violent family. Macdonald's writing offers taut psychological intensity rather than graphic violence, and this new audio production captures its dark, gritty tone. Performance includes a 34-person cast. 6 cassettes.
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Phoebe Wycherly was missing two months before her wealthy father hired Archer to find her. That was plenty of time for a young girl who wanted to disappear to do so thoroughly--or for someone to make her disappear. Before he can find the Wycherly girl, Archer has to deal with the Wycherly woman, Phoebe's mother, an eerily unmaternal blonde who keeps too many residences, has too many secrets, and leaves too many corpses in her wake.
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