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Books : Literature & Fiction : Authors, A-Z : ( A ) : Alighieri, Dante
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Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.
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_The Divine Comedy_ is perhaps the greatest Christian classic ever written, and probably the greatest adveture story ever told. Dante wrote it to entertain, guide, and enrich ordinary readers, not just the intellectual elite. This clear new version with unique aids makes the fascinating story accessible to such readers today.Those who love Dante best as a storyteller and teacher will find in this book what they have been waiting for...the freshest, clearest, most exact, and most readable Divine Comedy in the English language, with full-page illustrations and original notes.
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(Book Jacket Status: Jacketed)
The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.
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The publication of the first two volumes of the six-volume "Divine Comedy" brings readers Mark Musa's vivid verse translation of the Inferno. Musa has revised his earlier version, long cited as the most accessible and reliable of the English translations. The dual-language first volume presents Musa's translation with facing Italian text. Students of translation theory and comparative literature - and the general reader - will delight in the opportunity to read this fresh, crisp translation against the original Italian verse. Musa's lifetime study of the Inferno has been compiled in the second volume, an extensive Commentary, where Musa examines and discusses the critical commentary of other Dante scholars, and presents his own ideas and interpretations, shedding light on Dante's text, as well as on his own translation.
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A new telling of Dante’s Inferno, this translation is the most fluent, grippingly readable version of the famous poem yet, and—with all the consummate technical skill that is the hallmark of Sean O’Brien’s own poetry—manages the near-impossible task of preserving the subtle power and lyric nuance of the Italian original, while seeking out an entirely natural English music. No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante’s original vision.
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This Norton Critical Edition of Dante's masterpiece is based on Michael Palma's verse translation, which is acclaimed for its elegant rendering of Dante's triple-rhyme scheme into contemporary English. Richard Wilbur praises Palma's translation as "accurate as to sense, fully rhymed, and easy, as a rule, in its movement through the tercets. Readers will find it admirably clear and readable." The text is accompanied by detailed explanatory annotations.
Also included in this edition are an illuminating introduction by Giuseppe Mazzotta, a Translator's Note, The Plan of Dante's Hell, and six maps and illustrations.
"Criticism" provides twelve interpretations by, among others, John Freccero, Robert M. Durling, Alison Cornish, Teodolinda Barolini, Giuseppe Mazzotta, and Robert Hollander.
A Chronology and Selected Bibliography are also included.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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La Vita Nuova marked a turning point in European literature, introducing personal experience into the strict formalism of medieval love poetry. The sequence of poems tells the story of Dante’s passion for Beatrice, the beautiful sister of one of his closest friends, transformed through his writing into a symbol of love that was both spiritual and romantic. From unrequited passion to the profound grief he experiences at the loss of his love, this work intersperses exquisite verse with Dante’s own commentary on the structure and origins of each poem, offering a unique insight into the poet’s art and skill. Barbara Reynolds’s translation, acclaimed for its lucidity and faithfulness to the original, is now enhanced with a new introduction and other material.
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Dante (1265-1321) is the greatest of Italian poets and his DIVINE COMEDY is the finest of all Christian allegories. To the consternation of his more academic admirers, who believed Latin to be the only proper language for dignified verse, Dante wrote his COMEDY in colloquial Italian, wanting it to be a poem for the common reader. This edition is translated by, and includes an Introduction by, Dorothy L.
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Following The Inferno (also available from Signet Classic) and preceding The Paradiso (available next month from Signet Classic) this brilliant translation of Dante's immortal three-part Divine Comedy beautifully captures the conception of the aspiring soul.
Ciardi's version of Dante will be in many respects the best we have seen. (John Crowe Ransom)
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This single volume, blank verse translation of The Divine Comedy includes an introduction, maps of Dante's Italy, Hell, Purgatory, Geocentric Universe, and political panorama of the thirteenth and early fourteenth century, diagrams and notes providing the reader with invaluable guidance. Described as the "fifth gospel" because of its evangelical purpose, this spiritual autobiography creates a world in which reason and faith have transformed moral and social chaos into order. It is one of the most important works in the literature of Western Europe and is considered the greatest poem of the European Middle Ages.
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Beginning with Dante's liberation from Hell, Purgatory relates his ascent, accompanied by Virgil, of the Mount of Purgatory a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, Purgatory is an enthralling Christian allegory of sin, redemption and ultimate enlightenment.
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A brilliant new translation of the centerpiece of The Divine Comedy
Purgatory, the mountain that straightens souls made crooked by the world, is Dante’s single most conceptually brilliant creation. Anthony Esolen’s vivid and innovative new rendering unearths Dante’s own voice with unprecedented vigor, accuracy, and a masterly use of English meter. It will set the standard for years to come.
Esolen’s Introduction incisively explores Dante’s theological universe: the nature of Purgatory, how Dante came to invent it, and how Purgatory is finally about restoration, liberation, and friendship. Special features, from an appendix that reproduces key sources to extensive explanatory notes, make this a particularly illuminating edition for both expert and newcomer.
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_The Divine Comedy_ is perhaps the greatest Christian classic ever written, and probably the greatest adveture story ever told. Dante wrote it to entertain, guide, and enrich ordinary readers, not just the intellectual elite. This clear new version with unique aids makes the fascinating story accessible to such readers today.Those who love Dante best as a storyteller and teacher will find in this book what they have been waiting for...the freshest, clearest, most exact, and most readable Divine Comedy in the English language, with full-page illustrations and original notes.
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This new translation presents the Italian text of the Inferno, and, on facing pages, Robert Durling's new prose translation, which brings a new power and accuracy to the rendering of Dantes extraordinary vision of Hell, with all its terror, pathos, and sardonic humor, and its penetrating analyses of the psychology of sin and the ills that plague society. Readers will prize the directness and clarity, the rich expressiveness, and the rigorous accuracy of this contemporary prose translation, which preserves to an unparalleled degree the order and emphases of Dante's syntax, unhampered by any constraints of meter or rhyme. The Italian text has been newly edited with a view to the needs of American and English readers.
Martinez' and Durling's Introduction and Notes are designed with the first-time reader of the poem in mind, but will be useful to others as well. The concise Introduction presents essential biographical and historical background and a discussion of the form of the poem. The Notes are more extensive than those in most translations currently available, and they contain much new material. In addition, sixteen short essays explore the autobiographical dimension of the poem, the problematic body analogy, the question of Christ's presence in Hell, and individual cantos that have been the subject of controversy, including those on homosexuality. There is an extensive bibliography, and the indexes (to foreign words, passages cited, proper names in the Notes, and proper names in the text) will make the volume particularly useful.
Robert Turner's illustrations include detailed maps of Italy, clearly labeled diagrams of the cosmos and of the structure of Hell, and line drawings of objects and places mentioned in the poem.
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One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listening will reveal Dante's visual imagination and uncanny power to make the spiritual visible.
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The first of the 3 canticles in La divina commedia (The Divine Comedy), this 14th-century allegorical poem begins Dante's imaginary journey from Hell to Purgatory to Paradise with his sojourn among the damned. There he encounters historical and mythological creatures — each symbolic of a particular vice or crime. Translated beautifully by Henry Wadsworth Longfellow.
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This splendid verse translation by Allen Mandelbaum provides an entirely fresh experience of Dante's great poem of penance and hope. As Dante ascends the Mount of Purgatory toward the Earthly Paradise and his beloved Beatrice, through "that second kingdom in which the human soul is cleansed of sin," all the passion and suffering, poetry and philosophy are rendered with the immediacy of a poet of our own age. With extensive notes and commentary prepared especially for this edition.