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Books : Literature & Fiction : Authors, A-Z : ( A ) : Anderson, Sherwood
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Inspired by Anderson's Midwestern boyhood and his adulthood in early 20th-century Chicago, this volume gave birth to the American story cycle, for which Faulkner, F. Scott Fitzgerald, and later writers were forever indebted. Defying the prudish sensibilities of his time, Anderson embraced frankness and truth. Here we meet all those whose portraits brought the American short story into the modern age.
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Published two years after the innovative, influential 1919 masterpiece Winesburg, Ohio, this collection of short stories solidified the author's reputation as a major American writer. These stories explore intriguing psychological depths, redolent with personal epiphanies, erotic undercurrents, and sudden eruptions of passion among seemingly repressed, inarticulate Midwesterners.
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A novel about life in a small Midwestern town in the 1890s, where everyday existence is not always as simple as it seems. This "Norton Critical Edition" contains the text of the first book edition, published in 1919. It is annotated and is accompanied by a map of Winesburg. The "Backgrounds" section includes a selection of Anderson's letters and memoirs as well as eight contemporary reviews that indicate the initial critical reception of "Winesburg, Ohio", whilst "Criticism" collects six assessments of the book published since the 1960s. A chronology and selected bibliography are also included.
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Considered to be one of Sherwood Anderson's greatest works, "Winesburg, Ohio" is the portrayal of a fictitious American town and its inhabitants. "Winesburg, Ohio" is a collection of connected short stories depicting a variety of themes of rural American life. Heralded for its beautiful realism, "Winesburg, Ohio", is a classic collection of American stories whose influence upon American literature is considered to be nothing short of profound.
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Winesburg, Ohio (1919) is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small town at the end of the nineteenth century. At the center is George Willard, a young reporter who becomes the confidant of the town's solitary figures. Anderson's stories influenced countless American writers including Hemingway, Faulkner, Updike, Oates and Carver. This new edition corrects errors made in earlier editions and takes into account major criticism and textual scholarship of the last several decades.
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Hugh arose and stood in the moonlight in the cabbage field, his arms still going stiffly up and down. The great length of his figure and his arms was accentuated by the wavering uncertain light. The laborers, aware of some strange presence, sprang to their feet and stood listening and looking. Hugh advanced toward them, still muttering words and waving his arms. Terror took hold of the workers. One of the woman plant droppers screamed and ran away across the field, and the others ran crying at her heels. "Don't do it. Go away," the older of the French boys shouted, and then he with his brothers also ran.
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A collection of short stories dealing with a small town in Ohio.
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Still fresh and strikingly contemporary, the stark realism of these stories carefully explores the dreams and emotions of Sherwood Anderson's unforgettable characters. In Death in the Woods, we travel deep into the heart of America as Anderson saw it, to find an introspective man, in a desolate landscape, questioning the very meaning of his world.
"Death in the Woods is a signal junction in Anderson's career and is to my mind one of the finest stories in our language."—Jim Harrison
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An anthology of thirty stories from previously unpublished manuscripts and earlier collections features the uniquely American vision of loneliness by the author who elevated short fiction from the conventionality of popular magazines and shaped it into individual expression. Reprint. IP.
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TBD
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A memoir of Midwestern life and culture from the author of Winesburg, Ohio
Praise for A Story Teller's Story---
"The American Portrait of the Artist."
-Charles Baxter
"Probably unequaled . . . for the austerity of moral courage and sincerity of
conviction. . . . A book which should be read by every intelligent American."
-New York Times
"In the field of literary autobiography, it stands practically alone in America."
-The Nation
"The voice of the soliloquist . . . amplifies the drama of A Story Teller's Story, as does the persistent theme of escape, from an America of fact and factories, marketing and manufacturing, to the borderless Ohios of imagination and creation."
-From the introduction by Thomas Lynch
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There is a story. - I cannot tell it. - I have no words. The story is almost forgotten but sometimes I remember. The story concerns three men in a house in a street. If I could say the words I would sing the story. I would whisper it into the ears of women, of mothers. I would run through the streets saying it over and over. My tongue would be torn loose - it would rattle against my teeth. The three men are in a room in the house. One is young and dandified. He continually laughs. There is a second man who has a long white beard. He is consumed with doubt but occasionally his doubt leaves him and he sleeps.
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No descriptive material is available for this title.
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This Elibron Classics book is a reprint of a 1919 edition by B. W. Huebsch, New York.
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There is a story.—I cannot tell it.—I have no words. The story is almost forgotten but sometimes I remember.
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"Nothing quite like it has ever been done in America. . . . It is so vivid, so full of insight, so shiningly life-like and glowing, that the book is lifted into a category all its own," wrote H.L. Mencken, speaking of Anderson's Winesburg, Ohio. Anderson, he said, is "America's Most Distinctive Novelist."Windy McPherson's Son, Anderson's 1916 first novel, concerns a boy's life in Iowa. Like all of Anderson's tales, it's an important social commentary, and not to be overlooked.
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