- Riding, Laura
- Gaudi, Antoni
- ( P )
- Phillips, Susan Elizabeth
- Ichthyology
- Stepfamilies
- Cadnum, Michael
- Economic Policy & Development
- Renault, Mary
- AutoCAD
- ( E )
- Depression
- One-L
- Malawi
- O'Neill, Eugene
- Carroll, Lewis
- Hacker, Marilyn
- Algorithms
- Willard, Dallas
- Dental Hygiene
- Meteorology
- Language Studies
- General
- Greenwood, Barbara
- Joyce, James
- Croatia
- Molecular Biology
- Stenciling
- Carman, Patrick
- Fiction
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( A ) : Aristophanes
-
Writing at the time of political and social crisis in Athens Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta. In Lysistrata a band of women tap into the awesome power of sex in order to end a war. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged.
-
Aristophanes' great anti-war drama, with comedic overtones, glorifies the power of fertility in the face of destruction. Plays for Performance Series.
-
The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Arist
-
The acknowledged master of Greek comedy, Aristophanes brilliantly combines serious political satire with bawdiness, pyrotechnical bombast with delicate lyrics. This volumes features his four most celebrated masterpieces: THE CLOUDS, THE BIRDS, LYSISTRATA, and THE FROGS. Three of the leading translators of the 20th century--William Arrowsmith, Richmond Lattimore, and Douglas Parker--have created versions of the comedies that are at once contemporary, historically accurate, and funny. Also included are introductions to each play that describe the historical and literary background of the work.
-
-
-
This new translation of the play Clouds examines the two versions of the play, the history of the text, an analysis of Right and Wrong, the purpose of the chorus, and explanations of certain previously unexamined sexualjokes referred to in the play. Dover also includes notes on metrical analysis, a full commentary, and indexes.
-
Aristophanes of Athens (ca. 446–386 BCE), one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. He wrote at least forty plays, of which eleven have survived complete. In this new Loeb Classical Library edition of Aristophanes, Jeffrey Henderson presents a freshly edited Greek text and a lively, unexpurgated translation with full explanatory notes.
The general introduction that begins Volume I reviews Aristophanes' career and brings current scholarly insights to bear on the intriguing question of the comic poet as a political force. In Acharnians a small landowner, tired of the Peloponnesian War, magically arranges a personal peace treaty and, borrowing a disguise from Euripides, demonstrates the injustice of the war in a contest with the bellicose Acharnians. Also in this volume is Knights, perhaps the most biting satire of a political figure (Cleon) ever written.
-
The first new edition in almost sixty years, this volume of Aristophanes' Lysistrata brings the play completely up to date with modern scholarship, providing the first complete account of its history and containing new information about the comic theater and its social and political context. Lysistrata not only brims with topical references to social life, religion, and politics in classical Athens; it is also one of our best sources for information on the life of women in antiquity, offering a unique glimpse of their everyday life.
-
Aristophanes' comic plays, Lysistrata, Women at the Thesmophoria and Assemblywomen contain the earliest portrayals of actual women in the European literary tradition, and are the only such portrayals that survive from classical Athens. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city religion and government, war and peace, theater and festival, and, of course, to men. In all three plays we find a fantastic but provocatively plausible inversion of the actual world, where women and men have changed places. Aristophanes' comic gynecocracies put male fantasies of feminism--often intersecting with those of myth, tragedy and Platonic idealism--into sharp and memorable focus, and so help us to redefine our understanding of the troubling realities to which these comic fantasies were a response.
In Staging Women the eminent Aristophanic scholar Jeffrey Henderson presents, for the first time in a single volume, all three plays in new translations. Unlike earlier versions, which typically censor, translate around, or otherwise misrepresent these texts, Henderson preserves intact all of Aristophanes' blunt and often obscene language, rough satire, social and political protest and provocative fantasy. In addition, each play is supplied with an introduction and explanatory notes. The volume includes introductory material about Aristophanes, his comic theater and the women in Aristophanic comedy. An appendix contains translations of fragments bearing on the portrayal of women in Aristophanes'lost plays.
-
Aristophanes (ca. 446–386 BCE), one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. In this third volume of a new Loeb Classical Library edition of Aristophanes, Jeffrey Henderson presents a freshly edited Greek text and a lively, unexpurgated translation of three plays with full explanatory notes.
In Birds Aristophanes turns from the pointed political satire characteristic of earlier plays to a fantasy that soars literally into the air in search of a carefree world. Here the enterprising protagonists create a utopian counter-Athens, called Cloudcuckooland, ruled by birds. Lysistrata blends boisterous comedy and an earnest call for peace. Lysistrata, our first comic heroine, organizes a panhellenic conjugal strike of young wives until their husbands end the war between Athens and Sparta. Athenian women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked. Parody of Euripides' plots enlivens this witty confrontation of the sexes.
-
A poet who hated an age of decadence, armed conflict, and departure from tradition, Aristophanes' comic genius influenced the political and social order of his own fifth-century Athens. But as Moses Hadas writes in his introduction to this volume, 'His true claim upon our attention is as the most brilliant and artistic and thoughtful wit our world has known.' Includes The Acharnians, The Birds, The Clouds, Ecclesiazusae, The Frogs, The Knights, Lysistrata, Peace, Plutus, Thesmophoriazusae, and The Wasps.
-
The plays in this volume all contain Aristophanes' trademark bawdy comedy and dazzling verbal agility. In The Birds, two frustrated Athenians join the birds to build the utopian city of 'Much Cuckoo in the Clouds'. The Knights is a venomous satire on Cleon, a prominent Athenian demagogue, while The Assembly Women deals with the battle of the sexes as the women of Athens infiltrate the all-male Assembly in disguise. The lengthy conflict with Sparta is the subject of Peace, inspired by the hope of a settlement in 421 BC, and Wealth reflects on the economic catastrophe that hit Athens after the war.
-
Among extant Greek comedies, the Frogs is unique for the light it throws on Classical Greek attitudes to tragedy and to literature in general. It merits a much more extensive commentary than it has so far received, and the establishment of the text itself has rested for over a century on collations which were inadequate and inaccurate. At the same time, its most problematic passages have been the subject, in recent years, of more scholarly articles than those of any other Greek play. In this introduction, edition, and commentary, Sir Kenneth Dover presents the relevant data, arguments, and considerations as fully as can reasonably be done in one volume.
-
The humor in LYSISTRATA is the focus of this latest adaptation. Playwright Edward Einhorn, known for his comic absurdist plays, translates the ancient Greek humor into something equally amusing to a modern audience, without losing the flavor of the ancient text. Complete with essays, selected music, and a second version of the play for inventive directors, this newest adaptation of Aristophanes' philosophical comedy focuses on three elements of the human condition that have not changed in nearly 2500 years: war, sex, and, most of all, laughter.
-
This Comedy, which was produced by its author the year after the performance of 'The Clouds,' may be taken as in some sort a companion picture to that piece. Here the satire is directed against the passion of the Athenians for the excitement of the law-courts, as in the former its object was the new philosophy. And as the younger generation-the modern school of thought-were there the subjects of the caricature, so here the older citizens, who took their seats in court as jurymen day by day, to the neglect of their private affairs and the encouragement of a litigious disposition, appear in their turn in the mirror which the satirist holds up.-From the introduction to 'The Wasps' by Aristophanes.
-
New English versions of Lysistrata, The Frogs, The Birds, and Ladies' Day. "Thanks to Dudley Fitts...we can appreciate Aristophanes' vigor, his robust style, his scorching wit, his earthy humor, his devotion to honesty and his poetic imagination" (Brooks Atkinson, New York Times). Index.
-
-
-
The eleven plays by Aristophanes that have come down to us intact brilliantly illuminate the eventful period spanned by his forty-year career, beginning with the first production in 427 BCE. But the Athenians knew much more of his work: over forty plays by Aristophanes were read in antiquity, of which nearly a thousand fragments survive. These provide a fuller picture of the poet's ever astonishing comic vitality and a wealth of information and insights about his world. Jeffrey Henderson's new, widely acclaimed Loeb edition of Aristophanes is completed by this volume containing what survives from, and about, his lost plays, hitherto inaccessible to the nonspecialist, and incorporating the enormous scholarly advances that have been achieved in recent years.
Each fragmentary play is prefaced by a summary of what can be inferred about its plot, characters, themes, theatricality, and topical significance. Also included in this edition are the ancient reports about Aristophanes' life, works, and influence on the later comic tradition.