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Books : Literature & Fiction : Authors, A-Z : ( A ) : Auden, W.H.
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Universally known and admired as a peacemaker, Dag Hammarskjöld concealed a remarkable intense inner life which he recorded over several decades in this journal of poems and spiritual meditations, left to be published after his death. A dramatic account of spiritual struggle, Markings has inspired hundreds of thousands of readers since it was first published in 1964.
Markings is distinctive, as W.H. Auden remarks in his foreword, as a record of "the attempt by a professional man of action to unite in one life the via activa and the via contemplativa." It reflects its author's efforts to live his creed, his belief that all men are equally the children of God and that faith and love require of him a life of selfless service to others. For Hammarskjöld, "the road to holiness necessarily passes through the world of action." Markings is not only a fascinating glimpse of the mind of a great man, but also a moving spiritual classic that has left its mark on generations of readers.
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To commemorate the centennial of W. H. Auden’s birth, the Modern Library offers this elegant edition of the collected poems of one of the greatest poets of the twentieth century.
This volume includes all the poems that Auden wished to preserve, in a text that includes his final revisions, with corrections based on the latest research. Auden divided his poems into sections that corresponded to what he referred to as chapters in his life, each one beginning with a change in his inner life or external circumstances: the moment in 1933 when he first knew “exactly what it means to love one’s neighbor as oneself”; his move from Britain to America in 1939; his first summer in Italy in 1948; his move to a summerhouse in Austria in 1958; and his return to England in 1972.
Auden’s work has perhaps the widest range and the greatest depth of any English poet of the past three centuries. From the anxious warnings of his early verse through the expansive historical perspectives of his middle years to the celebrations and thanksgiving in his later work, Auden wrote in a voice that addressed readers personally rather than as part of a collective audience. His styles and forms extend from ballads and songs to haiku and limericks to sonnets, sestinas, prose poems, and dozens of other constructions of his own invention. His tone ranges from spirited comedy to memorable profundity–often within the same work. His poems manage to be secular and sacred, philosophical and erotic, personal and universal.
“All the poems I have written were written for love,” Auden once said. This book includes his famous early poems about transient love (“Lay your sleeping head, my love,” “Stop all the clocks, cut off the telephone”) and his later poems about enduring love (“In Sickness and in Health,” “First Things First”). The book also includes Auden’s longer, more thematically varied poems, from the expressionist charade “Paid on Both Sides” to the formal couplets of “New Year Letter”; the darkly comic sequel to The Tempest, “The Sea and the Mirror”; and a baroque eclogue set in a wartime bar, “The Age of Anxiety.”
This new edition includes a critical appreciation of Auden by Edward Mendelson, the editor of the present volume and Auden’s literary executor.
“W. H. Auden had the greatest gifts of any of our poets in the twentieth century, the greatest lap full of seed.”
–James Fenton, The New York Review of Books
“At the beginning of the new century, [Auden] is an indispensable poet. Even people who don’t read poems often turn to poetry at moments when it matters, and Auden matters now.”
–Adam Gopnik, The New Yorker
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This significantly expanded edition of W. H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone, and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.
As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.
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"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)
The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.
Each volume features:
* Authoritative, reliable texts
* High quality introductions and notes
* New, more readable trade trim size
* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
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W. H. Auden called opera the "last refuge of the High Style," and considered it the one art in which the grand manner survived the ironic levelings of modernity. He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama. Opera gave him the opportunity to rise to the high style in public, not in an attempt to elevate his own status as a poet, but in service of the heroic voice of the singers. These works present their mythical actions with a direct intensity unlike anything in even his greatest poems. In this volume of Auden and Chester Kallman's libretti, extensive historical and textual notes trace the history of the production and revision of the works and provide full texts of early scenarios, as well as abandoned and rewritten scenes.Almost all the works included here were previously published in incomplete and often inaccessible editions--or were never published at all. The book prints for the first time the full text of Paul Bunyan, Auden's first libretto, which he wrote for music by Benjamin Britten. It also includes Auden and Kallman's The Rake's Progress, written for Igor Stravinsky, and Delia, written for Stravinsky but never set to music. The book continues with Auden and Kallman's two libretti written for music by Hans Werner Henze, Elegy for Young Lovers and The Bassarids, and their adaptation of Love's Labour's Lost, composed by Nicolas Nabokov. It also contains their translation of The Magic Flute, with its scenes reordered for greater dramatic coherence and added dialogue for sharper mythical significance, and their antimasque, The Entertainment of the Senses, for music by John Gardner.
The book contains two radio plays--The Dark Valley, a monologue written by Auden alone, and The Rocking Horse Winner, written with James Stern and based on a story by D. H. Lawrence. Also included are the unpublished masque that Auden wrote for Kallman's twenty-second birthday, the unpublished versions of The Dutchess of Malfi that Auden prepared with Bertolt Brecht, scenarios for a film script and a libretto that were never completed, Auden's narrative for the medieval Play of Daniel, two narratives for documentary films, and his song lyrics written for Man of La Mancha before the producer decided to use a different lyricist.
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Written in the midst of World War II after its author emigrated to America, "The Sea and the Mirror" is not merely a great poem but ranks as one of the most profound interpretations of Shakespeare's final play in the twentieth century. As W. H. Auden told friends, it is "really about the Christian conception of art" and it is "my Ars Poetica, in the same way I believe The Tempest to be Shakespeare's." This is the first critical edition. Arthur Kirsch's introduction and notes make the poem newly accessible to readers of Auden, readers of Shakespeare, and all those interested in the relation of life and literature--those two classic themes alluded to in its title.
The poem begins in a theater after a performance of The Tempest has ended. It includes a moving speech in verse by Prospero bidding farewell to Ariel, a section in which the supporting characters speak in a dazzling variety of verse forms about their experiences on the island, and an extravagantly inventive section in prose that sees the uncivilized Caliban address the audience on art--an unalloyed example of what Auden's friend Oliver Sachs has called his "wild, extraordinary and demonic imagination."
Besides annotating Auden's allusions and sources (in notes after the text), Kirsch provides extensive quotations from his manuscript drafts, permitting the reader to follow the poem's genesis in Auden's imagination. This book, which incorporates for the first time previously ignored corrections that Auden made on the galleys of the first edition, also provides an unusual opportunity to see the effect of one literary genius upon another.
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DESCRIPTION OF BOOK: A MASTERFUL SELECTION OF WORKS FROM ONE OF THE RICHEST OF ALL LITERARY PERIODS. WILLIAM BLAKE, ROBERT BURNS,SAMUEL TAYLOR COLERIDGE, WILLIAM WORDSWORTH, LORD BYRON, PERCY BYSSHE SHELLEY, JOHN KEATS, RALPH WALDO EMERSON, EDGAR ALLAN POE. AND MANY OTHERS. "I FIND IT HARD TO USE ANYTHING BUT SUPERLATIVES ON THE AUDEN-PEARSONCOLLECTION OF BRITISH AND AMERICAN VERSE. IT IS THE BEST (AND I KNOW IT IS THE BEST) COMPREHENSIVE COLLECTION OF ITS KIND IN EXISTENCE." - HORACE GREGORY.
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This edition presents the original versions of many poems, which Auden revised to conform to his evolving political and literary attitudes later in his career. In this volume, Edward Mendelson has restored the early versions of some thirty poems generally considered to be superior to the later versions, allowing the reader to see the entire range of Auden's work. Selected and edited by Edward Mendelson
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This two CD set was released to mark the centenary of W.H. Auden's birth. The two discs feature Auden in live and studio readings of his own poetry taken from rare BBC radio broadcasts. Over 40 poems are included, from early works such as 'On This Island' and 'A Bride in the '30s', to mature masterpieces like 'The Shield of Achilles' and 'In Praise of Limestone'. The broadcasts span the period from 1936 to 1973 - the year of Auden's death – and are are an essential purchase for anybody interested in study or enjoyment of one of the 20th-century’s greatest poets. The majority of the recordings have not previously been released.
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W. H. Auden's transformative anthology, assembled when his own work was at its most provocative and searching, is a rethinking of the history of English-language poetry. Taking full account of popular traditions, Auden includes ballads, chanteys, ditties, nursery rhymes, street calls, bathroom graffiti, tombstone epitaphs, folk songs, vaudeville turns, and blues, not to mention limericks and clerihews. In lieu of the cloudy effusions and sentimental intimations of the post-Romantic lyric, Auden looked for a poetry that was clear, enjoyable, and absolutely modern. These are poems of wit, sarcasm, color, and plain brilliance, from Chaucer to Byron and beyond. This new edition restores previously censored poems.
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W. H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century. Other volumes in this series include: "Betjemen", "Eliot", "Plath", "Hughes" and "Yeats".
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W. H. Auden's first ten years in the United States were marked by rapid and extensive change in his life and thought. He became an American citizen, fell in love with Chester Kallman, and began to reflect on American culture and to explore the ideas of Reinhold Niebuhr and other Protestant theologians. This volume contains every piece of prose that Auden wrote during these years, including essays and reviews he published under pseudonyms. Most have never been reprinted in any form since their initial publication in such magazines and newspapers as the Nation, the New Republic, Common Sense, Vogue, and the New York Times.Auden's prose during this period is frequently directly autobiographical even as he comments on literature, psychology, politics, and religion. The writings range from a dialogue about W. B. Yeats through a respectful parody of Gertrude Stein to Jamesian essays on Henry James. They also include lively and often profound responses to ancient and modern history as well as to contemporary issues in politics and religion. Other highlights include writings on opera and poetry as well as reports of Auden's lectures and the text of an unfinished autobiographical book, The Prolific and the Devourer. Throughout, Edward Mendelson's extensive and illuminating editor's notes explain all contemporary and private allusions.
By making available a large cache of important but previously difficult-to-obtain writings on key subjects, this volume will be of obvious appeal to Auden's legions of admirers. It will also be enjoyed by everyone interested in twentieth-century literature, religion, and culture.
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This collection of the poems of W.H. Auden includes three poems referred to by Auden as "posthumous poems", and others that he omitted from the "Collected Shorter Poems" of 1966, printed here in revised versions found among his papers.
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A biography of W.H. Auden, which looks at his career as a poet, and also offers an insight into the personality of the private man behind the public reputation. First published in 1979.
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Early Auden remains the most penetrating, detailed, and informative examination we have of the great work produced by the young W. H. Auden in England before the war. Edward Mendelson writes with unrivaled knowledge of published texts, manuscripts, private papers, and essays in this most illuminating of critical works.
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