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Books : Literature & Fiction : Authors, A-Z : ( B ) : Baraka, Imamu Amiri
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Centered squarely on the Negro-white conflict, both Dutchman and The Slave are literally shocking plays--in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.
Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.
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Amiri Baraka - dramatist, poet, essayist, orator, and fiction writer - is one of the preeminent African-American literary figures of our time. The Leroi Jones/Amiri Baraka Reader provides the most comprehensive selection of Baraka's work to date, spanning almost 40 years of a brilliant, prolific, and controversial career, in which he has produced more than 12 books of poetry, 26 plays, eight collections of essays and speeches, and two books of fiction. This updated edition contains over 50 pages of previously unpublished work, as well as a chronology and full bibliography.
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The first collection of selected poetry from perhaps the preeminent African American literary figure of our time. Baraka almost single-handedly changed both the nature and the form of post-World War II African-American literature, and this volume is an important contribution to Modernist literature.
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The defining work of the Black Arts Movement, Black Fire is at once a rich anthology and an extraordinary source document. Nearly 200 selections, including poetry, essays, short stories, and plays, from over 75 cultural critics, writers, and political leaders, capture the social and cultural turmoil of the 1960s. In his new introduction, Amiri Baraka reflects — nearly four decades later — on both the movement and the book.
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In the grand, narrative tradition of Gwendolyn Brooks and Edward Sanders, this riveting collection of poetic plays and photo-documentary poems exposes the human cost of corporate greed and gives voice to the growing crisis faced in communities across America.
"The several long poems that make up this book build into each other with devastating force and understatement, breaking poetic boundaries, regenerating the rich tradition of working-class literature."-Adrienne Rich
Mark Nowak is the author of the critically acclaimed debut book of poems Revenants, the editor of Xcp: Cross Cultural Poetics and the co-editor of Visit Teepee Town: Native Writings After the Detours. He grew up in Buffalo, New York and lives in St. Paul, Minnesota, where he is active in the labor movement.
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A collection of four plays by contemporary playwright, screenwriter, and director Ron Milner. Much of Black literature from the 1940s through the 1960s deals with the search for identity and asks the question, Should Blacks define themselves in relationship to white people and white culture? In dramatizing the struggles and desires of the Black working class and lower middle class, renowned Detroit playwright Ron Milner responds to this question by letting Black culture - Black music in particular - be not only his subject but part of his form of expression and way of being in the world. The four Milner plays collected here - Checkmates, What the Wine-Sellers Buy, Jazz-Set, and Urban Transition - are characterized by their attention to African American social and psychological culture. Checkmates (1990) explores the relationships of two Black couples who are generations apart in age and attitudes - one new at the games and realities of love, the other experienced. What the Wine-Sellers Buy (1974), a coming-of-age tale set on Detroit streets in the 1950s, looks at the conflict between the lure of the streets and a mother's teachings. The highly innovative Jazz-Set is Milner's tribute to jazz - a play that works like a jazz composition, where the musicians and music are one and characters' life experiences and memories are "played" as music. Urban Transition (1995) picks up on themes introduced in What the Wine-Sellers Buy to examine how the drug subculture has made its way into current mainstream culture. Ron Milner is one of America's most prolific and foremost playwrights. His plays have become required texts in many of the emerging repertory theaters of the Black and progressive theater communities. Four Plays will be of interest to students of the theater, theater scholars, and those interested in African American and American literature.
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eulogies for James Baldwin, Miles Davis, many more
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An anthology of African American plays features Ed Bullins's The Taking of Miss Jane, George C. Wolfe's The Colored Museum, and August Wilson's Pulitzer Prize-winning work, Ma Rainey's Black Bottom.
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A poetic voyage in five parts that charts the ebbs and flows of the African-American movement.
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ed P Vangelisti; homages to Monk, Ellington, et al
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This collection of interviews with Amiri Baraka, the former LeRoi Jones and a key figure in the worldwide black liberation movement, provides an extraordinary insight not only into African American literature but also into the turmoil and passions of the "black experience" during the second half of the twentieth century.
As they offer an understanding of the political turbulence of his times, these interviews provide special insights into Baraka's works, his anger, and his career. Not only does Baraka criticize and explain his most celebrated works, but also his comments supply a rich context for understanding the African American experience.
Throughout these candid conversations Baraka maintains his belief in the firm alliance of art and social criticism. "To me, social commentary and art cannot be divorced. Art and life are the same: art comes out of life, art is a reflection of life, art is life."
Here is a collection that contains nearly all of the major interviews this poet, playwright, fiction writer, essayist, and social activist has given in his long and controversial career. Four of them have not been previously published. Included here are interviews conducted by Maya Angelou, Austen Clarke, and David Frost, as well as a new interview Baraka granted the editor of this volume.
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Poetry/American Literature
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Bald Ego, either the world's most visual literary magazine or the world's most literary visual magazine, continues its pursuit of syncretic splendor with a lustrous lineup for issue three. Jack Spade transformed the cover into a readymade. Inside, Elias Khoury, Philip Taaffe, John Lurie, Gary Indiana, Sam Matamoros, Mcdermott & McGough, Sante d'Orazio, Tom Sachs, Keith Sonnier, Elizabeth Peyton, Jack Pierson, Richard Prince, Fred Tomaselli, James Salter and many more. It's the definitive arts and literature magazine for the... Undefined.
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Van Goghs Ear, Volume Three is a groundbreaking collection of poems from five continents celebrating the erotic spirit in all of its forms. From the passion of sexual desire to the intense longing for spiritual union, this extraordinary bon voyage turns each page of Van Goghs Ear 3 into an exciting discovery. Among the many memorable works included are And Have You Been Forgotten,, a far-reaching poem by one of the most challenging and engaging radical female poets at work today, Alice Notley; Holy Drag, by John Rechy, dares peek into the sacristy during changing time for a high Mass presided over by the Cardinal in Rome; If This is Love and Hako are imaginative, piercing poems by Yoko Ono that appear with two of her intimate Franklin Summer drawings. Other impressive drawings, one by Allen Ginsberg, are also included in this landmark anthology. Highly recommended as a rich resource for teachers and a library basic.
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