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Books : Literature & Fiction : Authors, A-Z : ( B ) : Berry, Wendell
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"Ignorant boys, killing each other," is just about all Nathan Coulter would tell his wife, friends, and family about the Battle of Okinawa in the spring of 1945. Life carried on for the community of Port William, Kentucky, as some boys returned from the war and the lives of others were mourned. In her seventies, Nathan's wife, Hannah, has time now to tell of the years since the war. In Wendell Berry's unforgettable prose, we learn of the Coulter's children, of the Feltners and Branches, and how survivors "live right on."
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The Art of the Commonplace gathers twenty-one essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. These essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture. Why is agriculture becoming culturally irrelevant, and at what cost? What are the forces of social disintegration and how might they be reversed? How might men and women live together in ways that benefit both? And, how does the corporate takeover of social institutions and economic practices contribute to the destruction of human and natural environments? Through his staunch support of local economies, his defense of farming communities, and his call for family integrity, Berry emerges as the champion of responsibilities and priorities that serve the health, vitality, and happiness of the whole community of creation.
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In the twenty-two essays collected here, Wendell Berry, whom The Christian Science Monitor called “the prophetic American voice of our day,” conveys a deep concern for the American economic system and the gluttonous American consumer. Berry talks to the reader as one would talk to a next-door neighbor: never preachy, he comes across as someone offering sound advice. He speaks with sadness of the greedy consumption of this country’s natural resources and the grim consequences Americans must face if current economic practices do not change drastically. In the end, these essays offer rays of hope in an otherwise bleak forecast of America's future. Berry’s program presents convincing steps for America’s agricultural and cultural survival.
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The continuing war in Iraq, Hurricane Katrina, the political sniping engendered by the Supreme Court nominations, Terry Schiavo — contemporary American society is characterized by divisive anger, profound loss, and danger. Wendell Berry, one of the country's foremost cultural critics, addresses the menace, responding with hope and intelligence in a series of essays that tackle the major questions of the day. Whose freedom are we considering when we speak of the “free market” or “free enterprise?” What is really involved in our National Security? What is the price of ownership without affection? Berry answers in prose that shuns abstraction for clarity, coherence, and passion, giving us essays that may be the finest of his long career.
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In a rural Kentucky river town, "Old Jack" Beechum, a retired farmer, sees his life again through the shades of one burnished day in September 1952. Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live it. Through the eyes of one man can be seen the values of Americans strive to recapture as we arrive at the next century.
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Drawn from three collections of stories and including new work, That Distant Land extends over nearly a century of Berry's Port William community. With 23 stories from the author's Port William membership, this book is arranged in its fictional chronology, and it shines forth as a single sustained work. That Distant Land truly reveals Wendell Berry—award-winning essayist, novelist, and poet—as a literary master.
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"Berry richly evokes Port William's farmlands and hamlets, and his characters are fiercely individual, yet mutually protective in everything they do. . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world."--New York Times Book Review.
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Remembering takes place in a single day in 1976. Andy Catlett, at the bottom of a deep dark depression since losing his hand in a farming accident, is alone in San Francisco, and takes a long walt through the walking street ofthe city. By the end ofthe day, when he has flown home to Port William, Kentucky, Andy is on his way to becoming whole again.
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Part ribald farce, part lyrical contemplation, Wendell Berry's novel is the story of a place-Port William, Kentucky-the farm lands and forests that surround it, and the river that runs nearby The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. This brings the revised 1983 edition back into print, the next book in our program to put all of Wendell Berry's fiction into print in revised and corrected uniform editions."A splendid, warm, heartfelt novel about countrymen by a countryman. . . What a pleasure it is to read a book about decent people who love or like or at least tolerate each other." -Wallace Stegner
"Mat's inner struggle to come to terms with the world is illuminated and given meaning by Wendell Berry's compassionate understanding of the town, the land, and the people he writes about. . . ¦His book is one to be savoured slowly for its humanity, humor, wisdom, and poetry." -Publishers Weekly
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In this beautifully written book-length essay, Berry explores the “hidden wound” of racism and its pernicious effects on white people in America. Rigorous, honest, and deeply felt, The Hidden Wound is essential reading for anyone hoping to understand the problem of race in this country.
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Andy Catlett is the latest installment in Wendell Berry’s Port William series, a distinct set of stories that Berry has been telling now for 50 years. Set during the Christmas of 1943, nine-year-old Andy Catlett sets off to visit his grandparents in Port William by bus, by himself for the first time. For Andy this is a rite of passage, his first step into manhood. His experiences on this solitary voyage become pivotal points in the entire Port William epic. The old ways are in retreat, modern life is crowding everything in its path, and as Andy looks back many years later, he hears the stories again of his neighbors and friends. A beautiful short novel, now in paperback, Andy Catlett is a perfect introduction to the whole world of Port William, and will be a rich new installment for those already familiar with this unfolding story.
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“My work has been motivated,” Wendell Berry has written, “by a desire to make myself responsibly at home in this world and in my native and chosen place.” In Home Economics, a collection of fourteen essays, Berry explores this process and continues to discuss what it means to make oneself “responsibly at home.” His title reminds us that the very root of economics is stewardship, household management. To paraphrase Confucius, a healthy planet is made up of healthy nations that are simply healthy communities sharing common ground, and communities are gatherings of households. A measure of the health of the planet is economics—the health of its households. Any process of destruction or healing must begin at home. Berry speaks of the necessary coherence of the “Great Economy,” as he argues for clarity in our lives, our conceptions, and our communications. To live is not to pass time, but to spend time.Whether as critic or as champion, Wendell Berry offers careful insights into our personal and national situation in a prose that is ringing and clear.
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There are those in America today who seem to feel we must audition for our citizenship, with “Patriot” offered as the badge for those found narrowly worthy. Let this book stand as Wendell Berry’s application, for he is one of those faithful, devoted critics envisioned by the Founding Fathers to be the life’s blood and very future of the nation they imagined. Adams, Jefferson, and Madison would have found great clarity in his prose and great hope in his vision. And today’s readers will be moved and encouraged by his anger and his refusal to surrender in the face of desperate odds. Books get written for all sorts of reasons, and this book was written out of necessity. Citizenship Papers collects twenty new essays, from celebrations of exemplary lives to critiques of the American experience, including “A Citizen’s Response [to the new National Security Strategy]”—a ringing call of alarm to a nation standing on the brink of global catastrophe.
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In these six essays, award-winning author Wendell Berry considers the degeneration of language that is manifest throughout our culture, from poetry to politics, from conversation to advertising, and he shows how the ever widening cleft between words and their referents mirrors the increasing isolation of individuals from their communities and of their communities from the land. From the essay, Standing by Words, Berry writes, “Two epidemic illnesses of our time—upon both of which virtual industries of cures have been founded—are the disintegration of communities and the disintegration of persons. That these two are related (that private loneliness, for example, will necessarily accompany public confusion) is clear enough. What seems not so well understood, because not so much examined, is the relation between these disintegrations and the disintegration of language. My impression is that we have seen, for perhaps a hundred and fifty years, a gradual increase in language that is either meaningless or destructive of meaning. And I believe that this increasing unreliability of language parallels the increasing disintegration, over the same period, of persons and communities.” Out-of-print for more than fifteen years, Standing by Words offers a masterfully written argument for the literary tradition.
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Nathan Coulter begins Wendell Berry's sequence of novels about the citizens of Port William, Kentucky- a setting that is taking its place alongside Yoknapatawpha County, Mississippi, and Winesburg, Ohio, as one of our most distinctive and recognizable literary locales.