Shop Categories
- Potpourri
- McGuire, Christine
- Murdoch, Iris
- Lovegrove, James
- History
- Percussion
- Honduras
- Forster, Gwynne
- Snowboarding
- Blackjack
- Johnson, James Weldon
- Questions & Answers
- North Carolina
- General
- Privacy
- De Kooning, Elaine
- Foy, George
- Folk & Traditional
- Hardware
- Perspectives on Law
- Children's Books
- Johnson, Susan
- L'Engle, Madeleine
- Cole, Brock
- Coloring Books
- Browning, Elizabeth Barrett
- Vocabulary, Slang, & Word Lists
- Leadership
- Foster, Alan Dean
- Shostakovich, Dmitrii
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( B ) : Bogan, Louise
-
Honored, during the course of her literary career, with almost every major poetry award, Louise Bogan (1898-1970) was the poetry critic for The New Yorker for nearly forty years. The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.
-
Although best known as a master of the formal lyric poem, Louise Bogan (1897– 1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths. Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke. Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan’s best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction.
-
-
A collection of poems grouped in such categories as "Birds, Beasts, and Flowers," "The Sea," and "The Moon and the Sun."
-
This very special book celebrates the works and days of two significant women of letters, one from "back East", the other from the Inland Northwest. Poet and critic Louise Bogan lived at the epicenter of the nation's literary life for the three decades spanned by this collections of letters and postcards from New York, Seattle, Chicago, and Arkansas, to her Spokane friend, poet and teacher Mildred Weston. The book includes an interview between Leon Sarsky and Mildred Weston, letters from Louise Bogan to Mildred Weston, conversations between Mildred Weston and Beth Oakes, and a selection of Weston's poems from the 1920s to the 1990s. The edition is limited to 500 numbered copies, signed by the author.
Pages:





