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Books : Literature & Fiction : Authors, A-Z : ( B ) : Bowen, Elizabeth
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The Last September is Elizabeth Bowen's portrait of a young woman's coming of age in a brutalized time and place, where the ordinariness of life floats like music over the impending doom of history.
In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching—the end of British rule in the south of Ireland and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. The Last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual.
"Brilliant.... A successful combination of social comedy and private tragedy."—The Times Literary Supplement (London)
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In The Heat of the Day, Elizabeth Bowen brilliantly recreates the tense and dangerous atmosphere of London during the bombing raids of World War II.
Many people have fled the city, and those who stayed behind find themselves thrown together in an odd intimacy born of crisis. Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.
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Two children, strangers, wait in a house in Paris: Leopold for his mother, whom he has never seen, and Henrietta for a train. Upstairs an old woman lies dying and her daughter flutters round her. The author exposes the apprehensions of the children and the reasons for their presence in the house.
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A young woman’s secret love affair leads to a violent and tragic act in one of Elizabeth Bowen’s most acclaimed novels. To the North centers on two young women in 1920s London, the recently widowed Cecilia Summers and her late husband's sister, Emmeline. Drawn to each other in the wake of their loss, the two set up house together and gradually become more entwined than they know.
But the comfortable refuge they have made is "a house built on sand"; both realize it cannot last. While Cecilia, capricious and unsure if she can really love anyone, moves reluctantly toward a second marriage, Emmeline, a gentle and independent soul, is surprised to find the calm tenor of her life disturbed for the first time by her attraction to the predatory Mark Linkwater. Bowen’s psychological acuity is on full display in a conclusion that plumbs the depths of this seemingly detached young woman in a single, life-shattering moment.
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In 1914, three eleven-year-old girls buried a box in a thicket on the coast of England, shortly before World War I sent their lives on divergent paths. Nearly fifty years later, a series of mysteriously-worded classified ads brings the women reluctantly together again. Dinah has grown from a chubby, bossy girl to a beautiful, eccentric widow. The clever, reticent Clare has blossomed into an imperious entrepreneur of independent means. And Sheila—who was once the pretty princess of her small universe—has weathered disappointed aspirations to become a chic and glossily correct housewife.
As these radically different women confront one another and their shared secrets, the hard-won complacencies of their present selves are irrevocably shattered. In a novel as subtle and compelling as a mystery, Elizabeth Bowen explores the buried revelations—and the dangers—that attend the summoning up of childhood and the long-concealed scars of the past.
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Widely known for her much-admired novels, including The Heat of the Day, The House in Paris, and The Death of the Heart, Elizabeth Bowen established herself in the front rank of the century's writers equally through her short fiction.
This collection brings together seventy-nine magnificent stories written over the course of four decades. Vividly featuring scenes of bomb-scarred London during the Blitz, frustrated lovers, acutely obcerved children, and even vengeful ghosts, these stories reinforce Bowen's reputation as an artist whose finely chiseled narratives—rich in imagination, psychological insight, and craft—transcend their time and place.
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In a writing career that spanned the 1920s to the 1960s, Anglo-Irish author Elizabeth Bowen created a rich and nuanced body of work in which she enlarged the comedy of manners with her own stunning brand of emotional and psychological depth.
In A World of Love, an uneasy group of relations are living under one roof at Montefort, a decaying manor in the Irish countryside. When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.
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In this richly detailed biography, Victoria Glendinning brings alive the great Anglo-Irish novelist whose literary achievements were equaled only by her unbounded gift for living.
Taking us from Elizabeth Bowen's ancestral home in Ireland, Bowen’s Court, to Oxford where she met Yeats and Eliot, to her service as an air-raid warden in London during World War II, this penetrating biography lifts the thin veil between Bowen's imaginative world and the complex emotional life that fired her shimmering novels. We see her at elegant parties, where such friends as Virginia Woolf, Eudora Welty, and Evelyn Waugh fell under her spell; in post-war Vienna with Graham Greene; and in war-torn London, where she fell in love with a younger man who was unprepared for life at the pitch she lived it. We see her bound through several affairs to a comfortable marriage, living "life with the lid on." The world of Elizabeth Bowen was akin to that of her novels: no one behaved shockingly, yet the passions that stirred within made her a master of the ultimate suspense of human relationships–the life of the heart.
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Eva Trout, Elizabeth Bowen’s last novel, epitomizes her bold exploration of the territory between the comedy of manners and cutting social commentary.
Orphaned at a young age, Eva has found a home of sorts in Worcestershire with her former schoolteacher, Iseult Arbles, and Iseult's husband, Eric. From a safe distance in London, her legal guardian, Constantine, assumes that all's well. But Eva's flighty, romantic nature hasn't entirely clicked with the Arbles household, and Eva is plotting to escape. When she sets out to hock her Jaguar and disappear without a trace, she unwittingly leaves a paper trail for her various custodians–and all kinds of trouble–to follow.
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These were the balmy days of the 1920s. The Hotel was a comfortable hotel on the Italian Riviera, run for prosperous English visitors. It was a closed world of wealth and a setting for the inexhaustable comedy of casual personal relationships among a variety of "nice" people.
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