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Books : Literature & Fiction : Authors, A-Z : ( B ) : Bowles, Paul
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The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles's writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country's 1954 nationalist uprising. Totally relevant to today's political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider's House is perhaps Bowles's best, most beautifully subtle novel.
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Paul Bowles had already established himself as an important composer when at age 39 he published The Sheltering Sky and became recognized as one of the most powerful writers of the postwar period. From his base in Tangier he produced globally ranging novels, stories, and travel writings that set exquisite surfaces over violent undercurrents. His elegantly spare novels chart the unpredictable collisions between "civilized" exiles and a Morocco they never grasp, achieving effects of extreme horror and dislocation.
This Library of America Bowles set, the first annotated edition, offers the full range of his achievement: the portrait of an outsider who was one of the essential American writers of the last century. In addition to his novels-The Sheltering Sky (1949), Let It Come Down (1952), The Spider's House (1955), Up Above the World (1966)-and his collected stories-including such classics as "A Distant Episode" and "Pages from Cold Point"-they contain his masterpiece of travel writing, Their Heads Are Green and Their Hands Are Blue (1963). Throughout, Bowles shows himself a master of gothic terror and a diabolically funny observer of manners as well as a prescient guide to everything from the roots of Islamist politics to the world of Moghrebi music. With a hallucinatory clarity as dry and unforgiving as the desert air, Bowles sends his characters toward encounters with unknown and terrifying forces both outside them and within them. -
"A true story of human desperation, shattering in its impact."-Tennessee Williams
Driven by famine from their home in the Rif, Mohamed's family walks to Tangiers in search of a better life. But his father is unable to find work and grows violent. Mohamed learns how to charm and steal. During a short spell in a filthy Moroccan jail, a fellow inmate kindles his life-altering love of poetry.
The distinguished writer Paul Bowles, perhaps best known for his novel The Sheltering Sky, collaborated closely with Mohamed Choukri on the translation of For Bread Alone, and penned the introduction.
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"Bowles, one of the four or five best writers in English in the second half of the twentieth century, embraced the desert as a Christian saint embraces his martyrdom. His self-abnegation and his love of traditional culture made him one of the keenest observers of other civilizations we have ever had in America. Unlike his countrymen he did not brashly set out to improve the rest of the world. For Bowles, Americanization was the problem, not the solution. As these startling, sober travel pieces show, Bowles, because of his powers of negative capability, was able to enter into the inner truth of even the most remote places and peoples."
-- from the Introduction by Edmund White
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The short fiction of American literary cult figure Paul Bowles is marked by a unique, delicately spare style, and a dark, rich, exotic mood, by turns chilling, ironic, and wry—possessing a symmetry between beauty and terror that is haunting and ultimately moral. In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece."
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In Let It Come Down, Paul Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.
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On the terrace of an elaborate hilltop apartment overlooking a Central American capital, four people sit making polite conversation. The American couple -- an elderly physician and his young wife -- are tourists. Their host, whom they have just met, is a young man of striking good looks and charm. The girl, his mistress, is very young and very beautiful. Sitting there, watching the sunset, the Slades seem to be enjoying the sort of fortunate chance encounter that travelers cherish. But amid the civilities and small talk, the host's casual remark to the American woman proves prophetic: "It's not exactly what you think."
Masterfully -- with the poetic control that has always characterized his work -- Paul Bowles leads the reader beneath the surface of hospitality and luxury into a tortuous maze of human relationships and shifting moods, until what seems at first a merely casual encounter is seen to be one rooted in viciousness and horror.
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These are four tales of contemporary life in a land where cannabis, rather than alcohol, customarily provides a way out of the phenomenological world. Thus, of the men in these stories, Salam uses suggestions supplied by smoking kif to rid himself of a possible enemy. He of the Assembly catches himself up in the mesh of his own kif-dream and begins to act it out in reality; Idir's victory over Lahcen is the classical story of the kif-smoker's ability to outwit the drinker. Driss the soldier, with aid of kif, proves the existence of magic to his enlightened superior officer. For all of them the kif-pipe is the means to attaining a state of communication not only with others but above all with themselves.
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In this intense and brilliant book Bowles focuses on Morocco, condensing expreience, emotion, and the whole history of a people into a series of short, insightful vignettes. He distills for us the very essence of Moroccan culture. With extraordinary immediacy, he takes the reader on a journey through the Moroccan centuries, pausing at points along the way to create resonant images of the country, it's landscapes, and the beliefs and characteristics of its inhabitants.
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This edition features over three hundred letters, selected to best illustrate the complexity and textures of Hart Crane's turbulent life –– from family pressures, to his creative ambition, to his homosexuality.
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This powerful and shocking narrative recounts the adventures of Abdeslam, a precocious twelve-year-old Moroccan boy who runs away from his home in the Rif Mountains to Tangier. There he struggles to retain his childlike innocence and native pride while striving to support himself in the corrupt and decadent international port. He takes up with a longshoreman and soon meets a rogue's gallery of friends, mostly hustlers and down-and-outers. With his characteristic brilliance and streetwise charm, Mrabet develops the novel's ambiguous theme of the necessity of violence to retain one's innocence.
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Paul Bowles, the acclalmed author of The Shelterlng Sky, offers movlng, powerful, subtle, and fasclnatlng lnslghts lnto hls llfe, hls wrltlng, and hls world.
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"Ah," said Hassan, "I don't believe in the world. There's another world where life is different."
These are stories of that world. The word m'hashish (equivalent in Moghrebi of "behashished" or "full of hashish") is used only in a literal sense, but also figuratively, to describe a person whose behavior seems irrational or unexpected. The tales here deal with some of the possible results, desirable and questionable, of being in that state.
Mohammed Mrabet was born in Tangier around 1940. Since 1965, Paul Bowles has taped and translated numerous strange legends and lively stories recounted by Mrabet: Love with a Few Hairs (novel), The Lemon (novel), The Boy Who Set Fire (stories), Harmless Poisons, Blameless Sins (stories), The Beach Caf & Look & Move On (autobiography), and The Big Mirror (novella).
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Between 1987 and 1989, Paul Bowles, at the suggestion of a friend, kept a journal to record the daily events of his life. What emerges is not only just a record of the meals, conversations, and health concerns of the author of The Sheltering Sky but also a fascinating look at an artist at work in a new medium. Characterized by a refreshing informality, clear-sightedness, and passages of exquisite prose, these pages record with equal fascination the behavior of an itinerant spider, a brutal episode of violence in a Tangier marketplace, and the pageantry and excess of Malcolm Forbes's seventieth birthday party. In Days, a master observer of the foreign and obscure turns his attentions toward his own daily existence, giving us a startlingly candid portrait of his life in late twentieth-century Tangier.

















