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Books : Literature & Fiction : Authors, A-Z : ( B ) : Boyd, William
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Someone is trying to kill Sally Gilmartin. It is the summer of 1976, and the only person she can trust is her daughter, Ruth, a young single mother struggling with her own demons. Now Sally must tell her daughter the truth: She is actually Eva Delectorskaya, a Russian émigré recruited for the British Secret Service in 1939. Soon Ruth is drawn deeper into the astonishing events of her mother’s past, including her work in New York City manipulating the press in order to shift public sentiment toward U.S. involvement in Second World War and her dangerous love affair with another spy. Ruth also discovers that her mother has one final assignment. This time, though, Eva can’t do it alone—she needs Ruth’s help. Full of tension and drama, emotion and history, this is storytelling at its finest.
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In the heart of a civil war-torn African nation, primate researcher Hope Clearwater made a shocking discovery about apes and man . . .
Young, alone, and far from her family in Britain, Hope Clearwater contemplates the extraordinary events that left her washed up like driftwood on Brazzaville Beach. It is here, on the distant, lonely outskirts of Africa, where she must come to terms with the perplexing and troubling circumstances of her recent past. For Hope is a survivor of the devastating cruelities of apes and humans alike. And to move forward, she must first grasp some hard and elusive truths: about marriage and madness, about the greed and savagery of charlatan science . . . and about what compels seemingly benign creatures to kill for pleasure alone.
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"Rich in character and incident, An Ice-Cream War fulfills the ambition of the historical novel at its best."
--The New York Times Book Review
Booker Prize Finalist
"Boyd has more than fulfilled the bright promise of [his] first novel. . . . He is capable not only of some very funny satire but also of seriousness and compassion." --Michiko Kakutani, The New York Times
1914. In a hotel room in German East Africa, American farmer Walter Smith dreams of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her decision to return to the Dark Continent--and to her husband. On a faraway English riverbank, a jealous Felix Cobb watches his brother swim, and curses his sister-in-law-to-be. And in the background of the
world's daily chatter: rumors of an Anglo-German conflict, the likes of which no one has ever seen.
In An Ice-Cream War, William Boyd brilliantly evokes the private dramas of a generation upswept by the winds of war. After his German neighbor burns his crops--with an apology and a smile--Walter Smith takes up arms on behalf of Great Britain. And when Felix's brother marches off to defend British East Africa, he pursues, against his better judgment, a forbidden love affair. As the sons of the world match wits and weapons on a continent thousands of miles from home, desperation makes bedfellows of enemies and traitors of friends and family. By turns comic and quietly wise, An Ice-Cream War deftly renders lives capsized by violence, chance, and the irrepressible human capacity for love.
"Funny, assured, and cleanly, expansively told, a seriocomic romp. Boyd gives us studies of people caught in the side pockets of calamity and dramatizes their plights with humor, detail and grit." --Harper's
"Boyd has crafted a quiet, seamless prose in which story and characters flow effortlessly out of a fertile imagination. . . . The reader emerges deeply moved." --Newsday -
In this extraordinary novel, William Boyd presents the autobiography of John James Todd, whose uncanny and exhilarating life as one of the most unappreciated geniuses of the twentieth century is equal parts Laurence Stern, Charles Dickens, Robertson Davies, and Saul Bellow, and a hundred percent William Boyd.
From his birth in 1899, Todd was doomed. Emerging from his angst-filled childhood, he rushes into the throes of the twentieth century on the Western Front during the Great War, and quickly changes his role on the battlefield from cannon fodder to cameraman. When he becomes a prisoner of war, he discovers Rousseau's Confessions, and dedicates his life to bringing the memoir to the silver screen. Plagued by bad luck and blind ambition, Todd becomes a celebrated London upstart, a Weimar luminary, and finally a disgruntled director of cowboy movies and the eleventh member of the Hollywood Ten. Ambitious and entertaining, Boyd has invented a most irresistible hero. -
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The 100th issue of Granta, guest edited by the acclaimed British novelist William Boyd, features original work by many of the writers who have helped to make it the most widely read literary magazine in the world Contributors include Martin Amis, Julian Barnes, Ian McEwan, A. M. Homes, John le Carré, Doris Lessing, Jayne Anne Phillips, Harold Pinter, Nicholas Shakespeare, Helen Simpson, and Mario Vargas Llosa. The issue also includes new pieces by its former editors, Bill Buford and Ian Jack, and original photographs of many of the writers by Bruce Frankel and Carolin Seeliger.
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On the heels of Boyd’s Costa (formerly Whitbread) Award winner, Restless, an erudite and entertaining collection of essays and opinions from one of our generation’s most talented writers.
“Plant one bamboo shoot—cut bamboo for the rest of your life.” William Boyd’s prolific, fruitful career is a testament to this old Chinese saying. Boyd penned his first book review in 1978—the proverbial bamboo shoot—and we’ve been reaping the rewards ever since. Beginning with the Whitbread Award–winning A Good Man in Africa, William Boyd has written consistently artful, intelligent fiction and firmly established himself as an international man of letters. He has done nearly thirty years of research and writing for projects as diverse as a novel about an ecologist studying chimpanzees (Brazzaville Beach), an adapted screenplay about the emotional lives of soldiers (The Trench, which he also directed), and a fictional biography of an American painter (Nat Tate). All the while, Boyd has been accruing facts and wisdom—and publishing it in the form of articles, essays, and reviews.Now available for the first time in the United States, Bamboo gathers together Boyd’s writing on literature, art, the movie business, television, people he has met, places he has visited and autobiographical reflections on his African childhood, his years at boarding school, and the profession of novelist. From Pablo Picasso to the Cannes Film Festival, from Charles Dickens to Catherine Deneuve, from mini-cabs to Cecil Rhodes, this collection is a fascinating and surprisingly revealing companion to the work of one of Britain's leading novelists. -
Sharply observed and brilliantly plotted, Stars and Bars is an uproarious portrait of culture clash deep in the heart of the American South, by one of contemporary literature’s most imaginative novelists.
A recent transfer to Manhattan has inspired art assessor Henderson Dores to shed his British reserve and aspire to the impulsive and breezy nature of Americans. But when Loomis Gage, an eccentric millionaire, invites him to appraise his small collection of Impressionist paintings, Dores's plans quite literally go south. Stranded at a remote mansion in the Georgia countryside, Dores is received by the bizarre Gage family with Anglophobic slurs, nausea-inducing food, ludicrous death threats, and a menacing face off with competing art dealers. By the time he manages to sneak back to New York City–sporting only a cardboard box–Henderson Dores realizes he is fast on the way to becoming a naturalized citizen. -
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What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long-sight, perceives in a prospect innumerable features and bearings non-existent to a short-sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is ALWAYS the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull?
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A new collection of stories by the internationally acclaimed author of Any Human Heart (“the finest storyteller of his generation” –Chicago Tribune).
In “Notebook No. 9,” a film director’s journal becomes an unintentional record of his obsessive love for his leading lady and the slow destruction of their relationship.
In “Beulah Berlin, an A—Z,” a performance artist, longing for stability and order, reveals the details of her chaotic life through her comments on such varied subjects as angst, hay fever, photography, baby names, sonnets, and tobacco.
In “Fantasia on a Favorite Waltz,” a prostitute finds an unexpected friend in a young man who plays piano in a brothel.
In “Adult Video,” we see a man’s life in film format–rewinding to his years as a struggling student at Oxford, fast-forwarding to his dreams of success as a writer, and watching the present unfold as he proposes to his future wife for all the wrong reasons.
Exploring the ways a life can be dominated by a need for love and the torments that arise when love is misplaced or denied, these stories confirm William Boyd’s reputation as a master of the art.




















