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Books : Literature & Fiction : Authors, A-Z : ( B ) : Brecht, Bertolt
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Sophocles, Holderlin, Brecht, Malina - four major figures in the world's theatre - have all left their imprint on this remarkable dramatic text. Friedrich Holderlin translated Sophocles into German, Brecht adapted Holderlin, and now Judith Malina has rendered Brecht's version into a stunning English incarnation. Available for the first time in English.
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This selection of Bertolt Brecht's critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Alienation evolved and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo, and many others of his plays. Also included is A Short Organum for the Theatre, Brecht's most complete statement of his revolutionary philosophy of the theatre.
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Writing in exile in the USA during the Second World War, Brecht borrowed from an ancient Chinese story-echoed in the Judgement of Solomon-in which two women both claim the same child. Brecht's subversion of this tale provides a parable which seems to say that resources should go to those in whose hands they will be most productive. Thanks to the rascally judge, Azdak, one of Brecht's most vivid creations, this story, at least, has a happy outcome. The child is entrusted to the peasant Grusha, who has loved it and nurtured it.
Originally intended for Broadway, this translation by James and Tania Stern (with verse translation by W. H. Auden) has been thoroughly revised, and the volume includes a full introduction and commentary by John Willett and Ralph Manheim.
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The city burns in the heat of civil war and a servant girl sacrifices everything to protect an abandoned child. But when peace is finally restored, the boy's mother comes to claim him. Calling upon the ancient tradition of the Chalk Circle, a comical judge sets about resolving the dispute. But in a culture of corruption and deception, who wins? Written by the grand master of storytelling and peopled with vivid and amusing characters, this is one of the greatest plays of the last century. This Caucasian Chalk Circle is translated by award-winning writer Alistair Beaton, who also wrote the bitingly witty stage play Feelgood and the celebrated TV dramas The Trial of Tony Blair and A Very Social Secretary. 2009 UK tour by Shared Experience: West Yorkshire Playhouse, (26 Sep-17 Oct), Richmond Theatre (20-24 Oct), Nottingham Playhouse (4-21 Nov) and the Unicorn Theatre, London (25-29 Nov).
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Mother Courage and Her Children is a classic in the repertory of Western theater. Written in response to the outbreak of World War II, this "chronicle play" of the Thirty Years War follows one of Brecht's most enduring characters, Courage, as she trails the armies across Europe, selling provisions from her canteen wagon. However, Courage pays the highest price of all. One by one, her children are devoured by violence, but she will not give up her livelihood-the wagon and the war.
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Brutal, scandalous, perverted, yet humorous, hummable, and with a happy ending- Bertolt Brecht's revolutionary masterpiece The Threepenny Opera is a landmark of modern drama that has become embedded in the Western cultural imagination. Through the love story of Polly Peachum and "Mack the Knife" Macheath, the play satirizes the bourgeois of the Weimar Republic, revealing a society at the height of decadence and on the verge of chaos. Complemented with music by Kurt Weill, it was one of the earliest and most successful attempts to introduce jazz into the theater, and the song "Mack the Knife" became one of the most popular and widely recorded songs of the twentieth century.
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A play by Bertolt Brecht
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A new translation by Michael Hofmann is published to coincide with the United Kingdom's national tour by English Touring Theatre.
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Mother Courage was first performed in Zurich in 1941 and is usually seen as Brecht's greatest work. Remaining a powerful indictment of war and social injustice, it is an epic drama set in the 17th century during the Thirty Years' War. The plot follows the resilient Mother Courage who survives by running a commissary business that profits from all sides. As the war claims all of her children in turn, the play poignantly demonstrates that no one can profit from the war without being subject to its terrible cost also. This translation by Pulitzer Prize-winning playwright Tony Kushner is contemporary and lively, with accessible and humour language, an easy conversational flow, sympathetic, understandable characters and humour. Kushner makes a classic play which is notoriously difficult to perform both stage and reader friendly. National Theatre production, directed by Deborah Warner and starring Fiona Shaw (Sept 2009).
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Galileo Ranks alongside Mother Courage and Mr. Puntila as one of Brecht’s most intensely alive, human, and complex characters. In Life of Galileo, the great Renaissance scientist is in a brutal struggle for freedom from authoritarian dogma. Unable to satisfy his appetite for scientific investigation, he comes into conflict with the Inquisition and must publicly renounce his theories, though in private he goes on working on his revolutionary ideas.
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The three plays gathered in this volume are among Bertolt Brecht's most remarkable; the best-known is Jungle of Cities, here translated by the poet Anselm Hollo. Set in Chicago in a climate of rampant capitalism, it is the story of a savage battle waged between two men, whose relationship is at once homosexual and sadomasochistic and whose tightly choreographed hostility is a metaphor for their cultural surround.
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The authorized, definitive editions of two of Bertolt Brecht’s most enduring works
The Good Person of Szechwan is one of Bertolt Brecht’s most popular works. When three gods come to earth in search of a thoroughly good person, they encounter Shen Teh, a goodhearted but penniless prostitute, who offers them shelter. Rewarded with enough money to open a tobacco shop, “Angel of the Slums” Shen Teh soon becomes so overwhelmed by the demands of people seeking assistance that she invents a male alter ego, “Tobacco K ing” Shui Ta, to deal ruthlessly with the business of living in an evil world. The Good Person of Szechwan is a masterpiece of minimalist design and elegance that shines a light on human nature and social mores.
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These six plays represent the best and most humorous of Brecht's shorter works. The Jewish Wife is from the Fear and Misery in the Third Reich cycle of one-act plays, which, along with In Search of Justice and The Informer, chromicles the hardships of life in Nazi Germany.
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A billingual collection showing the range of Brecht's poetry, from the early Manual of Piety to the late Songs, Poems, and Choruses, including songs from his theater works. Translated and introduced by H.R. Hays.
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In this savage and witty parable written in exile in 1941, Brecht recasts the rise of Hitler as a small-time Chicago gangster's takeover of the city's greengrocery trade. This prizewinning translation by Ralph Manheim skilfully captures the wide range of parody and pastiche in the original - from Richard III to Al Capone, from Mark Antony to Faust - without diminishing the horror of the real-life Nazi prototypes.
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Long in preparation, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages. These are culled from a number of collections, including Bertolt Brecht's "Domestic Breviary" (1927), various collections from 1913 to 1938; "Svendborg Poems" (1939); and various collected poems from 1938 to 1956. (No lyrics from the plays are included.) Also here are several prose works: "Socrates Wounded" and "The Unseemly Old Lady."
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Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatize with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew.
This volume is translated by John Willett, joint editor of Brecht's collected plays in English and is accompanied by an extensive introduction and commentary.
"What Brecht shows us here is more or less harmless by comparison with what came later. Perhaps this is its greatest strength: we know the results, what we are looking for is the beginnings."-Max Frisch
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