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Books : Literature & Fiction : Authors, A-Z : ( B ) : Brookner, Anita
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This translation is Gerard Hopkins's 1949 classic rendition of Flaubert's great novel. It is supplemented by an luminous introduction by Anita Brookner.
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It is Friday evening before Labor Day weekend. Americans are hitting the highways in droves; the radio crackles with warnings of traffic jams and crashed cars. Steve Hogan and his wife, Nancy, have a long drive ahead—from New York City to Maine, where their children are in camp. But Steve wants a drink before they go, and on the road he wants another. Soon, exploding with suppressed fury, he is heading into that dark place in himself he calls “the tunnel.” When Steve stops for yet another drink, Nancy has had enough. She leaves the car.
On a bender now, Steve makes a friend: Sid Halligan, an escapee from Sing Sing. Steve tells Sid
all about Nancy. Most men are scared, Steve thinks, but not Sid.
The next day, Steve wakes up on the side of the road. His car has a flat, his money is gone, and there’s one more thing still left for him to learn about Nancy, Sid Halligan, and himself.
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Wharton’s glittering satire of the newly affluent in Old New York
Considered by many to be her masterpiece, Edith Wharton’s second full-length work is a scathing yet personal examination of the exploits and follies of the modern upper class. As she unfolds the story of Undine Spragg, from New York to Europe, Wharton affords us a detailed glimpse of what might be called the interior décor of this America and its nouveau riche fringes. Through a heroine who is as vain, spoiled, and selfish as she is irresistibly fascinating, and through a most intricate and satisfying plot that follows Undine’s marriages and affairs, she conveys a vision of social behavior that is both supremely informed and supremely disenchanted. BACKCOVER: “As long as men and women seek to use each other—and to use each other badly—Edith Wharton can be counted upon to provide the ideal commentary.”
—Anita Brookner
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The Reef (1912) is one of Edith Wharton's finest and most compelling novels, admired greatly by Henry James. A minutely rendered anatomy of social ambiguity, focused on the intricately interdependent lives of three American expatriates in France, The Reef is also an obliquely autobiographical work which reveals Wharton's ambivalent sense of both her newly adopted country, and her unexpectedly awakened sexuality. The Reef is a brilliant and compelling work, both as a neglected and genuinely distinguished novel, and as a revealing document in modern sexual history.
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One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, “affront her destiny.” James began The Portrait of a Lady without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish—and then protect—her independence. But Isabel’s pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. “James’s formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved,” writes Hortense Calisher, “make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot.”
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At twenty-six, Emma Roberts comes to the painful realization that if she is ever to become truly independent, she must leave her comfortable London flat and venture into the wider world. This entails not only breaking free from a claustrophobic relationship with her mother, but also shedding her inherited tendency toward melancholy. Once settled in a small Paris hotel, Emma befriends Fran?oise Desnoyers, a vibrant young woman who offers Emma a glimpse into a turbulent life so different from her own.
In this exquisite new novel of self-discovery, Booker Prize-winner Anita Brookner addresses one of the great dramas of our lives: growing up and leaving home.
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The Booker Prize—winning author of The Bay of Angels and Hotel du Lac, “one of the finest novelists of her generation” (The New York Times), now gives us a masterly new novel about the self-discoveries that come with maturity, and the eternal question confronted by people of all ages: What will I do with the rest of my life?
In this richly written, emotionally revealing novel, Brookner once again “works a spell on the reader” (The Washington Post Book World), as a man finds himself contemplating the difficult life questions: How is it all going to work out? What shall I do before the end? As Herz ponders proposing marriage to an old friend, making a trip to Paris to see a favorite painting, selling his home, moving, starting afresh, he knows that he must do something with his remaining years. But what?
Brilliant, funny, profound, Making Things Better captures the quandaries of aging: the misunderstanding of an increasingly modern, alien world; awkward conversations with passersby; even more awkward encounters with longtime friends and acquaintances; the anxieties posed by age and uncertainty—and the bizarre, magnificent self-knowledge that perhaps only age, reflection, and experience can bring.
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A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered. Reprint. 12,500 first printing.
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Despite growing up with a widowed and reclusive mother, young Zoë Cunningham retains an unshakable faith in storybook happy endings. When her mother, Anne, finally decides to remarry, Zoë is thrilled with her prospective stepfather, Simon Gould, who is not only wealthy, but also kind and generous. Simon’s affection for his new family allows Zoë to pursue what she thinks is an independent life: her own apartment in a fashionable part of London, a university education, casual affairs, and carefree holidays at Simon’s villa in Nice. When a series of unexpected calamities intervene, Zoë learns that the idyllic freedom she enjoys has come at a steep price. To preserve both her mother’s and her own sense of wellbeing, Zoë must discern the real motives of the strangers on whom she now depends, including the silent and mysterious man whose nocturnal movements have attracted her attention.
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Standing on a railway platform in a Swiss resort town, sensibly clad in his Burberry raincoat and walking shoes, a man thinks he may be looking at the woman for whom he ruined his life many years earlier. Alan Sherwood, a quiet English solicitor, remembers back to a time when he stepped briefly out of character to indulge in a liaison with Sarah Miller, an intriguing but heartless distant relative--only to find himself in a series of absurd situations that culminated in his marriage to Sarah's clinging, childlike friend Angela.
With her compassionate portrait of a man who has paid a terrible price for his folly, Anita Brookner gives us a novel that it at once harrowing and humane. In the traditions of Henry James and Thomas Mann, Altered States is a beautifully rendered tale of loneliness, guilt, and erotic obsession.
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In A Closed Eye, Anita Brookner explores, with compassionate insight and stylistic brilliance, the self-inflicted paradoxes in the life of Harriet Lytton, a woman whose powers of submissiveness and self-denial are suddenly tested by the dizzying prospect of sexual awakening.
In Harriers gallant struggle with the single great temptation that comes her way, Brookner creates a hauntingly flawed heroine and a study in the evasions and disappointments that make up all our lives.
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Elizabeth and Betsy had been school friends in 1950s London. Elizabeth, prudent and introspective, values social propriety. Betsy, raised by a spinster aunt, is open, trusting, and desperate for affection. After growing up and going their separate ways, the two women reconnect later in life. Elizabeth has married kind but tedious Digby, while Betsy is still searching for love and belonging. In this deeply perceptive story, Anita Brookner brilliantly charts the resilience of a friendship tested by alienation and by jealousy over a man who seems to offer the promise of escape.
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The extraordinary Anita Brookner, praised by The New York Times as "one of the finest novelists of her generation," gives us a brilliant novel about age and awakening. In Visitors, Brookner explores what happens when a woman's quiet resignation to fate is challenged by the arrogance of youth.
Dorothea May is most at ease in the company of strangers. When her late husband's relatives prevail on her to take in a young man for the week before an unexpected family wedding, Thea's carefully constructed, solitary world is thrown into disarray. As the wedding approaches, old family secrets surface and conflicts erupt between the generations, trapping an unwilling Thea in the middle. Confronted by the company of Steve Best, a carefree young wanderer, Thea's fragile facade of peaceful acceptance is pierced, forcing her to face in a new way both her past and her future.
Exquisite writing, richly drawn characters, and penetrating prceptions about people are here combined into another superb novel by the writer about whom The New York Times Book Review has said, "If Henry James were around, the only writer he'd be reading with complete approval would be Anita Brookner."
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A novel about the 50-year friendship of two dissimilar German refugees brought over to England as children from Nazi Germany. Their friendship becomes a funny yet touching model for the ways in which human beings come to terms with the tragedy of living.
From the Trade Paperback edition.
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In an ambitious departure from her usual form, Anita Brookner expands her canvas in FAMILY AND FRIENDS to create a richly textured novel about the life of a wealthy Jewish family in London, centering upon the generation that came to maturity between the two World Wars. "Brookner works a spell on the reader; being under it is both an education and a delight".--WASHINGTON POST BOOK WORLD.
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Kitty Maule longs to be "totally unreasonable, totally unfair, very demanding, and very beautiful." She is instead clever, reticent, self-possessed, and striking. For years. Kitty has been tactfully courting her colleague Maurice Bishop, a detached, elegant English professor. Now, running out of patience, Kitty's amorous pursuit takes her from rancorous academic committee rooms and lecture halls to French cathedrals and Parisian rooming houses, from sittings with her dress-making grandmother to seances with a grandmotherly psychic. Touching, funny, and stylistically breathtaking, Providence is a brightly polished gem of romantic comedy.
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At the heart of Anita Brookner's new novel lies a double mystery: What has happened to Anna Durrant, a solitary woman of a certain age who has disappeared from her London flat? And why has it taken four months for anyone to notice?
As Brookner reconstructs Anna's life and character through the eyes of her acquaintances, she gives us a witty yet ultimately devastating study of self-annihilating virtue while exposing the social, fiscal, and moral frauds that are the underpinnings of terrifying rectitude.
From the Trade Paperback edition.
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Anita Brookner is justly famous for her elegant, almost Jamesian character studies of women poised on the threshold of life. But in Lewis Percy, she performs a remarkable leap of imaginative empathy in her portrayal of a man torn between the reassuring cloister of the library and the alluring but terrifying world of the senses, a world populated by women who persist in bewildering him.