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Books : Literature & Fiction : Authors, A-Z : ( B ) : Burgess, Anthony
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Anthony Burgess's modern classic of youthful violence and social redemption, reissued to include the controversial last chapter not previously published in this country, with a new introduction by the author.
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Washington Square Press Enriched Classics make great literature even more accessible to a new generation of readers, with expanded and updated reader's supplements and essential historical information. Oedipus the King is the 2,000-year-old masterpiece that raises basic questions about human behavior that are still vigorously debated by students and scholars. Photos and illustrations.
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This acclaimed adaptation for the stage has garnered such reviews as: "Emotional depth Rostand himself would surely have envied...Burgess' extravagant verse keeps its contours, yet trips off the tongue almost as though it were contemporary speech." -London Times. Performance rights available from Applause.
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First published in 1978, this collection of nineteen of Ballard's best short stories is as timely and informed as ever. His tales of the human psyche and its relationship to nature and technology, as viewed through a strong microscope, were eerily prescient and now provide greater perspective on our computer-dominated culture. Ballard's voice and vision have long served as a font of inspiration for today's cyber-punks, the authors and futurist who brought the information age into the mainstream.
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'Tonight When I make my sweeping bow at heaven's gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ...My panache.' The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand's rejection of the social realism which dominated late nineteenth-century theatre. He wrote his 'heroic comedy', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand's hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry's acclaimed translation into 'chiming couplets' represents the homage of one verse dramatist to another.
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With A Dead Man in Deptford, Burgess concluded his literary career to overwhelming acclaim for his re-creation of the Elizabethan poet Christopher Marlowe. In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.
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Erica Jong--like Isadora Wing, her fictional doppelganger--was rich and famous, brainy and beautiful, and soaring high with erotica and marijuana in 1977, the year this book was first published. Erica/Isadora are the perfect literary and libidinous guides for those readers who want to learn about-or just be reminded of-the sheer hedonistic innocence of the time. How to Save Your Own Life was praised by People for being "shameless, sex-saturated and a joy," and hailed by Anthony Burgess as one of the ninety-nine best novels published in English since 1939.
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Dr. Edwin Spindrift has been sent home from Burma with a brain tumor. Closer to words than to people, his sense of reality is further altered by his condition. When he escapes from the hospital the night before his surgery, things and people he hardly knew existed swoop down on him as he careens through an adventurous night in London. "Fine, sly, rich comedy. . . ." (NEW YORK TIMES BOOK REVIEW) by the author of A CLOCKWORK ORANGE.
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Long considered the most compelling account of natural disaster in all of literature, Defoe's classic reconstruction of the Great Plague of 1665 scans the streets and alleyways of stricken London in an effort to record the extreme suffering of plague victims. At once horrifying and movingly compassionate, A Journal of the Plague Year offers a nightmare vision of the modern city laid to waste.
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A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"
This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."
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Written at the height of D.H. Lawrence's creative energies, TWILIGHT IN ITALY (1916) is composed of seven short pieces that sparkle with the humor and lively sensory images for which he is known. Features an Introduction by Anthony Burgess.
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In Burgess's infamous nightmare vision of youth culture in revolt, 15-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the state tries to reform him - but at what cost?
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Like Burgess's early novel, Nothing Like the Sun: A Story of Shakespeare's Love-Life, this equally delightful factual treatment of what we know of the Bard combines Burgess's stimulating erudition and his well-informed imagination. The result is at once a speculative biography, a theatrical history, and a re-creation of the Elizabethan age. Whether a vivid retracing of the evolution Elizabethan theater, a bravura reconstruction of the first performance of Hamlet, an infiltration of the intricacies of the court of the Virgin Queen, or an elegy on the era's end with the distrastrous Essex Rebellion, Burgess -- author of the classic A Clockwork Orange -- sets the stage for England's most glorious time and turns the spotlight on the figure of William Shakespeare. "Animated by affection and an understanding of the creative imagination that only a creative writer can bring to bear."—Atlantic Monthly "A smooth-flowing narrative, often enlivened by Anthony Burgess's Joycean appetite for linguistic fantasy."—Economist "Bright, racy...knowledgeable and humorous, alternately sensible and quirky."—Terry Eagleton, Commonweal "Burgess's wonderfully well-stocked mind and essentially wayward spirits are just right for summoning up an apparition of the Bard...."—Daily Telegraph
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Book jacket/from back: Anthony Burgess has long been regarded as one of the most original and daring writers of our time. In Earthly Powers, Burgess has writtena book rich with astonishing powers and surprising events.
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From the author of A Clockwork Orange, a brilliantly funny spy novel.
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The author of more than 50 books--including the classic A Clockwork Orange--presents a fascinating survey of language: how it reached its present situation; how it operates now; and how it will develop in the future. Anthony Burgess covers everything from Shakespeare's pronunciation, to the politics of speech, to the place of English in the world, and more.
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With film rights acquired by Francis Ford Coppola, this comic novel of instant riches is back in stock. From the author of A Clockwork Orange, One Hand Clapping is a comedy of game shows and greed, high stakes and the high life. The tragi-comedy of used car salesman Howard Shirley, his photographic brain, and the modern world's trivia and trivialities makes for vintage Burgess—at once hilarious and provocative. "Witty and shrewdly joyful."—The New York Times Book Review "A funny, pointed novel."—The New Yorker "Ingeniously and devilishly funny."—The Atlantic Monthly