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Books : Literature & Fiction : Authors, A-Z : ( C ) : Coupland, Douglas
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“Wildly differing perspectives merge beautifully into one cohesive look at loneliness and despair. Yes, Coupland is dark and cutting about our fluorescent-lit times, but there's also a real underlayer of gratitude here, for the hand that can reach down and unite with you in the darkness. A–.”—Karen Valby, Entertainment Weekly
Douglas Coupland’s ingenious novel—think Clerks meets Who’s Afraid of Virginia Woolf?—is the story of an extraordinary epistolary relationship between Roger and Bethany, two very different, but strangely connected, “aisles associates” at Staples. Watch as their lives unfold alongside Roger’s work-in-progress, the oddly titled Glove Pond. A raucous tale of four academics, two malfunctioning marriages, and one rotten dinner party, Roger’s opus is a Cheever-style novella gone horribly wrong. But as key characters migrate into and out of its pages, Glove Pond becomes an anchor of Roger’s unsettled—and unsettling—life.
Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death, and eternal friendship can all transpire where we least expect them…and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.
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We are the first generation raised without God. We are creatures with strong religious impulses, yet they have nowhere to flow in this world of malls and TV, Kraft dinners and jets. How do we cope with loneliness? Anxiety? The collapse of relationships?How do we reach the quiet, safe layer of our lives? In this compellingly innovative collection of stories, bestselling author Douglas Coupland responds to these themes. Cutting through the hype of modern living to find a rare grace amid our lives, he uncovers a new kind of truth for a culture stuck on fast-forward. A culture seemingly beyond God.
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Generation X is Douglas Coupland's acclaimed salute to the generation born in the late 1950s and 1960s--a generation known vaguely up to then as "twentysomething."
Andy, Claire, and Dag, each in their twenties, have quit "pointless jobs done grudgingly to little applause" in their respective hometowns and cut themselves adrift on the California desert. In search of the drastic changes that will lend meaning to their lives, they've mired themselves in the detritus of American cultural memory. Refugees from history, the three develop an ascetic regime of story-telling, boozing, and working McJobs--"low-pay, low-prestige, low-benefit, no-future jobs in the service industry." They create modern fables of love and death among the cosmetic surgery parlors and cocktail bars of Palm Springs, disturbingly funny tales of nuclear waste, historical overdosing, and mall culture.
A dark snapshot of the trio's highly fortressed inner world quickly emerges--landscapes peopled with dead TV shows, "Elvis moments," and semi-disposable Swedish furniture. And from these landscapes, deeper portraits emerge, those of fanatically independent individuals, pathologically ambivalent about the future and brimming with unsatisfied longings for permanence, for love, and for their own home. Andy, Dag, and Claire are underemployed, overeducated, intensely private, and unpredictable. Like the group they mirror, they have nowhere to assuage their fears, and no culture to replace their anomie.
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Shampoo Planet is the rich and dazzling point where two worlds collide -- those of 1960s parents and their 1990s offspring, "Global Teens." Raised in a hippie commune, Tyler Johnson is an ambitious twenty-year-old Reagan youth, living in a decaying northwest city and aspiring to a career with the corporation whose offices his mother once firebombed.This six-month chronicle of Tyler's life takes us to Paris and the ongoing party beside Jim Morrison's grave, to a wild island in British Columbia, the freak-filled redwood forests of northern California, a cheesy Hollywood, ultra-modern Seattle, and finally back home. On the way we meet a constellation of characters, among them: Jasmine, Tyler's Woodstock mom; Dan, his land-developer stepfather; "Princess Stephanie," Tyler's European summer fling; and Anna Louise, his post-feminist girlfriend with an eating disorder.
Tyler's dizzying journey into the contemporary psyche -- a voyage full of rock videos, toxic waste, french-fry computers, and clear-cut forests -- is a spellbinding signature novel for a generation coming of age as the millennium comes to a close.
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Eclectic and provocative, this book, designed to resemble a Japanese underground zine, looks at Vancouver from inside out, from the Grouse Grind to the shimmering glass towers, First Nations to feng-shui. Douglas Coupland takes on monster houses, weather, Sandra Bernhard, Love Boats, SkyTrain, fleece, that endless rivalry with Seattle, and even includes a short story about living in a low-rent Granville hotel. Over 100 archival photographs, maps, and “beauty shots” add to the fun in this witty survey by the noted chronicler of alternative culture.
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She is a former child beauty pageant contender. He is a hard-living movie producer. She walks away from a plane crash without so much as a scratch. He comes away from a near-death experience with a unique, vivid plan.
She, refusing to spend one more day peddling herself for cheesy TV sitcom parts, disappears. He turns his back on a hedonistic life making blockbuster action flicks with names like Mega Force. Shedding their self-made identities, each sets out on an uncharted course across the Gap-clogged, strip-mall landscape of Los Angeles, searching for the one thing, love, that neither has ever really known, but that they now think they just might, actually, desperately want. How could they not find each other?
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