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Books : Literature & Fiction : Authors, A-Z : ( D ) : DeLillo, Don
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Winner of the National Book Award in 1985, White Noise is the story of Jack and Babette and their children from their six or so various marriages. They live in a college town where Jack is Professor of Hitler Studies (and conceals the fact that he does not speak a word of German), and Babette teaches posture and volunteers by reading from the tabloids to a group of elderly shut-ins. They are happy enough until a deadly toxic accident and Babette's addiction to an experimental drug make Jake question everything. White Noise is considered a postmodern classic and its unfolding of themes of consumerism, family and divorce, and technology as a deadly threat have attracted the attention of literary scholars since its publication. This Viking Critical Library edition, prepared by scholar Mark Osteen, is the only edition of White Noise that contains the entire text along with an extensive critical apparatus, including a critical introduction, selected essays on the author, the work and its themes, reviews, a chronology of DeLillo's life and work, a list of discussion topics, and a selected bibliography.
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A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche. In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald’s odyssey from a troubled teenager to a man of precarious stability who imagines himself an agent of history. In his new introduction, DeLillo reexamines the evidence surrounding Oswald’s role in the assassination as well as Oswald’s place in popular culture. BACKCOVER: Now with a new introduction by the author—“a thriller of the most profound sort”
—Chicago Tribune
“Libra operates at a dizzyingly high level of intensity throughout; it’s that true fictional rarity—a novel of admirable depth and relevance that’s also a terrific page-turner.”
—USA Today
“DeLillo’s novel is like a stop-motion frame of the crossfire, a still picture of an awful moment.... [His] prose has a quality of demented lyricism.”
—The New Yorker -
"There's a long drive.
It's gonna be.
I believe.
The Giants win the pennant.
The Giants win the pennant.
The Giants win the pennant.
The Giants win the pennant."-- Russ Hodges, October 3, 1951
On the fiftieth anniversary of "The Shot Heard Round the World," Don DeLillo reassembles in fiction the larger-than-life characters who on October 3, 1951, witnessed Bobby Thomson's pennant-winning home run in the bottom of the ninth inning. Jackie Gleason is razzing Toots Shor in Leo Durocher's box seats; J. Edgar Hoover, basking in Sinatra's celebrity, is about to be told that the Russians have tested an atomic bomb; and Russ Hodges, raw-throated and excitable, announces the game -- the Giants and the Dodgers at the Polo Grounds in New York. DeLillo's transcendent account of one of the iconic events of the twentieth century is a masterpiece of American sportswriting.
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Don DeLillo's second novel, a sort of Dr. Strangelove meets North Dallas Forty, solidified his place in the American literary landscape in the early 1970s. The story of an angst-ridden, war-obsessed running back for Logos College in West Texas, End Zone is a heady and hilarious conflation of Cold War existentialism and the parodied parallelism of battlefield/sports rhetoric. When not arguing nuclear endgame strategy with his professor, Major Staley, narrator Gary Harkness joins a brilliant and unlikely bunch of overmuscled gladiators on the field and in the dormitory. In characteristic fashion, DeLillo deliberately undermines the football-is-combat cliché by having one of his characters explain: "I reject the notion of football as warfare. Warfare is warfare. We don't need substitutes because we've got the real thing." What remains is an insightful examination of language in an alien, postmodern world, where a football player's ultimate triumph is his need to play the game.
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DeLillo's Running Dog, originally published in 1978, follows Moll Robbins, a New York city journalist trailing the activities of an influential senator. In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to "star" Adolph Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.
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DeLillo's Running Dog, originally published in 1978, follows Moll Robbins, a New York city journalist trailing the activities of an influential senator. In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to "star" Adolph Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.
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It is an April day in the year 2000 and an era is about to end. The booming times of market optimism -- when the culture boiled with money and corporations seemed more vital and influential than governments -- are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idol's funeral, and a violent political demonstration, Eric receives a string of visitors -- experts on security, technology, currency, finance, and a few sexual partners -- as the limo sputters toward an increasingly uncertain future.
Cosmopolis, Don DeLillo's thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.
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In Players DeLillo explores the dark side of contemporary affluence and its discontents. Pammy and Lyle Wynant are an attractive, modern couple who seem to have it all. Yet behind their "ideal" life is a lingering boredom and quiet desperation: their talk is mostly chatter, their sex life more a matter of obligatory "satisfaction" than pleasure. Then Lyle sees a man killed on the floor of the Stock Exchange and becomes involved with the terrorists responsible; Pammy leaves for Maine with a homosexual couple.... And still they remain untouched, "players" indifferent to the violence that surrounds them, and that they have helped to create.
Originally published in 1977 (before his National Book Award-winning White Noise and the recent blockbuster Underworld), Players is a fast-moving yet starkly drawn socially critical drama that demonstrates the razor-sharp prose and thematic density for which DeLillo is renown today.
"The wit, elegance and economy of Don DeLillo's art are equal to the bitter clarity of his perceptions."--New York Times Book Review -
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A man sets out on an ordinary business trip to Valparaiso, Indiana. It turns out to be a mock-heroic journey toward identity and transcendence.
This is Don DeLillo's second play, and it is funny, sharp, and deep-reaching. Its characters tend to have needs and desires shaped by the forces of broadcast technology.
This is the way we talk to each other today. This is the way we tell each other things, in public, before listening millions, that we don't dare to say privately.
Nothing is allowed to be unseen. Nothing remains unsaid. And everything melts repeatedly into something else, as if driven by the finger on the TV remote.
This is also a play that makes obsessive poetry out of the language of routine airline announcements and the flow of endless information.
Valparaiso has been performed by the American Repertory Theatre in Cambridge, Massachusetts, and by the Steppenwolf Theatre Company in Chicago.
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In novel after award-winning novel, Don DeLillo (b. 1936) exhibits his deep distrust of language and the way it can conceal as much as it reveals. Not surprisingly, DeLillo treats interviews with the same care and caution. For years, he shunned them altogether. As his fiction grew in popularity, especially with White Noise, and he began to confront the historical record of our times in books such as Libra, DeLillo felt compelled to make himself available to his readers. Despite claims by interviewers about his elusiveness, he now hides in plain sight.
In Conversations with Don DeLillo, the renowned author makes clear his distinctions between historical fact and his own creative leaps, especially in his masterwork, Underworld. There it seems the true events are unbelievable and imaginary ones not. Throughout long profiles and conversations-ranging from 1982 to 2001 and published in the New Yorker, the Paris Review, and Rolling Stone-DeLillo parries personal inquiries. He counters with the details of his work habits, his understanding of the novelist's role in the world, and his sense of our media-saturated culture. A number of interviews detail DeLillo's less-heralded work in the theater, from The Day Room to a recent production of Valparaiso, itself a stinging satire on the interviewing process.
DeLillo also finds time to comment on his nonliterary passions, primarily the movies and baseball. Lee Harvey Oswald also inspires much extraliterary discussion, not just as the subject of Libra, but as a figure who, like the terrorists always lurking in DeLillo's fictions, captures our attention in ways novelists cannot. For DeLillo, a writer who eschews celebrity, the ultimate response might be the one he offered in his very first interview, paraphrasing Joyce: "Silence, exile, cunning, and so on. It's my nature to keep quiet about most things." Fortunately for his many readers and fans, he proves himself here to be a talker.
Thomas DePietro is an independent scholar based in Eastchester, New York. His work has been published in Kirkus Reviews, the Hudson Review, Commonweal, and other periodicals.
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Billy Twillig has won the first Nobel Prize ever to be given in mathematics. Set in the near future, this book charts an innocent's education when Billy is sent to live in the company of 30 Nobel laureates and he is asked to decipher transmissions from outer space. By the author of "Libra".
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