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Books : Literature & Fiction : Authors, A-Z : ( D ) : Doctorow, E.L.
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FictionU.S.A. $7.95
Canada $10.95To this day Jack London is the most widely read American writer in the world," E. L. Doctorow wrote in The New York Times Book Review. Generally considered to be London's greatest achievement, The Call of the Wild brought him international acclaim when it was published in 1903. His story of the dog Buck, who learns to survive in the bleak Yukon wilderness, is viewed by many as his symbolic autobiography. "No other popular writer of his time did any better writing than you will find in The Call of the Wild," said H. L. Mencken. "Here, indeed, are all the elements of sound fiction."
White Fang (1906), which London conceived as a "complete antithesis and companion piece to The Call of the Wild," is the tale of an abused wolf-dog tamed by exposure to civilization. Also included in this volume is "To Build a Fire," a marvelously desolate short story set in the Klondike, but containing all the elements of a classic Greek tragedy.
"The quintessential Jack London is in the on-rushing compulsive-ness of his northern stories," noted James Dickey. "Few men have more convincingly examined the connection between the creative powers of the individual writer and the unconscious drive to breed and to survive, found in the natural world. . . . London is in and committed to his creations to a degree very nearly unparalleled in the composition of fiction."
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Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
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The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia.
His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted.
Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him.
In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different.
It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him.
It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House.
It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks.
It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself.
It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations.
It is The Book of Daniel.
From the Hardcover edition.
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Vibrant, black-and-white illustrations complement London's classic adventure story about the relationship between humans and dogs, focusing on Buck, a dog that becomes a sled dog during the Klondike gold rush and, later, the leader of a wolf pack.
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"Something close to magic." The Los Angeles TimesThe astonishing novel of a young boy's life in the New York City of the 1930s, a stunning recreation of the sights, sounds, aromas and emotions of a time when the streets were safe, families stuck together through thick and thin, and all the promises of a generation culminate in a single great World's Fair . . .
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Inspired by an actual attempt in 1894 to blow up London's Greenwich Observatory, here is a chillingly prophetic examination of contemporary terrorism-and the literary precursor to today's espionage thriller.
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It is the Great Depression of the 1930s, and a passionate young man from Paterson, New Jersey, leaves home to find his fortune. What he finds, on a cold and lonely night in the Adirondack Mountains, is a vision of life so different from his own that it changes his destiny, leading him from the side of a railroad track to a magical place called Loon Lake.
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One of America’s premier writers, the bestselling author of Ragtime, Billy Bathgate, The Book of Daniel, and World’s Fair turns his astonishing narrative powers to the short story in five dazzling explorations of who we are as a people and how we live.
Ranging over the American continent from Alaska to Washington, D.C., these superb short works are crafted with all the weight and resonance of the novels for which E. L. Doctorow is famous. You will find yourself set down in a mysterious redbrick townhouse in rural Illinois (“A House on the Plains”), working things out with a baby-kidnapping couple in California (“Baby Wilson”), living on a religious-cult commune in Kansas (“Walter John Harmon”), and sharing the heartrending cross-country journey of a young woman navigating her way through three bad marriages to a kind of bruised but resolute independence (“Jolene: A Life”). And in the stunning “Child, Dead, in the Rose Garden,” you will witness a special agent of the FBI finding himself at a personal crossroads while investigating a grave breach of White House security.
Two of these stories have already won awards as the best fiction of the year published in American periodicals, and two have been chosen for annual best-story anthologies.
Composed in a variety of moods and voices, these remarkable portrayals of the American spiritual landscape show a modern master at the height of his powers.
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“An elegant page-turner of nineteenth-century detective fiction.”
–The Washington Post Book World
One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.”
“Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.”
–The New York Times Book Review
“Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.”
–The Philadelphia Inquirer
“A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.”
–Boston Sunday Herald
“Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.”
–Chicago Sun-Times
“An immense, extraordinary achievement.”
–San Francisco Chronicle
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E. L. Doctorow is acclaimed internationally for such novels as Ragtime, Billy Bathgate, and The March. Now here are Doctorow’s rich, revelatory essays on the nature of imaginative thought. In Creationists, Doctorow considers creativity in its many forms: from the literary (Melville and Mark Twain) to the comic (Harpo Marx) to the cosmic (Genesis and Einstein). As he wrestles with the subjects that have teased and fired his own imagination, Doctorow affirms the idea that “we know by what we create.”
Just what is Melville doing in Moby-Dick? And how did The Adventures of Tom Sawyer impel Mark Twain to radically rewrite what we know as Huckleberry Finn? Can we ever trust what novelists say about their own work? How could Franz Kafka have written a book called Amerika without ever leaving Europe? In posing such questions, Doctorow grapples with literary creation not as a critic or as a scholar–but as one working writer frankly contemplating the work of another. It’s a perspective that affords him both protean grace and profound insight.
Among the essays collected here are Doctorow’s musings on the very different Spanish Civil War novels of Ernest Hemingway and André Malraux; a candid assessment of Edgar Allan Poe as our “greatest bad writer”; a bracing analysis of the story of Genesis in which God figures as the most complex and riveting character. Whether he is considering how Harpo Marx opened our eyes to surrealism, the haunting photos with which the late German writer W. G. Sebald illustrated his texts, or the innovations of such
literary icons as Heinrich von Kleist, Harriet Beecher Stowe, and Sinclair Lewis, Doctorow is unfailingly generous, shrewd, attentive, surprising, and precise.
In examining the creative works of different times and disciplines, Doctorow also reveals the source and nature of his own artistry. Rich in aphorism and anecdote, steeped in history and psychology, informed by a lifetime of reading and writing, Creationists opens a magnificent window into one of the great creative minds of our time.
From the Hardcover edition.
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Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.
“A forceful, credible story of cowardice and evil.”
–The Washington Post
“We are caught up with these people as real human beings.”
–Chicago Sun-Times
“Dramatic and exciting.”
–The New York Times
“Terse and powerful.”
–Newsweek
“A taut, bloodthirsty read.”
–The Times Literary Supplement
“A superb piece of fiction.”
–The New Republic
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The bestselling and Pulitzer Prize-winning author of Ragtime and Billy Bathgate has compiled his first collection of essays, a richly textured and detailed combination of literary criticism, political invective, and historical meditation.
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