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Books : Literature & Fiction : Authors, A-Z : ( D ) : Dubus, Andre III
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From the author of the New York Times bestseller and Oprah's Book Club selection House of Sand and Fog—a new big-hearted, painful, page-turning novel.
One early September night in Florida, a stripper brings her daughter to work. April's usual babysitter is in the hospital, so she decides it's best to have her three-year-old daughter close by, watching children's videos in the office, while she works.
Except that April works at the Puma Club for Men. And tonight she has an unusual client, a foreigner both remote and too personal, and free with his money. Lots of it, all cash. His name is Bassam. Meanwhile, another man, AJ, has been thrown out of the club for holding hands with his favorite stripper, and he's drunk and angry and lonely.
From these explosive elements comes a relentless, raw, searing, passionate, page-turning narrative, a big-hearted and painful novel about sex and parenthood and honor and masculinity. Set in the seamy underside of American life at the moment before the world changed, it juxtaposes lust for domination with hunger for connection, sexual violence with family love. It seizes the reader by the throat with the same psychological tension, depth, and realism that characterized Andre Dubus's #1 bestseller, House of Sand and Fog—and an even greater sense of the dark and anguished places in the human heart. -
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Breece D'J Pancake cut short a remarkably promising career when he took his own life in 1979 at the age of 26. In 1983 Little, Brown and Company's posthumous publication of this book-a collection of stories that depict, with astonishing power and grace, the world of Pancake's native rural West Virginia-electrified the literary world with a force that still resounds across two decades. The Stories of Breece D'J Pancake has remained continuously in print, and Back Bay Books takes pride in now making the collection available in this new trade paperback edition.
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With House of Sand and Fog, his National Book Award-nominated novel, Andre Dubus III demonstrated his mastery of the complexities of character and desire. In this earlier novel he captures a roiling time in American history and the coming-of-age of a boy who must decide between desire, ambition, and duty.
In the summer of 1967, Leo Suther has one more year of high school to finish and a lot more to learn. He's in love with the beautiful Allie Donovan who introduces him to her father, Chick — a construction foreman and avowed Communist. Soon Leo finds himself in the midst of a consuming love affair and an intense testing of his political values. Chick's passionate views challenge Leo's perspective on the escalating Vietnam conflict and on just where he stands in relation to the new people in his life. Throughout his — and the nation's — unforgettable "summer of love," Leo is learning the language of the blues, which seem to speak to the mourning he feels for his dead mother, his occasionally distant father, and the youth which is fast giving way to manhood. -
In these three stories—two of which form the basis of the award-winning film We Don’t Live Here Anymore—literary master Andre Dubus traces the lives of two couples who married too young, and who are intricately entwined by love and friendship, jealousy and understanding.
Hank and Jack have been best friends since high school. Hank married Edith, the prettiest girl Jack had ever seen, and Jack married Terry, whom he thinks he may no longer love. But Hank and Edith’s adultery didn’t begin or end with Jack and Terry. Moving, perceptive, rendered in clear-eyed prose, We Don’t Live Here Anymore maps with preternatural insight the often separate lands of love and marriage. -
Passion and betrayal, violent desperation, ambivalent love that hinges on hatred, and the quest for acceptance by those who stand on the edge of society-these are the hard-hitting themes of a stunningly crafted first collection of stories by the bestselling author of House of Sand and Fog.
A vigilant young man working in a halfway house finds himself unable to defend against the rage of one of the inmates in the title story. In "White Trees, Hammer Moon," a man soon to leave home for prison finds himself as unprepared for a family camping trip in the mountains of New Hampshire as he has been for most things in his life. And in the award-winning "Forky," an ex-con is haunted by the punishment he receives just as he is being released into the world. With an incisive ability to inhabit the lives of his characters, Dubus travels deep into the heart of the elusive American dream. -
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