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Books : Literature & Fiction : Authors, A-Z : ( E ) : Euripides
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One of the most powerful and enduring of Greek tragedies, masterfully portraying the fierce motives driving Medea's pursuit of vengeance for her husband's insult and betrayal. Authoritative Rex Warner translation.
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In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
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In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
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Now in paperback.
Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. “Euripides,” the classicist Bernard Knox has written, “was born never to live in peace with himself and to prevent the rest of mankind from doing so.” His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless–women and children, slaves and barbarians–for whom tragedy was not so much exceptional as unending. Euripides’ plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides’ latest tragedies.
Four of those tragedies are presented here in new translations by the contemporary poet and classicist Anne Carson. They are Herakles, in which the hero swaggers home to destroy his own family; Hekabe, set after the Trojan War, in which Hektor’s widow takes vengeance on her Greek captors; Hippolytos, about love and the horror of love; and the strange tragic-comedy fable Alkestis, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: “Tragedy: A Curious Art Form” and “Why I Wrote Two Plays About Phaidra.”
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The first playwright of democracy, Euripides wrote with enduring insight and biting satire about social and political problems of Athenian life. In contrast to his contemporaries, he brought an exciting--and, to the Greeks, a stunning--realism to the "pure and noble form" of tragedy. For the first time in history, heroes and heroines on the stage were not idealized: as Sophocles himself said, Euripides shows people not as they ought to be, but as they actually are.
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In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.
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Cambridge Translations from Greek Drama aims to eliminate the boundary between classics students and drama students. Euripides: Bacchae is the second in the series, and is aimed at college level students in North America. Features of the book include full commentary running alongside the translation, notes on pronunciation and a plot synopsis. Background information is also provided, along with suggestions to encourage discussion.
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Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. This new translation does full justice to Euripides's range of tone and gift of narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world.
Contains: Medea; Hippolytus; Electra; Helen
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In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic
"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation
"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement
"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian
"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal
"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times
"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review
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Medea, from Greek mythology, was he daughter of King Aeetes of Colchis, Niece of Circe and the wife of Jason. Media is known in most Greek stories as an enchantress who would become the subject of of this tragedy by Euripides. The Euripides version differentiates itself from other tellings because it doesn't depict Medea is a crazy person who killed her children, but as a distressed and furious wife who is upset at Jason for leaving her to marry a princess. This is a classic tragedy by Euripides and is a popular work that was first performed in 431 BCE.
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In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
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In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
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Euripides' Hippolytos tells of an honourable youth's tragic death, contrived by his father in the false belief that his son had seduced his new wife. This edition of the play is intended for students and scholars alike. The text is based upon new collations of the medieval manuscripts (two of them hitherto uncollated) and on all known papyri. The introduction contains a significant reappraisal, in light of the evidences of papyri, of the history of the text in antiquity, and advances a new account of the relationship between the medieval manuscripts. There is also a full discussion of the earlier history of the legend and of two of the lost tragedies on the same theme.
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A modern translation exclusive to signet
From perhaps the greatest of the ancient Greek playwrights comes this collection of plays, including Alcestis, Hippolytus, Ion, Electra, Iphigenia at Aulis, Iphigenia Among the Taurians, Medea, The Bacchae, The Trojan Women, and The Cyclops.
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The four plays newly translated for this volume are among Euripides most exciting works. Iphigenia among the Taurians is a story of escape contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. Iphigenia at Aulis centers on the ultimate dysfunctional family as emotion is tested in the crucible of the Greek expedition against Troy. And Rhesus, probably the work of another playwright, is an action-packed Iliad in miniature, dealing with a grisly event in the Trojan War.
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"In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the infinite pathos of a successful wrong. It has in it the very soul of the tragic. It even goes beyond the limited tragic, and hints that beyond the defeat may come a greater glory than will be the fortune of the victors. And thus through its pity and terror it purifies our souls to thoughts of peace." So begins the introduction to "The Trojan Women" by Euripides as translated by Gilbert Murray.
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Euripides of Athens (ca. 485–406 BCE), famous in every age for the pathos, terror, surprising plot twists, and intellectual probing of his dramatic creations, wrote nearly ninety plays. Of these, eighteen (plus a play of unknown authorship mistakenly included with his works) have come down to us from antiquity. In this first volume of a new Loeb edition of Euripides David Kovacs gives us a freshly edited Greek text of three plays and an accurate and graceful translation with explanatory notes.
Alcestis is the story of a woman who agrees, in order to save her husband's life, to die in his place. Medea is a tragedy of revenge in which Medea kills her own children, as well as their father's new wife, to punish him for his desertion. The volume begins with Cyclops, a satyr play—the only complete example of this genre to survive. Each play is preceded by an introduction.
In a general introduction Kovacs demonstrates that the biographical tradition about Euripides—parts of which view him as a subverter of morality, religion, and art—cannot be relied on. He argues that this tradition has often furnished the unacknowledged starting point for interpretation, and that the way is now clear for an unprejudiced consideration of the plays themselves.
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The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.
For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.
All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
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Euripides Bakkhai a play about the theater and its god. A tragedy in which the essence of all tragedy is distilled and disclosed. Originally commissioned for a London theater group, Robert Emmet Meagher's translation made its American debut at the Center for the Performing Arts in Kansas City, MO.Also available:
The Essential Euripides: Dancing in Dark Times - ISBN 0865165130
Euripides' Hekabe - ISBN 0865163308
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Euripides' most important plays in one volume. Translations are taken in full text from other single volumes in the Focus Classical Library, by authors Michael Halleran, Anthony Podlecki, and Stephen Esposito, with notes and a new introduction. As with all Focus Classical Library titles, this anthology has been designed with the student of ancient drama in mind, including modern translations close to the original, informed by the latest scholarship, and with an extensive introduction, interpretative essay, and footnotes- all to the purpose of allowing the student to understand Greek drama, Greek mythology, and the context of Greek culture.