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Books : Literature & Fiction : Authors, A-Z : ( F ) : Ferlinghetti, Lawrence
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This collection of Neruda's most essential poems will prove indispensable. Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes. An impressive group of translators that includes Alistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well. This selection sets the standard for a general, high--quality introduction to Neruda's complete oeuvre.
Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.
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In the years immediately following World War II, Jacques Prvert spoke directly to and for the French who had come of age during the German Occupation. First published in 1946 by Les Editions de Minuit, a press with its origins in the Underground, Paroles met with enormous success, and there were several hundred thousand copies in print by the time these first translations in English were published by City Lights in 1958.
Today Prvert speaks out in a voice still attuned to our times, for the human condition (which is always his focus) has not changed. In fact, man's inhumanity to man would seem to have intensified, making these poems ever more touching, ever more prescient.
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A million copies in print—translated into over a dozen languages—one of the best-selling and most popular books of poetry ever published, now available in a new hardcover edition containing a CD of the author reading his work.
Ferlinghetti is a national treasure, and his voice has become part of our collective conscience. Some of his most famous poems from this collection such as "I Am Waiting" and "Junkman's Obbligato" were created for jazz accompaniment. Written in the conservative post-war 1950s, his poems still resonate, as they will continue to resonate, with a joyful anti-establishment fervor that beats a rhythmic portrait of humanity. Ferlinghetti sings of a world in which "the heart flops over / gasping 'Love'," "cadillacs fell thru the trees like rain," and where "we are the same people / only further from home / on freeways fifty lanes wide."
This special 50th Anniversary Edition comes with a newly recorded CD of the author reading the 29 poems of the title section of A Coney Island of the Mind as well as selections from Pictures of the Gone World.
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Two acclaimed poetry volumes, Who Are We Now? (1976) and Landscapes of Living and Dying (1979), are brought together.
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Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way.
Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).
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This collection of recent poems is graced with a short introduction by the poet in which he says, "All I ever wanted to do was to paint light on the walls of life." For more than fifty years Ferlinghetti has been doing just that—illuminating both the everyday and the unusual, all the while keeping true to his original dictum of speaking in a way accessible to everyone. He has been, and remains, "One of our ageless radicals and true bards" (Booklist) and his voice is well-known in many places around the world. He was one of the two American poets (the other being John Ashbery) chosen to participate in the 2001 Celebration of UNESCO's World Poetry Day in Delphi, Greece, where he along with his international confreres each poetically addressed the Oracle.
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In less than a year, Lawrence Ferlinghetti won a lifetime achievement award from the Author's Guild, received the Frost Medal from the Poetry Society of America, was elected to the American Academy of Arts and Letters, and celebrated the 50th anniversary of his renowned City Lights Bookstore. Now, instead of resting on these many laurels, the elder statesman of American poetry "lights out for the territories" with Book I of his own born-in-the-USA narrative, Americus. Describing his work as "part documentary, part public pillow-talk, part personal epic....a descant, a canto unsung, a banal history, a true fiction, lyric and political...," Ferlinghetti merges "certain universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem and the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination...."This sit-up-and-take-notice work breaks new ground in the grand tradition of Whitman, Williams, Olson and Pound, as Ferlinghetti stalks our literary and political landscapes, past and present, to articulate the unique voice of America and create an autobiography of our collective American consciousness.
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Published to celebrate forty years of City Lights publishing, which began with the letterpress printing of this book in 1955.
It was Lawrence Ferlinghetti's first book, and it has been reprinted twenty-one times, having never been out of print. The original edition contained the first twenty-seven poems to which the author has now added eighteen new verses.
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"This comprehensive selection from the influential City Lights Pocket Poets Series is a landmark retrospective, celebrating forty years of publishing and cultural history.
From the introduction by Lawrence Ferlinghetti:
"Even though some say that an avant-garde in literature no longer exists, the smaller independent publisher is itself still a true avant-garde, its place still out there, scouting the unknown . . . From the beginning, the aim was to publish across the board, avoiding the provincial and the academic . . . I had in mind rather an international, dissident, insurgent ferment . . ."Includes poetry by:
Lawrence Ferlinghetti, Kenneth Rexroth, Kenneth Patchen, Allen Ginsberg, Marie Ponsot, Denise Levertov, Gregory Corso, Jacques Prvert, Robert Duncan, Jerome Rothenberg, Nicanor Parra, Robert Nichols, Anselm Hollo, Malcolm Lowry, Frank O'Hara, Philip Lamantia, Bob Kaufman, Janine Pommy-Vega, Charles Upton, Pablo Picasso, Robert Bly, Diane di Prima, Jack Kerouac, Andrei Voznesensky, Pete Winslow, Harold Norse, Anne Waldman, Jack Hirschman, Stefan Brect, Peter Orlovsky, Antler, Pier Paolo Pasolini, Ernesto Cardenal, Antonio Porta, Adam Cornford, La Loca, Vladimir Mayakovsky, Daisy Zamora, Rosario Murillo, and Alberto Blanco.
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For the first time, a comprehensive Selected Poems in a bilingual edition, by Mexico's greatest living poet. Eyes to See Otherwise is the first extensive selection of poems by leading Mexican poet Homero Aridjis to appear in English. The scope and quality of the translations, by some of America's finest poets, mark the centrality of his work on the map of modern poetry. Aridjis's sources range from Nahuatl chants and Huichol initiation songs to San Juan de la Cruz and the 16th-century Spanish poet Luis de Góngora y Argote. He is, in the words of translator George McWhirter, "a troubadour of love for lost environments, a voice in the wilderness of Mexico City and Mexico." Included in this selection are poems by Aridjis evoking his own life, present and past, his memories always sticking close to his birthplace Contepec, where, on Altamirano Hill, the Monarch butterflies arrive each year. This long awaited Selected Poems enables the reader to witness, from his 1960 collection The Eyes of a Double Vision to new unpublished poems—in a bilingual edition—the poetic and personal evolution of this "visionary poet of lyrical bliss, crystalline concentrations and infinite spaces" (Kenneth Rexroth). Translated by Lawrence Ferlinghetti, Martha Black Jordan, Philip Lamantia, W.S. Merwin, John Frederick Nims, Kenneth Rexroth, Jerome Rothenberg, Brian Swann, Barbara Szerlip, Nathaniel Tarn, Eliot Weinberger, and the editors.
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"A Far Rockaway of the Heart" is Ferlinghetti's sequel to "A Coney Island of the Mind," written forty years afterwards in what the author has called "a poetry seizure" that lasted more than a year. A sequence of one hundred and one poems with recurrent themes, it includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation. This paperbound edition now includes eighteen new poems from Ferlinghetti's "Pictures of the Gone World" which he publishes under his City Lights imprint. A self-styled "stand-up tragedian," Ferlinghetti has been called "the foremost chronicler of our times." If "A Coney Island of the Mind" was a generations vibrant eye-opener, "A Far Rockaway of the Heart" is a wake-up call for a new age.
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A reissue of Ferlinghetti's very short experimental plays (1965) with three new plays added to the original thirteen. In this collection Ferlinghetti takes a revolutionary look at modern theater and explores the area between old-style drama and spontaneous improvisation by supplying a blueprint for dramatic action—an outline from which director and actors may create and interpret freely. In one called '"Our Little Trip" two men in conservative suits wind themselves in and out of a long bandage while a questioner circles them seeking Meaning. "Servants of the People" puts on political podium hogs in torrents of cliches. "Bearded Lady 'Dies'" features the Second Coming all decked out for newspaper coverage.
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