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Books : Literature & Fiction : Authors, A-Z : ( F ) : Ford, Richard
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In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story. It became the definitive anthology of American short fiction written in the last half of the twentieth century—an “exemplary choice” in the words of The Washington Post—with stories by Eudora Welty, John Cheever, Raymond Carver, and forty others demonstrating how much memorable power can lie in the briefest narration. In the years since, Ford has been reading new stories and rereading old ones and selecting new favorites. This new collection features more than forty stories, including some he regretted overlooking the first time around, as well as many by a new generation of writers—among them Sherman Alexie, Junot Díaz, Deborah Eisenberg, Nell Freudenberger, Matthew Klam, Jhumpa Lahiri, and Z. Z. Packer. None of the stories (though a few of the writers) were in the first volume. Once again, Ford’s introduction is an illuminating exposition of how a good story is written by a master of the craft.
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In these ten stories, Ford mines literary gold from the wind-scrubbed landscape of the American West--and from the guarded hopes and gnawing loneliness of the people who live there. Rock Springs is a masterpiece of taut narration, cleanly chiseled prose, and empathy so generous that it feels like a kind of grace.
"Beautifully imagined and crafted stories, by turns heartrending and wickedly funny; and just plain wicked. Richard Ford is a born storyteller with an inimitable lyric voice, and Rock Springs is the very poetry of realism."--Joyce Carol Oates
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The Granta Book of the American Short Story is a selection of the best works of American short fiction published in the last 50 years. Stories featured here include “A Day in the Open” by Jane Bowles; “Blackberry Winter” by Robert Penn Warren; “O City of Broken Dreams” by John Cheever; “The Magic Barrel” by Bernard Malamud; “In Time Which Made a Monkey of Us All” by Grace Paley; “Sonny’s Blues” by James Baldwin; “Are These Actual Miles?” by Raymond Carver; and “You’re Ugly, Too” by Lorrie Moore. “Ford’s choice of stories is exemplary ... there’s wonderful reading here.” — The Washington Post
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Richard Ford's Independence Day--his sequel to The Sportswriter, and an international bestseller--is the only novel ever to have received both the Pulitzer Prize and the PEN/Faulkner Award. Now, with Women With Men, he reaffirms his mastery of shorter fiction with his first collection since the widely acclaimed Rock Springs, published a decade ago.
The landscape of Women with Men ranges from the northern plains of Montana to the streets of Paris and the suburbs of Chicago, where Mr. Ford's various characters experience the consolations and complications that prevail in matters of passion, romance and love. A seventeen-year-old boy starting adulthood in the shadow of his parents' estrangement, a survivor of three marriages now struggling with cancer, an ostensibly devoted salesman in early middle age, an aspiring writer, a woman scandalously betrayed by her husband--they each of them contend with the vast distances that exist between those who are closest together. Whether alone, long married or newly met, they confront the obscure difference between privacy and intimacy, the fine distinction of pleasing another as opposed to oneself, and a need for reliance that is tempered by fearful vulnerability.
In three long stories, Richard Ford captures men and women at this complex and essential moment of truth--in the course of everyday life, or during a bleak Thanksgiving journey, seismic arguments, Christmas abroad, the sudden disappearance of a child, even a barroom shooting. And with peerless emotional nuance and authority he once again demonstrates, as Elizabeth Hardwick has written, "a talent as strong and varied as American fiction has to offer."
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In honour of its 35th anniversary, Ecco is proud to reissue Constance Garnett's 1929 13–volume Tales of Chekhov, heralded as one of the finest Chekhov translations ever.
Anton Chekhov's short fiction is admired and cherished by readers the world over. This stunning boxed set brings together the largest, most comprehensive selection of his stories, all full of humor, truth, and vast insight. Included are the familiar masterpieces–"The Kiss," "The Darling," and "The Lady with the Dog"––as well as several brilliant but lesser–known tales such as "A Blunder," "Hush!," and "Champagne." The entire collection is introduced by Richard Ford's perceptive essay "Why We Like Chekhov. while each individual volume includes a brief reminiscence on the meaning of Chekhov from a celebrated author, among them Nadine Gordimer, Susan Sontag, Harold Brodkey, Cynthia Ozick, and Russell Banks. Amidst a sea of Chekhov translations, Constance Garnett, who brought Tolstoy, Dostoyevsky, and Turgenev to the English–speaking world, has a style particularly suited to Chekhov's prose. Her benchmark translations enable readers to immerse themselves in his world, experiencing the breadth of his talent in one voice.
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The setting is Great Falls, Montana, where the Rockies end and where, in 1960, the promise of good times seems as limitless as the sweep of the prairies beyond. This is where the Brinson family hopes to find a better life. Instead, sixteen-year-old Joe Brinson watches his parents discover the limits of their marriage and, at the same time, the unexpected depths of dignity and courage that remain even when love dies.
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Ford's mesmerizing first novel is the story of two godless pilgrims. Robard Hewes has driven across the country in the service of a destructive passion. Sam Newell is seeking the missing piece of himself. When these men converge, on an uncharted island in the Mississippi, each discovers the thing he's looking for--amid a conflagration of violence that's as shocking as it is inevitable.
"This is one of those books that hit you hard...a story filled with breathing characters and genius-crafted dialogue between moments of consummate description.... I can't be unbiased. I'm mad for this book."--Elizabeth Ashton, Houston Chronicle
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Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions.
“One of the country’s best writers. . . . No one looks harder at contemporary American life, sees more, or expresses it with such hushed, deliberate care.” —San Francisco Chronicle
An accomplished practitioner of the short story and the "Babe Ruth of novelists," (Washington Post Book World) Richard Ford is the first writer to receive both the Pulitzer Prize and the PEN/Faulkner Award for a single book, his 1995 novel Independence Day.
Vintage Ford includes an excerpt from that novel, along with the stories “Communist,” and “Rock Springs” from his collection Rock Springs; “Reunion,” and “Calling,” from A Multitude of Sins, which won him the 2001 PEN/Malamud Award; “The Womanizer,” from Women with Men.
Also included, for the first time in book form, the memoir, “My Mother, in Memory.”
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In this collection, Pulitzer prize-winning author Richard Ford brings together 11 of the finest examples of American long stories or novellas. Selecting at least one story from each decade since the 1940s, this anthology includes “June Recital” by Eudora Welty; “The Long March” by William Styron; “Goodbye, Columbus” by Philip Roth; “A Long Day in November” by Ernest J. Gaines; “The Old Forest” by Peter Taylor; “The Age of Grief” by Jane Smiley; “I Lock My Door Upon Myself” by Joyce Carol Oates; and “Hey, Have You Got a Cig, the Time, the News, My Face?” by Barry Hannah.
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In this novel of menace and eroticism, Richard Ford updates the tradition of Conrad for the age of cocaine smuggling. The setting is Oaxaca, Mexico, where Harry Quinn has come to free his girlfriend's brother, Sonny, from Jail and, ideally, to get him away form the suavely sadistic drug dealer who suspects Sonny of having cheated him.
"His prose has a taut, cinematic quality that bathes his story with the same hot, mercilessly white light that scorches Mexico."--New York Times Book Review