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Books : Literature & Fiction : Authors, A-Z : ( G ) : Gass, William
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Now that the art of motion pictures has matured into its second century, Conjunctions has commissioned a diverse group of writers to respond--in poetry, fiction, and multi-genre works--to the countless cultural, historical, psychological, and theatrical aspects of the seductive flickering medium we watch in the dark. Cinema Lingua pays creative homage to the symbiosis between filmmaking and the written word. Our authors explore, rewrite, and celebrate all avenues of film, from its narrative plots to visual storytelling, from character to mood, from lighting to suspense. Each contributor presents defining visions of the movies and focuses the lens of writing on one of our liveliest modern art forms, from mainstream Hollywood to the most exotic corners of the experimental and avant-garde. A movie theater of the mind, Cinema Lingua's contributors include Joyce Carol Oates, who explores the troubled relationship between Alfred Hitchcock and his leading ladies, Peter Straub writing on film noir, Peter Gizzi, who offers a multi-genre poem on silent film, Frederic Tuten, whose Never Never Land Near Marienbad is based on the Alain Resnais film, as well as works by Peter Hutton, Elizabeth Willis, Robert Coover, William H. Gass, Tan Lin, Kent Jones, Joshua Furst, and many others.
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The contributions of thirty-five important contemporary authors--including Edward Abbey, Wendell Berry, Annie Dillard, Bobbie Ann Mason, and Garrison Keillor--highlight a superlative anthology that documents America's firm ties to its rural roots.
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This digital document is an article from World Literature Today, published by University of Oklahoma on September 22, 1996. The length of the article is 1838 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the supplier: Assia Djebar has been named winner of the 1996 Neustadt International Prize for Literature for her literary works exposing the plight of Algerian women. She has articulated the sufferings and desires of Arab women who have been long subject to political, sexual and educational repression. Djebar argues that by hiding their women, Arab men also hide a part of themselves and that by oppressing them, the Muslim menfolk also oppress themselves.
Citation Details
Title: Encomium for Assia Djebar, 1996 Neustadt Prize Laureate.(Assia Djebar: 1996 Neustadt International Prize for Literature)
Author: William Gass
Publication: World Literature Today (Refereed)
Date: September 22, 1996
Publisher: University of Oklahoma
Volume: v70 Issue: n4 Page: p781(2)
Distributed by Thomson Gale -
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