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Books : Literature & Fiction : Authors, A-Z : ( G ) : Goethe, Johann Wolfgang
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This new translation, in rhymed verse, of Goethe's Faust--one of the greatest dramatic and poetic masterpieces of European literature--preserves the essence of Goethe's meaning without resorting either to an overly literal, archaic translation or to an overly modern idiom. It remains the nearest "equivalent" rendering of the German ever achieved.
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The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.
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A major work of German romanticism in a translation that is acknowledged as the definitive English language version. The Vintage Classics edition also includes NOVELLA, Goethe's poetic vision of an idyllic pastoral society.
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Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.
This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.
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Goethe's most complex and profound work, Faust was the effort of the great poet's entire lifetime. Written over 60 years, it can be read as a document of Goethe's moral and artistic development. Faust is made available to the English reader in a completely new translation that communicates both its poetic variety and its many levels of tone. The language is present-day English, and Goethe's formal and rhythmic variety is reproduced in all its richness.
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Elective Affinities was written when Goethe was sixty and long established as Germany's literary giant. This is a new edition of his penetrating study of marriage and passion, bringing together four people in an inexorable manner. The novel asks whether we have free will or not and confronts its characters with the monstrous consequences of repressing what little "real life" they have in themselves, a life so far removed from their natural states that it appears to them as something terrible and destructive.
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Throughout his long, hectic and astonishingly varied life, Johann Wolfgang von Goethe (1749-1832) would jot down his passing thoughts on theatre programmes, visiting cards, draft manuscripts and even bills... Goethe was probably the last true 'Renaissance Man'. Although employed as a Privy Councillor at the Duke of Weimar's court, where he helped oversee major mining, road-building and irrigation projects, he also painted, directed plays, carried out research in anatomy, botany and optics - and still found time to produce masterpieces in every literary genre. His 1,413 maxims and reflections reveal not only some of his deepest thoughts on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. With a freshness and immediacy which vividly conjure up Goethe the man, they make an ideal introduction to one of the greatest of European writers.
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Goethe viewed the writing of poetry as essentially autobiographical, and the works selected in this volume represent more than sixty years in the life of the poet. In early poems such as “Prometheus,” he rails against religion in an almost ecstatic fervor, while “To the Moon” is an enigmatic meditation on the end of a love affair. The Roman Elegies show Goethe’s use of Classical meters in an homage to ancient Rome and its poets, and “The Diary,” suppressed for more than a century, is a narrative poem whose eroticism is combined with its morality. In selections from Faust, arguably his greatest and most personal work, Goethe creates an exhilarating depiction of humankind’s eternal search for truth.
“Faithful and felicitous, these verse translations . . . are an excellent introduction to [Goethe’s] genius.”
—The Daily Telegraph (London)
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Containing the letters and diaries that Goethe wrote during his journey to Italy at age thirty-seven, Italian Journey reveals his tremendous range of interests. His writings cover literature, art history and his own struggle to be a painter, various sciences and political events, personal encounters, and the Italian landscape. "In Rome," Goethe wrote, "I first found myself, for the first time I achieved inner harmony...." For Goethe the writer, this temporal and spiritual journey was at the root of his development from Sturm und Drang to classicism, a decisive point in his life and the history of German literature.
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Johann Wolfgang von Goethe's Faust is a tragic play. Faust is a closet drama, meaning that it is meant to be read rather than performed. It is Goethe's most famous work and considered by many to be one of the greatest works of German literature.
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This classic selection of writings by Goethe reflects the author's philosophy of love and death.
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This is a new translation of Faust, Part Two by David Luke, whose translation of Faust, Part I was the winner of the European Poetry Translation Prize. Here, Luke expertly imitates the varied verse-forms of the original, and provides a highly readable and actable translation which includes an introduction, full notes, and an index of classical mythology.
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1917. Goethe is widely recognized as the greatest writer of the German tradition. The Romantic period in Germany is known as the age of Goethe, and Goethe embodies the concerns of the generation defined by the legacies of Rousseau, Kant, and the French Revolution. His eminence is derived not only from his literary achievements as a lyric poet, novelist, and dramatist but also from his often significant contributions as a scientist (geologist, botanist, anatomist, physicist, historian of science) and as a critic and theorist of literature and of art. His most noted works are The Sorrows of Young Werther, Wilhelm Meister and Faust. The novel Wilhelm Meisters Lehrjahre became the prototype of the German Bildungsroman, or novel of character development. See other titles by this author available from Kessinger Publishing.
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Goethe's Faust is a classic of European literature. Based on the fable of the man who traded his soul for superhuman powers and knowledge, it became the life's work of Germany's greatest poet. Beginning with an intriguing wager between God and Satan, it charts the life of a deeply flawed individual, his struggle against the nihilism of his diabolical companion Mephistopheles. Part One presents Faust's pact with the Devil and the harrowing tragedy of his love affair with the young Gretchen. Part Two shows Faust's experience in the world of public affairs, including his encounter with Helen of Troy, the emblem of classical beauty and culture. The whole is a symbolic and panoramic commentary on the human condition and on modern European history and civilisation. This new translation of both parts of Faust preserves the poetic character of the original, its tragic pathos and hilarious comedy. In addition, John Williams has translated the Urfaust, a fascinating glimpse into the young Goethe's imagination, and a selection from the draft scenarios for the Walpurgis Night witches' sabbath - material so ribald and blasphemous that Goethe did not dare publish it.
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Loosely based on Goethe's personal experiences, the novel is written mostly in the form of letters in which Werther recounts his unrequited love for a married woman. Its Sturm und Drang style, portraying the rebellion of youthful genius against conventional standards, makes it a perennial favorite with readers of every era.
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(Book Jacket Status: Not Jacketed)
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German poet, dramatist, novelist, translator, scientist, and musician, Johann Wolfgang von Goethe (1749–1832) was the last universal genius of the West and a master of world literature, the author of The Sorrows of Young Werther, Wilhelm Meister, and Faust. Nowhere else can one encounter a more penetrating, many-sided, and personal Goethe than in the extraordinary Conversations (1836) by Johann Peter Eckermann (1792–1854), a German author and scholar as well as Goethe's friend, archivist, and editor. Although only thirty-one when first meeting the seventy-four-year-old literary giant, Eckermann quickly devoted himself to assisting Goethe during his last nine years while never failing to record their far-ranging discourse. Here are Goethe's thoughts on Byron, Carlyle, Delacroix, Hegel, Shakespeare, and Voltaire, as well as his views on art, architecture, astronomy, the Bible, Chinese literature, criticism, dreams, ethics, freedom, genius, imagination, immortality, love, mind over body, sculpture, and much more. Eckermann's Conversations—comparable to Boswell's Life of Samuel Johnson—allows Goethe to engage the reader in a voice as distinct as it is entrancing.
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The Sorrows of Young Werther is an autobiographical novel which is loosely based on the life of its author, Johann Wolfgang von Goethe. This publication is a classic originally published in the late 18th century thaty made Goethe one of the first major literary celebrities and was a key novel from the German literature movement known as Sturm and Drang. Largely a collection of letters written by Werther and sent to a close friend, it is an intimate account of his time in the fictional village of Wahleim. This work should not be passed over by those interested in the writings of Goethe and German literature.