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Books : Literature & Fiction : Authors, A-Z : ( H ) : Hall, Donald
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Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall's celebrated career, and includes poems recently published in The New Yorker, the American Poetry Review, and the New York Times. It is Hall's first selected volume in fifteen years, and the first to include poems from his seminal bestseller Without. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.
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Donald Hall's celebrated book of poems Without was written for his wife, Jane Kenyon, who died in 1995. Hall returns to this powerful territory in The Best Day the Worst Day, a work of prose that is equally "a work of art, love, and generous genius" (Liz Rosenberg, Boston Globe).
Jane Kenyon was nineteen years younger than Donald Hall and a student poet at the University of Michigan when they met. Hall was her teacher. The Best Day the Worst Day is an intimate account of their twenty-three-year marriage, nearly all of it spent in New Hampshire at Eagle Pond Farm — of their shared rituals of writing, close attention to pets and gardening, and love in the afternoon. Hall joyfully records Jane's growing power as a poet and the couple's careful accommodations toward each other as writers. This portrait of the inner moods of "the best marriage I know about," as Hall has written, is laid against the stark medical emergency of Jane's leukemia, which ended her life in fifteen months. Hall shares with readers — as if we were one of the grieving neighbors, friends, and relatives — the daily ordeal of Jane's dying, through heartbreaking and generous storytelling.
The Best Day the Worst Day stands alongside Elegy to Iris as a powerful testimony to both loss and love.
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The poet discusses his life, offering a meditation on work, describing how craft--be it canning vegetables or writing poems--creates its own discipline and an "absorbedness" that no wage can equal. By the author of Their Ancient Glittering Eyes.
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American children's poetry began with Native American cradle songs, moved on to a rhymed alphabet, blossomed in the 19th century with "A Visit from St. Nicholas," expanded widely in the 20th century, and continues with vigor into the new millennium. Some of the best of these poems, however, have been neglected or forgotten. This collection, edited by acclaimed children's author and poet Donald Hall, returns to us the forgotten treasures of American children's poetry. Featuring some of the best of children's book illustration-including archival selections from rare and early editions and pictures from now defunct 19th- and early-20th-century children's magazines-this anthology revives not only the classic poems but also the atmosphere of the periods in which they were written and read.
Starting with anonymous Native American verses and a selection from the 1727 New England Primer, "Alphabet," this book spans two centuries of American children's poetry. Immediately recognizable names, including Emily Dickinson, Robert Frost, Carl Sandburg, and T. S. Eliot are joined by talented contemporary poets like Gwendolyn Brooks, Sandra Cisneros, Janet S. Wong, and others. Perennial favorites-such as "The Three Little Kittens" and "Casey at the Bat"-are mixed in with new classics, such as Shel Silverstein's "Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out." Poems about holidays appear with verses for recitation, nursery rhymes, poems for laughter, bedtime verses, scary poems, and animal poems. In recognition of America's diverse nature, the selections in this anthology reflect a variety of backgrounds and experiences. From anonymous African-American poets we step forward through the ages to admire the talents of Langston Hughes, Sonia Sanchez, and Francisco X. Alarcon. Children will love discovering these gems, and both parents and teachers will delight in reading to children from this book.
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One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few--then or now. From his Deep Image-inspired lyrics to his Whtimanesque renderings of Neruda, Vallejo, and other Latin American poets, and from his heartfelt reflections on life, love, and loss in his native Ohio to the celebrated prose poems (set frequently in Italy) that marked the end of his important career, Above the River gathers the complete work of a modern master. It also features a moving and insightful introduction by Donald Hall, Wright's longtime friend and colleague.
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HERE AT EAGLE POND is Donald Hall's remarkable collection of essays about the permanent and transparent memory of place and of his coming home to Eagle Pond, New Hampshire, where he grew up and returned to live with his wife Jane Kenyon at the age of 45, where he began writing poems at the age of twelve, and where his ancestors made their livings by free-lancing as farmers. In these tender essays, Hall tells of the joys and quiddities of life in the ancestral New Hampshire place formerly worked as a dairy farm by his grandparents; of the comforts and discomforts of a world in which the year has four seasons -- maple sugar, blackfly, Red Sox, and winter. These essays are also Donald Hall's letters to friends, answers to such life-altering questions as: "What would our lives be like, living here at Eagle Pond, in solitude among relics and memories, in a countryside of birches and GMC pickups?" And they are ghost stories as well: vivid descriptions of Hall's intimate connection with the land and with his family past. Most importantly, HERE AT EAGLE POND is Donald Hall's coming home to language.
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This original paperback brings together for the first time all of Donald Hall's writing on Eagle Pond Farm, his ancestral home in New Hampshire, where he visited his grandparents as a young boy and then lived with his wife, the poet Jane Kenyon, until her death. It includes the entire, previously published Seasons at Eagle Pond and Here at Eagle Pond; the poem "Daylilies on the Hill" from The Painted Bed; and several uncollected pieces. In these tender essays, Hall tells of the joys and quiddities of life on the farm, the pleasures and discomforts of a world in which the year has four seasons -- maple sugar, blackfly, Red Sox, and winter. Lyrical, comic, and elegaic, they sing of a landscape and culture that are disappearing under the assault of change.
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Compiled by the award-winning poet and author of children's books, Donald Hall, this delightful anthology follows in the tradition of Iona and Peter Opie's classic Oxford Book of Children's Verse. Hall brings together poems written specifically for children and also those written for anyone and enjoyed by children and adults alike. He presents over two hundred fifty poems written by over one hundred different American poets--including anonymous works, ballads, and recitation pieces--that range from the Calvinist verses of the seventeenth century to the fabulous nonsense poems of the present.
Drawing on literally thousands of sources--including Sunday School magazines, Christmas annuals for children, and such wonderful children's periodicals as St. Nicholas and Youth's Companion--Hall gives the modern reader a rich sampling of many poems never before anthologized. He includes everyone's favorites, from Clement Clarke Moore's "A Visit from St. Nicholas" (a.k.a. "The Night Before Christmas") to the classic lines of Longfellow and Whittier. Along with Sarah Josepha Hale's famous poem, "Mary's Lamb," we find poetry by Emily Dickinson, Mary Mapes Dodge, Palmer Cox, Sarah Orne Jewett, Laura E. Richards, and Gelett Burgess. He also covers the twentieth-century with verse by T.S. Eliot, Edna St. Vincent Millay, Langston Hughes, Ogden Nash, Dr. Seuss (Theodore Geisel), and Randall Jarrell, just to name a few. Hall concludes with the poetry of present-day writers such as Shel Silverstein and Nancy Willard.
A testament to a captivating tradition in American literature, this anthology will encourage many hours of nostalgic browsing and reading aloud to children.
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Compiled by the award-winning poet and author of children's books, Donald Hall, this delightful anthology follows in the tradition of Iona and Peter Opie's classic Oxford Book of Children's Verse. Hall brings together poems written specifically for children and also those written for anyone and enjoyed by children and adults alike. He presents over two hundred fifty poems written by over one hundred different American poets--including anonymous works, ballads, and recitation pieces--that range from the Calvinist verses of the seventeenth century to the fabulous nonsense poems of the present.
Drawing on literally thousands of sources--including Sunday School magazines, Christmas annuals for children, and such wonderful children's periodicals as St. Nicholas and Youth's Companion--Hall gives the modern reader a rich sampling of many poems never before anthologized. He includes everyone's favorites, from Clement Clarke Moore's "A Visit from St. Nicholas" (a.k.a. "The Night Before Christmas") to the classic lines of Longfellow and Whittier. Along with Sarah Josepha Hale's famous poem, "Mary's Lamb," we find poetry by Emily Dickinson, Mary Mapes Dodge, Palmer Cox, Sarah Orne Jewett, Laura E. Richards, and Gelett Burgess. He also covers the twentieth-century with verse by T.S. Eliot, Edna St. Vincent Millay, Langston Hughes, Ogden Nash, Dr. Seuss (Theodore Geisel), and Randall Jarrell, just to name a few. Hall concludes with the poetry of present-day writers such as Shel Silverstein and Nancy Willard.
A testament to a captivating tradition in American literature, this anthology will encourage many hours of nostalgic browsing and reading aloud to children.
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Affirmation
To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.
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"There is something in me that will not be snuffed out," Jane Kenyon told Bill Moyers in an interview. And there is no better proof of that than the overwhelming response her poetry generates. Kenyon's last collection, Otherwise: New & Selected Poems, remains a phenomenon: a best-seller that testifies to the impact Kenyon has had on the poetic landscape.
A Hundred White Daffodils is a companion volume that sheds illumination on a poet, and a woman, of great presence. It offers glimpses into a life cut too short and traces the influences that created Kenyon's poetic voice. The book includes Kenyon's translations of the great Russian poet Anna Akhmatova, and insights into how Kenyon chose her as a muse. It presents a variety of Kenyon's prose pieces about the writing life, her spiritual life, her country community, her gardens-- themes that readers will well remember from her poems. Transcripts of interviews provide further understanding as Kenyon faces her struggle with depression and the losses wrought by illness. Finally, there is an unfinished, visionary poem that makes one wonder what might have been if Kenyon had been given the chance to create more poetry.
Including an introduction by Kenyon's husband and fellow poet, Donald Hall, and a bibliography of her publications, A Hundred White Daffodils is a gift to all those devoted to Kenyon's poetry.
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This volume contains the finest short poetry Donald Hall has written, poems of landscape and love, of dedication and prophecy, poems that have won thousands of readers, as well as various prizes and honors.
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Breakfast Served Any Time All Day collects forty years of writings on poetry in one essential volume by master of American letters Donald Hall.
Praise for Breakfast Served:
". . . the essays in this book are engaging, passionate, strange, and unified. Hall has been around a long time, and you can trace the concerns of a generation through the mind of this one man: questions about the diminished scope of poetry, the diminished ambitions of poets, how a poem 'means,' etc. . . . . Criticism . . . is an exercise in sanity, of which these essays are a splendid and useful example."
-Poetry
"A luminous and essential volume about the sensuality of language, its pleasures and sounds."
-Ploughshares
"It is in this merger of a poet's biography and a poem's body that Hall does his best work. . . . [Breakfast Served Any Time All Day] has an undeniably infectious quality to it. Finishing it, you cannot help but want to return to your bookshelf, and read-again or for the first time-the great forgotten poems of our past."
-Nathan Greenwood Thompson, Rain Taxi
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In An Unkindness of Ravens, Meg Kearney's poems weave voices of estrangement and redemption: mothers, daughters, lovers of gin and dead things. In the middle poems, the protagonist confronts "Raven": a figure of guises and disguises, revealing the speaker's fears and angst. National Book Critics Circle Award-winning poet Donald Hall has written the Foreword.
Meg Kearney is the Associate Director of the National Book Foundation. She was the recipient of the Virginia Center for the Creative Arts and New York Times fellowships and received the Alice M. Sellers Academy of American Poets Prize in 1998. She lives in New York City.
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TO READ A POEM begins the study of poetry by examining whole poems, emphasizing the goal of reading is not the analysis of parts but the understanding of wholes. For a fuller definition of poetry's elements, later chapters concentrate on parts. Selections are frequently modern or contemporary, supplementing them with biographical notes on all poets. TO READ A POEM will help students read poetry with intelligence, gusto, and discrimination.