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Books : Literature & Fiction : Authors, A-Z : ( H ) : Hardy, Thomas
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Edited with Notes by Tim Dolin and an Introduction by Margaret R. Higonnet
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A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this masterpiece of tragic fiction. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion. Then and now, his sympathetic portrait of a victim of Victorian hypocrisy offers compelling reading.
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Hardy's masterpiece traces a poor stonemason's ill-fated romance with his free-spirited cousin. No Victorian institution is spared — marriage, religion, education — and the outrage following publication led the embittered author to renounce fiction. Modern critics hail this novel as a pioneering work of feminism and socialist thought.
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Edited with an Introduction and Notes by Keith Wilson.
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![The Return Of The Native, The Franklin Library [[Hardcover] 1980]](http://ecx.images-amazon.com/images/I/31gRghYNzcL._SL160_.jpg)
The Franklin Library, Franklin Center [published date: 1980], The Return Of The Native by Thomas Hardy, illustrations by Ben F. Wolhberg, 418 pages. Deep Rich Brown leather-effect hardcover,(not real leather, some refer to as ersatz Leather or Leatherette) with gold stamping decoration on cover top & bottom. Four raised bands on spine with gold stamping in the windows created. Gold gilded page ends on all sides. Decorative endpapers inside.
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Whitbread Award winner Claire Tomalin's seminal biography of the enigmatic novelist and poet Thomas Hardy.
Today Thomas Hardy is best known for creating the great Wessex landscape as the backdrop to his rural stories, starting with Far from the Madding Crowd, and making them classics. But his true legacy is that of a progressive thinker. When he published Tess of the d'Urbervilles and Jude the Obscure late in his career, Hardy explored a very different world than that of his rural tales, one in which the plight of lower classes and women take center stage while the higher classes are damned. Ironically, though, Hardy remained cloaked in the arms of this very upper class during the publication of these books, acting at all times in complete convention with the rules of society. Was he using his books to express himself in a way he felt unable to do in the company he kept, or did he know sensationalism would sell? Award-winning author Claire Tomalin expertly reconstructs the life that led Hardy to maintain conventionality and write revolution.
Born in Dorset in 1840, Hardy came of age in rather meager circumstances. At sixteen, he left home for London and slowly worked his way through many rejections to become a published writer. Despite his mother's admonitions to never marry, he wed Emma Lavinia Gifford in 1874 and, even though he fell easily in love, stayed true to her till her death in 1912. He frequently toured London society, but few felt they knew the true Hardy, and it is this very core of self that Tomalin elegantly brings us to know so completely.
Hardy's work consistently challenged sexual and religious conventions in a way that few other books of his time did. Though his personal modesty and kindness allowed some to underestimate him or even to pity him, they did not prevent him from taking on the central themes of human experience-time, memory, loss, love, fear, grief, anger, uncertainty, death. And it was exactly his quiet life, full of the small, personal dramas of family quarrels, rivalries, and at times, despair, that infuses his works with the rich detail that sets them apart as masterpieces. In this engrossing biography, Tomalin skillfully identifies the inner demons and the outer mores that drove Hardy and presents a rich and complex portrait of one of the greatest figures in English literature.
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A young man falls victim to his own obsession with an amorous farm girl in this classic novel of fate and unrequited love. Published anonymously and first attributed, erroneously, to George Eliot, this Signet Classic version is set from Hardy's revised final draft-the authoritative Wessex edition of 1912.
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Michael Henchard is the respected mayor of Casterbridge, a thriving industrial town--but years ago, under the influence of alcohol, he sold his wife Susan to a sailor at a country fair. Although repentant and sober for 21 years, Henchard cannot escape his destiny when Susan and her daughter return to Casterbridge. 4 cassettes.
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Edited with an Introduction and Notes by Rosemarie Morgan with Shannon Russell.
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Only after Hardy's death did his poetry begin to receive the acclaim it demands. Experimenting vigorously with rhythm, stress and verse forms, Hardy colors the depths of his thematic efforts with technical vibrancy. Whether dwelling on personal grief or tender domestic dramas, his genius for rhetorical ambiguity continues to challenge critical expertise.
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Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's 'bestseller,' and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men—Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband—Tess escapes from her vise of passion through a horrible, desperate act.
'Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination,' said Irving Howe. 'In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting.'
Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
From the eBook edition.
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Passionate Eustacia Vye detests her life amid the dreary environs of Egdon Heath and spies her escape when Clym Yeobright returns from Paris. Hardy's timeless tale of a romantic misalliance embodies his view of character as fate and underscores the tragic nature of ordinary human lives. The Return of the Native ranks among the author's greatest works.
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The Oxford Bookworms Library: Stage 5: 1,800 Headwords Far from the Madding Crowd (Oxford Bookworms)
Bathsheba Everdene is young, proud, and beautiful. She is an independent woman and can marry any man she chooses - if she chooses. In fact, she likes her independence, and she likes fighting her own battles in a man's world. But it is never wise to ignore the power of love. There are three men who would very much like to marry Bathsheba. When she falls in love with one of them, she soon wishes she had kept her independence. She learns that love brings misery, pain, and violent passions that can destroy lives ...
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Far from the Madding Crowd is perhaps the most pastoral of Hardy's Wessex novels. It tells the story of the young farmer Gabriel Oak and his love for and pursuit of the elusive Bathsheba Everdene, whose wayward nature leads her to both tragedy and true love. It tells of the dashing Sergeant Troy whose rakish philosophy of life was '...the past was yesterday; never, the day after'. And lastly, of the introverted and reclusive gentleman farmer, Mr Boldwood, whose love fills him with '...a fearful sense of exposure', when he first sets eyes on Bathsheba.
The background of this tale is the Wessex countryside in all its moods.
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Nine tales showcase Twain's wit as he skewers greed and hypocrisy-and makes a memorable, tormenting statement on evil.
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Thomas Hardy's first love was poetry. It was not until 1898, when he was 58, that his first book of poetry, Wessex Poems was published. For the final years of his life he abandoned fiction and devoted himself entirely to poetry; he is now not only regarded as one of the most important English novelists but is also a poet of major stature and increasing popularity. The Complete Poems includes Hardy's more than 900 poems, complemented by detailed notes. Collected here are his eight books of verse, all the uncollected poems, Domicilium, and the songs from The Dynasts. This edition contains an additional poem, The Sound of Her.
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One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.
As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man."
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Far from the Madding Crowd, Hardy’s passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, “The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels.” Introducing the fictional name of “Wessex” to describe Hardy’s legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England.
This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy’s map of Wessex.
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This "book" includes the complete text of: Desperate Remedies, 1871; Under the Greenwood Tree, 1872; A Pair of Blue Eyes, 1873; Far From the Madding Crowd, 1874;
The Hand of Ethelberta, 1876; The Return of the Native, 1878; Wessex Tales, 1879;
The Trumpet-Major, 1880; A Laodicean, 1881; Two on a Tower, 1882; The Romantic Adventures of a Milkmaid, 1883; A Changed Man and Other Tales, 1885; The Mayor of Casterbridge, 1886; The Woodlanders, 1887; Tess of the d'Urbervilles, 1891; A Group of Noble Dames, 1891; Life's Little Ironies, 1891; Jude the Obscure, 1895; The Well-Beloved, 1897; and The Dynasts, 1903. An active (hyperlinked) table of contents makes it easy to navigate through this huge file. Click on a title and go to that book. Push the Back button to return to the Table of Contents.