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Books : Literature & Fiction : Authors, A-Z : ( H ) : Hass, Robert
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The poems in Robert Hass's new collection—his first to appear in a decade—are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise.
His familiar landscapes are here—San Francisco, the Northern California coast, the Sierra high country—in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and the conversation between men and women. New themes emerge as well, perhaps: the essence of memory and of time.
The works here look at paintings, at Gerhard Richter as well as Vermeer, and pay tribute to his particular literary masters, friend Czesław Miłosz, the great Swedish poet Tomas Tranströmer, Horace, Whitman, Stevens, Nietszche, and Lucretius. We are offered glimpses of a surprisingly green and vibrant twenty-first-century Berlin; of the demilitarized zone between the Koreas; of a Bangkok night, a Mexican desert, and an early summer morning in Paris, all brought into a vivid present and with a passionate meditation on what it is and has been to be alive. "It has always been Mr. Hass's aim," the New York Times Book Review wrote, "to get the whole man, head and heart and hands and everything else, into his poetry."
Every new volume by Robert Hass is a major event in poetry, and this beautiful collection is no exception.
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This collection of Neruda's most essential poems will prove indispensable. Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes. An impressive group of translators that includes Alistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well. This selection sets the standard for a general, high--quality introduction to Neruda's complete oeuvre.
Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.
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During his tenure as US Poet Laureate, Robert Hass revived the popular nineteenth-century tradition of including poetry in our daily newspapers. “Poet's Choice” ultimately became a nationally syndicated column appearing in dozens of papers across the country. Every week, Hass would marry poets and poetry to headlines and holidays.
Proceeding in sequence from early 1997 to the start of the millennium, we ride the rhythms of Hass's remarkable musings. From the living legends to the long-gone, Hass resurrects voices of many who might otherwise remain neglected. Nearly a hundred poets are profiled — William Butler Yeats, Wallace Stevens, Rita Dove, Robert Frost, Sonia Sanchez, Donald Justice, Margaret Atwood, John Ashbery, Adrienne Rich, Michael Ondaatje, and Louis Glück all make appearances here. And along with classic works, we're introduced to a host of emerging poets and to translations of such luminaries as Yehuda Amichai, Czeslaw Milosz, and Jaime Sabines. With his assured yet unimposing words, Hass awakens our understanding of the great canon of poetry.
In his introduction, Hass observes how the columns collected here seem to encapsulate a time and world quite different from the one that developed after 9/11. And so this collection serves as both remembrance and reminder of a period in our history, and as a celebration of the poets whose poems transcend time.
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Until nearly the end of the 19th century, American poetry remained in its infancy. To be sure, Emily Dickinson and Walt Whitman had already produced their epochal (and diametrically opposed) masterpieces. But these were sui generis eccentrics, working on the fringes of a culture still in thrall to its Old World origins. Only with the dawning of the 20th century did American poets manage to cut the umbilical cord, and with astonishing results. Wallace Stevens, Robert Frost, Marianne Moore, William Carlos Williams, Claude McKay, and T.S. Eliot all seemed to appear out of thin air, imparting their accents--mandarin or bucolic or, in McKay's case, definitively uptown--to the modernist uproar. This artistic explosion has already been the subject of numerous studies (including such classics as Hugh Kenner's The Pound Era and Ann Douglas's Terrible Honesty), and even more numerous anthologies. But for sheer splendor and big-tent inclusiveness, American Poetry: The Twentieth Century, Volume One: Henry Adams to Dorothy Parker looks to be an essential starting point.Weighing in at nearly 1,000 pages, Volume One is the work of Robert Hass, John Hollander, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff. This poetic Gang of Five has made a number of decisions that will delight some readers and rankle others. For instance, they've elected to include song lyrics from the likes of W.C. Handy, Ma Rainey, Irving Berlin, and Cole Porter. (Doubtless these remain diminished without the music--but who could be so churlish as to exclude the tongue-twisting couplets from "Anything Goes"?) They've also thrown in a variety of very minor works by very major writers, such as "Terminus," Edith Wharton's breathless account of her one-night stand with boy toy Morton Fullerton.
But these are truly peccadilloes. There are hundreds of poems here, representing more than 80 authors, and thumbing through the selections by Marianne Moore or Robinson Jeffers or James Weldon Johnson or Robert Frost should be enough to send most readers into linguistic rapture. Lesser figures, from Sara Teasdale to H.P. Lovecraft, get their days in the sun. So too do complete obscurities like George Sterling or Elsa von Freytag-Loringhoven (whose capsule biography suggests that she may have been the most unhappy of a notoriously unhappy lot). Poetry lovers are free to argue themselves hoarse over who got the short end of the stick--and indeed, the relatively small slice of the pie allotted to T.S. Eliot says a great deal about the transience of literary reputation. But anthologies are by their very nature imperfect, and it's hard to imagine a more welcome, less imperfect one than this. --James Marcus
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U.S. Poet Laureate Robert Hass considers some of the twentiethcentury poets who bring him pleasure: Robert Lowll, JamesWright, Tomas Transtromer, Joseph Brodsky, Yvor Winters,Robert Creeley, James McMichael, Czeslaw Milosz, and others,in this, his first collection of essays. Originally published in1984, Twentieth Century Pleasures: Prose on Poetry won theNational Book Critics Circle Award for criticism. A new collection of Robert Hass's essays will be published by Ecco in 1998.
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The California-based River of Words (ROW) has gained fame as an important nonprofit that trains teachers, park naturalists, grassroots groups, and others to incorporate observation-based nature exploration and the arts into young people’s lives. One of the group’s most important annual projects is to take the youth pulse from the United States and 22 other countries, by asking for writing on water and nature. This anthology collects the best of that writing, with accompanying artwork. Divided into nine geographical areas (California, Pacific Northwest, Inland West, Midwest, Southwest, Northwest, Mid Atlantic, South, and International), the book presents writers from ages six to 18. In poems such as “I Love My Dog,” “Seasons in Our Watershed,” “History of a Cornfield,” and “Swamp Shack,” River of Words exhibits diverse voices, as well as some bilingual poems. A remarkable confluence of K-12 curriculum, children’s literature, environmentalism, and poetry, this thoughtful book, in the words of Pulitzer Prize–winning poet Gary Snyder, gives us “pleasure and hope.”
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Water is the inspiration for the River of Words contest, an annual challenge that highlights the art and poetry created by children from all over the world.River of Words: Images and Poetry in Praise of Water offers a powerful selection of the finest work from the contest’s first six years. With selections by children from places as diverse as Azerbaijan and the U.S., China and Ivory Coast, as well as Thailand and the Ukraine, it is colorful and passionate evidence of fertile minds creating fertile visions of the world. From the hearts and minds of children come expressions of pure joy and exultation, as well as sorrow and longing, all inspired by water.
River of Words is proof that children have the capacity to be intelligent, articulate, caring, creative, humorous, inventive and most of all, passionate. For many adults, busy in their day to day lives, how could we not feel a pang of envy for those heady times, when, as children, the natural world was what it has always been, a wonderful place full of discovery.
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Winner of many prestigious awards, including the Bonner Award for Poetry, Germany's Petrarch Prize, and the Neustadt International Prize for Literature, Tomas Transtromer captures the mood of an era which is at once lonely and threatening. Few poets are capable of relating basic truths about the human condition in troubled times with such quiet grace and figurative skill. This volume vitally represents the immense talent and insight of one of the world's finest poets.
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The Nobel Prize-winning poet Czeslaw Milosz began his remarkable A Treatise on Poetry in the winter of 1955 and finished it in the spring of 1956. It was published originally in parts in the Polish émigré journal Kultura. Now it is available in English for the first time in this expert translation by the award-winning American poet Robert Hass.
A Treatise on Poetry is a great poem about some of the most terrible events in the twentieth century. Divided into four sections, the poem begins at the end of the nineteenth century as a comedy of manners and moves with a devastating momentum through World War I to the horror of World War II. Then it takes on directly and plainly the philosophical abyss into which the European cultures plunged.
"Author's Notes" on the poem appear at the end of the volume. A stunning literary composition, these notes stand alone as brilliant miniature portraits that magically re-create the lost world of prewar Europe.A Treatise on Poetry evokes the European twentieth century, its comedy and terror and grief, with the force and expressiveness of a great novel. A tone poem to a lost time, a harrowing requiem for the century's dead, and a sober meditation on history, consciousness, and art: here is a masterwork that confronts the meaning of the twentieth century with a directness and vividness that are without parallel.
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From the explosion in creative writing programs and workshops to the poetry slams and open mikes in every city to the reading groups venturing beyond prose for the first time, poetry is suddenly everywhere. This vibrant anthology showcases unforgettable poems and photographic portraits of leading writers in the United States, together with a CD that features many of the poets reading from their work. From Aleida Rodriguez to Ishmael Reed to Maxine Hong Kingston to John Ashbery, the poets gathered here represent a cross section of poetic styles, geographic regions, and ethnic identities. Together they express the amazing exuberance and diversity of contemporary poetry.
Margaretta K. Mitchell conceived the volume after attending the celebrated Lunch Poems Reading Series at the University of California, Berkeley. Her desire to capture the faces of all of the poets who participated in the series led to the creation of this book. Her essay explores the importance of portraiture and describes her studio sessions with these poets.
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When Robert Haas first took his post as U.S. Poet Laureate, he asked himself, "What can a poet laureate usefully do?" One of his answers was to bring back the popular nineteenth-century tradition of including poetry in our daily newspapers. "Poet's Choice," a nationally syndicated column appearing in twenty-five papers, has introduced a poem a week to readers across the country.
"There is news in poems," argues Robert Haas. This collection gathers the full two years' worth of Hass's choices, including recently published poems as well as older classics. The selections reflect the events of the day, whether it be an elder poet recieving a major prize, a younger poet publishing a first book, the death of a great writer, or the changing seasons and holidays. They also reflect Hass's personal taste. Here is "one of the most gorgeous poems in the English language" ("To Autumn" by John Keats): a harrowing Holocaust poem ("Deathfugue" by Paul Celan); and "my favorite American poem of spring" ("Spring and All" by William Carlos Williams). With a brief introduction to each poet and poem, a note on the selection, and insights on how the poem works, Robert Hass acts as your personal guide to the poetry shelves at your local bookstores and to some of the best poetry of all time.
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Berkeley is a wellspring of literary and artistic history. As a way of preserving and celebrating that history, the City of Berkley called on former poet laureate Robert Hass and award-winning artist David Lance Goines to design a series of poetry panels that have been installed in the sidewalks of Berkeley’s thriving downtown arts and theater district. The Berkeley Poetry Walk is a unique testament to the living poetic tradition. Filled with history, poetry, and anecdote, it is a splendid introduction to the history of poetry in the city, with full commentary on each poem by Hass himself. This work makes clear the importance, passion, playfulness, and episodic looniness of one of America’s most vibrant cities.Discover all those who have lived in or been moved by this city: from Robert Duncan, Josephine Miles, Czeslaw Milosz, and Lyn Hejinian to Thornton Wilder, Allen Ginsberg, and Kenneth Rexroth, from an Ohlone Indian song fragment to poems about urban spaces, war, music, and of course...love.
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The annual publication of The Best American Poetry is an eagerly awaited event among poetry fans across the country. This year's volume in the critically acclaimed series presents American poetry in all its dazzling variety at a moment of extraordinary richness and originality.
Guest editor Robert Hass, a former Poet Laureate and a central figure in the poetry world, brings his passionate intelligence to The Best American Poetry 2001. In his engaging introduction, Hass writes that after sifting through dozens of literary magazines, he "found that there were large numbers of poems that gave me pleasure, seemed to have inventive force, or intellectual passion or surprise." The works he selected are diverse in every way and have only their excellence in common. Ranging from the traditional to the innovative, the book features important new poems from Anne Carson, Robert Creeley, Michael Palmer, Robert Pinsky, and Adrienne Rich; rare posthumous works by Elizabeth Bishop and James Schuyler; and poems by marvelous newcomers like Amy England, Olena Kalytiak Davis, and Rachel Zucker.
With comments from the poets illuminating their work, and series editor David Lehman's always entertaining foreword assessing the current state of the art, The Best American Poetry 2001 is a book every reader of poetry will want to have.
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