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Books : Literature & Fiction : Authors, A-Z : ( H ) : Heaney, Seamus
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More than one hundred glorious images, many of objects dating from the time of the story, enhance Seamus Heaney's masterful best-selling translation.
Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. Drawn to its immense emotional credibility, Seamus Heaney gives the great epic convincing reality for the reader.
But how to visualize the poet's story has always been a challenge for modern-day readers. In Beowulf: An Illustrated Edition, John D. Niles, a scholar of old English, brings Heaney's remarkable, best-selling translation to life. More than one hundred full-page illustrations—Viking warships, chain mail, lyres, spearheads, even a reconstruction of the Great Hall—make visible Beowulf's world and the elemental themes of his story: death, divine power, horror, heroism, disgrace, devotion, and fame. Now this mysterious world is transformed into one that only becomes more amazing after viewing its elegant goblets, dragon images, finely crafted gold jewelry, and the Danish landscape of its origins. 80 color and 41 black-and-white illustrations.
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Winner of the Whitbread Prize, Seamus Heaney's translation "accomplishes what before now had seemed impossible: a faithful rendering that is simultaneously an original and gripping poem in its own right" (New York Times Book Review). The translation that "rides boldly through the reefs of scholarship" (The Observer) is combined with first-rate annotation. No reading knowledge of Old English is assumed. Heaney's clear and insightful introduction to Beowulf provides students with an understanding of both the poem's history in the canon and Heaney's own translation process. "Contexts" provides a rich selection of material on Anglo-Saxon and early Northern culture. "Criticism" features eight essays carefully chosen for their relevance to undergraduate readers, including a full discussion of the Old English poem that lies behind Heaney's translation. Contributors include J.R.R. Tolkien, John Leyerle, Jane Chance, Roberta Frank, Fred C. Robinson, Thomas Hill, Leslie Webster, and Daniel Donoghue. A Glossary of Proper Names and a Selected Bibliography are included.About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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Sophocles' play, first staged in the fifth century B.C., stands as a timely exploration of the conflict between those who affirm the individual's human rights and those who must protect the state's security. During the War of the Seven Against Thebes, Antigone, the daughter of Oedipus, learns that her brothers have killed each other, having been forced onto opposing sides of the battle. When Creon, king of Thebes, grants burial of one but not the "treacherous" other, Antigone defies his order, believing it her duty to bury all of her close kin. Enraged, Creon condemns her to death, and his soldiers wall her up in a tomb. While Creon eventually agrees to Antigone's release, it is too late: She takes her own life, initiating a tragic repetition of events in her family's history.In this outstanding new translation, commissioned by Ireland's renowned Abbey Theatre to commemorate its centenary, Seamus Heaney exposes the darkness and the humanity in Sophocles' masterpiece, and inks it with his own modern and masterly touch.
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The Cure at Troy is Seamus Heaney's version of Sophocles' Philoctetes. Written in the fifth century BC, this play concerns the predicament of the outcast hero, Philoctetes, whom the Greeks marooned on the island of Lemnos and forgot about until the closing stages of the Siege of Troy. Abandoned because of a wounded foot, Philoctetes nevertheless possesses an invincible bow without which the Greeks cannot win the Trojan War. They are forced to return to Lemnos and seek out Philoctetes' support in a drama that explores the conflict between personal integrity and political expediency.Heaney's version of Philoctetes is a fast-paced, brilliant work ideally suited to the stage. Heaney holds on to the majesty of the Greek original, but manages to give his verse the flavor of Irish speech and context.
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The Rattle Bag is an anthology of poetry (mostly in English but occasionally in translation) for general readers and students of all ages and backgrounds. These poems have been selected by the simple yet telling criteria that they are the personal favorites of the editors, themselves two of contemporary literature's leading poets.Moreover, Heaney and Hughes have elected to list their favorites not by theme or by author but simply by title (or by first line, when no title is given). As they explain in their Introduction: "We hope that our decision to impose an arbitrary alphabetical order allows the contents [of this book] to discover themselves as we ourselves gradually discovered them--each poem full of its singular appeal, transmitting its own signals, taking its chances in a big, voluble world."With undisputed masterpieces and rare discoveries, with both classics and surprises galore, The Rattle Bag includes the work of such key poets as William Shakespeare, Walt Whitman, Emily Dickinson, Lewis Carroll, Dylan Thomas, Wallace Stevens, Elizabeth Bishop, and Sylvia Plath among its hundreds of poems. A helpful Glossary as well as an Index of Poets and Works are offered at the conclusion of this hefty, unorthodox, diverse, inspired, and inspiring collection of poetry.
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This volume gathers nearly all of the poems from Heaney's first four collections: Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), and North (1975).
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Sweeney Astray is Seamus Heaney's version of the medieval Irish work Buile Suibne. Its here, Mad Sweeney, undergoes a series of purgatorial adventures after he is cursed by a saint and turned into a bird at the Battle of Moira. Heaney's translation not only restores to us a work of historical and literary importance but offers the genius of one of our greatest living poets to reinforce its claims on the reader of contemporary literature.
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This collection presents Wordsworth's poems in their earliest completed form (before the poet's alterations) and in order of composition. A selection of Wordsworth's critical writing complements a generous selection of poetry, including the longer narratives ("The Ruined Castle," "Home at Grasmere," and "Peter Bell"), his autobiographical masterpiece, "The Prelude," and all his finest lyrics.
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Seeing Things (1991), as Edward Hirsch wrote in The New York Times Book Review, "is a book of thresholds and crossings, of losses balanced by marvels, of casting and gathering and the hushed, contrary air between water and sky, earth and heaven." Along with translations from the Aeneid and the Inferno, this book offers several poems about Heaney's late father.
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This volume of 154 poems by Constantine Cavafy is the entire body of work by the artist widely considered a master of modern Greek poetry. Published only privately during his lifetime, Cavafy's poems achieved international acclaim when writers such as E. M. Forster, Laurence Durrell, T. S. Eliot, and W. H. Auden brought his work to a worldwide audience.
Cavafy was a poet of Alexandria, the city of his birth and his home throughout his adult life. At the confluence of many histories--Greek, Egyptian, Byzantine, modern European--and many religions, the city provided endless inspiration for his brief, intimate portraits of individuals, historic and contemporary, real and imagined. Homoerotic desire, artistic longing, and a nostalgic fatalism suffuse the subjects he examined and laid bare, without metaphor or simile, in free iambic verse.
Published here in the original Greek, with a new English translation by the noted poet Stratis Haviaris on each facing page, and with a foreword by Seamus Heaney, The Canon is Cavafy, familiar and fresh, seen through new eyes, yet instantly recognized: "the Greek gentleman in a straw hat," as Forster called him, "standing absolutely motionless at a slight angle to the universe."
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