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Books : Literature & Fiction : Authors, A-Z : ( H ) : Hughes, Langston
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Rich treasury of verse from 19th and 20th centuries, selected for popularity and literary quality, includes Poe's "The Raven," Whitman's "I Hear America Singing," as well as poems by Robert Frost, Langston Hughes, Emily Dickinson, T S. Eliot, Marianne Moore, many other notables.
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"The ultimate book for both the dabbler and serious scholar--. [Hughes] is sumptuous and sharp, playful and sparse, grounded in an earthy music--. This book is a glorious revelation."--Boston Globe
Spanning five decades and comprising 868 poems (nearly 300 of which have never before appeared in book form), this magnificent volume is the definitive sampling of a writer who has been called the poet laureate of African America--and perhaps our greatest popular poet since Walt Whitman. Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them and annotated by Arnold Rampersad and David Roessel.
Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes the author's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. -
Depicts a Black family's attempts to deal with life in a small Kansas town.
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With the publication of his first book of poems, The Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night." They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life."
The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America." It gives us a poet of extraordinary range, directness, and stylistic virtuosity. -
Illus. in black-and-white. This classic collection of poetry is available in a handsome new gift edition that includes seven additional poems written after The Dream Keeper was first published. In a larger format, featuring Brian Pinkney's scratchboard art on every spread, Hughes's inspirational message to young people is as relevant today as it was in 1932.
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Rich selection of 74 poems ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753–1784) to 20th-century work of Langston Hughes and Countee Cullen. Other contributors include James Weldon Johnson, Paul Laurence Dunbar, many others. Indispensable for students of the black experience in America and any lover of fine poetry.
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In 26 never-before-published short and wonderfully clever poems, Langston Hughes takes children through both the alphabet and the animal world. From Ape to Zebra--with bees, camels, fish, and even a unicorn in between--he paints a picture of each animal with just a few simple, but telling, words.
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Collection of more than 80 poems by 50 American and British masters celebrates travel, adventure and the many real and metaphorical journeys each of us take in the course of our lives. Works by Whitman, Byron, Millay, Sandburg, Service, Bliss Carman, Robert Louis Stevenson, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, many others. Note.
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THE VOICE OF THE POET
A remarkable series of audiobooks, featuring distinguished twentieth-century American poets reading from their own work. A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliography, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review.
"Hearing poetry spoken by the poet is always a unique illumination. This series opens our ears to some of the most passionate utterances and enthralling performances ever recorded."--Seamus Heaney, Nobel Prize winner, Poetry
"There has been a great need for a well-edited audio series for poetry, with high literary and technical quality. J. D. McClatchy has filled this need with great style."--Robert Pinsky -
Thirteen poems about the New York City neighborhood of Harlem are teamed with the collage painting, The Block, a celebration of the bustle of Harlem, from the corner grocery store to the local Baptist church.
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Langston Hughes is best known as a poet, a key figure in the Harlem Renaissance of the 1920s and '30s, and one of the first literary artists to realistically portray black American life. Hughes's immense talent, literary output, and social influence, however, extend far beyond the limited stereotype of him as "the bard of Harlem." In this meticulously researched volume, Faith Berry treats Hughes in the context of his time--as "one of the most prolific and versatile American writers of his generation" and a true man of letters. Concentrating on Hughes's development before he moved to Harlem in the 1940s, Berry focuses on the major influences that shaped his life and career--from his rootless childhood and early "addiction" to reading to his world travels (including journeys to Africa, Europe, and the Soviet Union) and relationships with other prominent American intellectuals. A portrait emerges of a shy, self-effacing man who, despite considerable hardship, never lost his determination or his vision of a more just world, and who overcame the racism of his day to become a poet, playwright, translator, librettist, author, and social activist of international stature.
Hughes was an intensely private man, and his own autobiographical works omit many personal facts that Berry discusses here. The volume also reprints more than 60 poems that are not widely anthologized, discussing them in their biographical context. In an appendix to this edition, Berry takes issue with Hughes's "official biographer," whom she believes presents a distorted, sensationalized version of the poet's life. "Truth in biography does not mean everything we ever wanted to know but were afraid to ask," she says, and in her own work she steps back, avoids intrusive psychoanalytic interpretation, and presents a balanced, thoughtful, and often moving look at her subject's remarkable life. --Uma Kukathas
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Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions.
“Langston Hughes is a titanic figure in 20th-century American literature . . . a powerful interpreter of the American experience.” —The Philadelphia Inquirer
Arguably the most important writer to emerge from the Harlem Renaissance of the 1920s and ‘30s, Langston Hughes was a great poet and a shrewd and lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom.
Vintage Hughes includes the poems “The Negro Speaks of Rivers,” “I, Too,” “The Weary Blues,” “America,” “Let America Be America Again,” “Dream Variations,” “Young Sailor,” “Afro-American Fragment,” “Scottsboro,” “The Negro Mother,” “Good Morning Revolution,” “I Dream a World,” “The Heart of Harlem,” “Freedom Train,” “Song for Billie Holliday,” “Nightmare Boogie,” “Africa,” “Black Panther,” “Birmingham Sunday,” and “UnAmerican Investigators”; and three stories from the collection The Ways of White Folks: “Cora Unashamed,” “Home,” and “The Blues I’m Playing.” -
The first three volumes of Missouri's landmark Collected Works of Langston Hughes comprise all of his published poetry. Although he worked in a variety of forms, Hughes was above all a poet. From 1921, when his first poem. "The Negro Speaks of Rivers," appeared in a national magazine, until 1967, when his last volume appeared shortly after his death, he remained faithful to his central goal - to be a poet of the African American and American experience, creating verse that honored the culture of black American and the ideals of the nation. Volume 1 includes the complete texts of Hughes's first book, The Weary Blues (1926), and his second, Fine Clothes to the Jew (1927), as well as other poems published by him during and after the Harlem Renaissance. The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steephed in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then, in the 1930s especially, came the radical poetry included in Dear Lovely Death (1934) and A New Song (1938). For example, "Good Morning Revolution" and "Let American Be America Again" made his pen one of the most forceful in America during the Great Depression.
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This is a wonderful collection of Poets and their opinions and emotions on War. Many of these poets were members of the service and/ or lived through the major wars of the past 200 years.
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A rare and exceptional recording of Langston Hughes reading his own poetry, as well as his own commentary and reflections, on CD for the first time!
Collection includes: One Way Ticket • The Negro Speaks of Rivers • Puzzled • Trumpet Player • Ballad of the Gypsy • Kid Sleepy • Southern Mammy Songs • Migrant • Mama and Daughter • Sylvester's Dying Bed • Intern at Provident Hospital • Merry-Go-Round • Ku Klux Klan • The South • Mulatto • Out of Work • The Explanation of Our Times • Dinner Guest: Me • Cultural Exchange • Along with commentary and reflections from the author
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A Vintage Original
“I believe in an America in which opportunity and justice truly are for all. That was the essence of the life an poetry of Langston Hughes.”—Senator John Kerry, from the Preface
A beautifully designed collection of some of the greatest poems by a quintessentially American poet, whose theme of the promise of American inclusiveness continues to ring true.
Langston Hughes was uncommonly attuned to the ideals of freedom and democracy and the sometimes elusive American dream. The poems collected here offer a hopeful, truly democratic vision for America. Incantatory and stirring, passionate and provocative, they are as resonant for our times as they were over half a century ago.
Contents:
“Let America Be America Again,” “Dream of Freedom,” “America,” “Search,” “Some Day,” “In Time of Silver Rain,” “Dare,” “Give Us Our Peace,” “I Dream a World.”


















