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Books : Teens : Authors, A-Z : ( H ) : Hurston, Zora Neale
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Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.
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As a first-hand account of the weird mysteries and horrors of voodoo, Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston's personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.
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Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.
This poetic, graceful love story, rooted in Black folk traditions and steeped in mythic realism, celebrates boldly and brilliantly African-American culture and heritage. And in a powerful, mesmerizing narrative, it pays quiet tribute to a Black woman who, though constricted by the times, still demanded to be heard.
Originally published in 1937 and long out of print, the book was reissued in 1975 and nearly three decades later Their Eyes Were Watching God is considered a seminal novel in American fiction.
Performed by Ruby Dee
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When she died in obscurity in 1960, all her books were out of print. Now, Zora Neale Hurston is recognized as one of the most important and influential modern American writers. This volume, with its companion, "Zora Neale Hurston: Folklore, Memoirs, and Other Writings," brings together for the first time all of Hurston's best works in one authoritative set. It features the acclaimed 1937 novel "Their Eyes Were Watching God," a lyrical masterpiece about a woman's struggle for love and independence. "Jonah's Gourd Vine," based on the story of Hurston's parents, details the rise and fall of a preacher torn between spirit and flesh. "Moses, Man of the Mountain" is a high-spirited retelling of the Exodus story in black vernacular. "Seraph on the Suwanee" portrays the passionate clash between a poor southern "cracker" and her willful husband. A selection of short stories further displays Hurston's unique fusion of folk traditions and literary modernism--comic, ironic, and soaringly poetic.
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First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, funny, bold, and poignant autobiography, an imaginative and exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's very personal literary self-portrait offers a revealing, often audacious glimpse into the life -- public and private -- of an extraordinary artist, anthropologist, chronicler, and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high, Dust Tracks on a Road is a rare treasure from one of literature's most cherished voices.
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The first novel by the noted black novelist, folklorist, and anthropologist. Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."
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The second of a two-volume collection follows a theme of African-American heritage and folklore and includes Mules and Men, Tell My Horse, Folklore, Memoirs, and Other Writings, and Hurston's controversial autobiography, Dust Tracks on a Road.
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Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.The bittersweet and often hilarious tales -- which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners -- reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.
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In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses' life from the day he Is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator. From his dramatic confrontations with Pharaoh to his fragile negotiations with the wary Hebrews, this very human story is told with great humor, passion, and psychological insight--the hallmarks of Hurston as a writer and champion of black culture.
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This novel of turn-of-the-century white "Florida Crackers" marks a daring departure for the author famous for her complex accounts of black culture and heritage. Full of insights into the nature of love, attraction, faith, and loyalty, Seraph on the Suwanee is the compelling story of two people at once deeply in love and deeply at odds. The heroine, young Arvay Henson, is convinced she will never find true love and happiness, and defends herself from unwanted suitors by throwing hysterical fits and professing religious fervor. Arvay meets her match, however, in handsome Jim Meserve, a bright, enterprising young man who knows that Arvay is the woman for him, and refuses to allow her to convince him otherwise. With the same passion and understanding that have made Their Eyes Were Watching God a classic, Hurston explores the evolution of a marriage full of love but very little communication and the desires of a young woman In search of herself and her place in the world.
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The most prolific African-American woman author from 1920 to 1950, Hurston was praised for her writing and condemned for her independence, arrogance, and audaciousness. This unique anthology, with 14 superb examples of her fiction, journalism, folklore, and autobiography, rightfully establishes her as the intellectual and spiritual leader of the next generation of black writers. In addition to six essays and short stories, the collection includes excerpts from Dust Tracks on the Road; Mules and Me; Tell My Horse; Jonah's Gourd Vine; Moses, Man of the Mountain; and Their Eyes Were Watching God. The original commentary by Alice Walker and Mary Helen Washington, two African-American writers in the forefront of the Hurston revival, provide illuminating insights into Hurston-the writer, the person-as well as into American social and cultural history.
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The three bad witches are HUNGRY! "Let's eat these children," they say. They may have teeth that are longer than their lips and they may wear high heels, but they are NO match for two smart children, their brave grandma, three hound dogs, and a fast-running snake.
The Three Witches was first published in every tongue got to confess, the third volume of folklore collected by Zora Neale Hurston while traveling in the Gulf States in the 1930s. It has been adapted for young people by National Book Award winner Joyce Carol Thomas. The vibrant paintings have been masterfully executed by internationally celebrated artist Faith Ringgold.
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This landmark gathering of Zora Neale Hurston's short fiction—most of which appeared only in literary magazines during her lifetime—reveals the evolution of one of the most important African American writers. Spanning her career from 1921 to 1955, these stories attest to Hurston's tremendous range and establish themes that recur in her longer fiction. With rich language and imagery, the stories in this collection not only map Hurston's development and concerns as a writer but also provide an invaluable reflection of the mind and imagination of the author of the acclaimed novel Their Eyes Were Watching God.
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One of the most important works of twentieth-century American literature, Zora Neale Hurston's beloved 1937 classic, Their Eyes Were Watching God, is an enduring Southern love story sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair-skinned, fiercely independent Janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston's masterwork remains as relevant and affecting today as when it was first published -- perhaps the most widely read and highly regarded novel in the entire canon of African American literature.
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LIES AND OTHER TALL TALES
These tales are so tall they touch the sky! From Caldecott Honor artist Christopher Myers and Zora Neale Hurston.
While traveling in the Gulf States in the 1930s, Zora Neale Hurston collected and recorded some real whoppers told by folks from all walks of life. Not "dog ate my homework" kind of lies, but tales so wild you didn't ever want to hear the truth. And now today's picture–book readers can enjoy these far–fetched fibs, with Caldecott Honor artist Christopher Myers's spirited adaption and bold, expressive collages.
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Acclaimed anthropologist, folklorist, and novelist Zora Neale Hurston traveled the back roads of the rural South, collecting stories from men, women, and children in Florida, Alabama, Georgia, and Louisiana so that the spirit and richness of the oral storytelling tradition could be shared and preserved. What's the Hurry, Fox? is a sampling of stories from Every Tongue Got To Confess, Ms. Hurston's third volume of folktales collected from the Gulf statesin the 1930s. They have been carefully adapted and shaped by National Book -- and Coretta Scott King Award#150;winning author Joyce Carol Thomas to appeal to the sensibilities of young readers. Caldecott Honor -- and Coretta Scott King Award-winning artist Bryan Collier adds his unique vision with collages that capture the rich heritage and rural community setting of the stories that are Ms. Hurston's legacy to us.
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THE SIX FOOLS
Zora Neale Hurston
Who's the biggest fool?
Is it the girl who floods her basement with cider, the man who jumps into his pants, the farmer who feeds his cow on the roof, or the woman who tries to fill her wheelbarrow with sunshine?
Based on a story collected by Zora Neale Hurston during her travels in 1930s Gulf States, The Six Fools is an outrageously funny tale about a dashing young man who finds foolish folks aplenty and true love!
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Edited and with a Biographical Essay by Pamala Bordelon, Ph.D. A wonderful discovery of folklore writings-many previously unpublished-by Zora Neale Hurston, author of Their Eyes Were Watching God. When Pamala Bordelon was researching a work on the Florida Federal Writers Project, she discovered writings in the collection that were unmistakably from the hand of Zora Neale Hurston, one of the leading writers of the Harlem Renaissance. Over half of the works included here have not been published or are only available in the Library of America edition of Hurston's works. As Hurston's fans know, all of her novels draw upon her deep interest in folklore, particularly from her home state of Florida. Here we see the roots of that work, from the wonderful folktale of the monstrous alligator living in a local lake to her recording of folk songs to her work on children's games and the black church. There are also fiery and controversial essays on race and the work of black artists. In a biographical essay, Pamala Bordelon, with the help of Hurston's niece, has re-created the years during which Hurston was working for the FWP and living in Eatonville. She has put together the portrait of a serious writer and folklorist who was running tight on money, but big on spirit. This book is an important new addition to Hurston's work.