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Books : Literature & Fiction : Authors, A-Z : ( J ) : Johnson, Charles
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From one of the greatest figures of 19th-century America...
This new edition offers a broad view of the author's finest work, featuring his critical essays, poems, and letters, plus a considerable amount of material from the Journals, including an entry discovered in 1964 in the Library of Congress.
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While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.
The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.
Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace
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One night in the antebellum South, a slave owner and his African-American butler stay up to all hours until, too drunk to face their wives, they switch places in each other's beds. The result is a hilarious imbroglio and an offspring -- Andrew Hawkins, whose life becomes Oxherding Tale.Through sexual escapades, picaresque adventures, and philosophical inquiry, Hawkins navigates white and black worlds and comments wryly on human nature along the way. Told with pure genius, Oxherding Tale is a deliciously funny, bitterly ironic account of slavery, racism, and the human spirit; and it reveals the author as a great talent with even greater humanity.
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Madman. Prophet. Magician. Hippie. Murderer. Who is the Sunlight Man?
In The Sunlight Dialogues, John Gardner's vision of America in the turbulent 1960s embraces an unconventional cast of conventional citizens in the small rural town of Batavia, New York. Sheriff Fred Clumly is trying desperately to unravel mysteries surrounding a disorderly, nameless drifter called "The Sunlight Man," who has been jailed for painting the word "LOVE" across two lanes of traffic, and who is later suspected of murder. The men battle over morality, freedom and their opposing notions of justice, leading each to find his own state of grace. Their conflict is mirrored in the community of middlebrow politicians and their church-going wives, Native Americans, working-class immigrants, farmers, soldiers, petty thieves, and even centenarian sisters too stubborn to die. Gardner's alchemy is existential: from the most raw, vulnerable, and conflicting characters in the American melting pot, he transmutes common denominators of human isolation and longing. With unnerving suspense, his acute ear for American speech, and permeated by his deep-rooted belief in morality, this expansive, sprawling, and ambitious novel is John Gardner's masterpiece: "A superb literary achievement," noted The Boston Globe.
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The Countess Lisaveta Lazaroff was not afraid of the whispers of polite society. She had willingly surrendered her innocence to the sensual assault of the czar's most notorious general, the darkly handsome Prince Stefan Bariatinsky. Yet the lovely Lisaveta vowed she would never surrender to Stefan's demand to be her lord and master. For although the prince was undefeated in the game of love as he was on the battlefield, Lisaveta was woman determined to beat him at his own game and capture the heart of Russia's most unobtainable man...forever.
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Faith Cross, a beautiful and purely innocent young black woman, is told by her dying mother to go and get herself "a good thing." Thus begins an extraordinary pilgrim's progress that takes Faith from the magic and mysticism of the rural South to the promises and perils of modern-day Chicago. It is an odyssey that propels Faith from the degradation of prostitution, drugs, and drink into a faceless middle-class reality, and finally into a searing tragedy that ironically leads to the discovery of the real Good Thing. National Book Award-winner Charles Johnson's first novel, originally published in 1974, puts the life-affirming soul of the African-American experience at the summit of American storytelling.
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A neglected tour de force by the first American to win the Nobel Prize in literature, Kingsblood Royal is a stirring and wickedly funny portrait of a man who resigns from the white race. When Neil Kingsblood a typical middle-American banker with a comfortable life makes the shocking discovery that he has African-American blood, the odyssey that ensues creates an unforgettable portrayal of two Americas, one black, one white.
As timely as when it was first published in 1947, one need only open today's newspaper to see the same issues passionately being discussed between blacks and whites that we find in Kingsblood Royal, says Charles Johnson. Perhaps only now can we fully appreciate Sinclair Lewis's astonishing achievement.
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This Kindle book includes: The Age of Shakespeare by Swinburne, Bacon is Shake-speare by Durning-Lawrence, Beautiful Stories from Shakespeare by Nesbit, Characters of Shakespeare's Plays by Hazlitt, An Essay Toward a History of Shakespeare in Norway by Rudd, Is Shakespeare Dead? by Mark Twain, The Man Shakespeare by Frank Harris, Notes to Shakespeare volume 1 Comedies and volume 3 Tragedies by Samuel Johnson, The People for Whom Shakespeare Wrote by Warner, The Phlosophy of the Plays of Shakespeare by Delia Bacon, Preface to Shakespeare by Samuel Johnson, Preface to the Works of Shakespeare by Theobald, Shakespreare and Precious Stones by Kunz, Shakespeare Bacon ad the Great Unknown by Lang, Shakespeare: His life Art and Character volume 1 by Hudson, Shakespeare Study Programs: the Comedies by Porter and Clarke, Shakespeare's Bones by Ingleby, Shakespeare's Insomnia and the Causes Thereof by head, Shakspere and Montaigne by Feis, Shakspeare or the Poet by Emerson, The Sources and Analogies of A Midsummer Night's Dream by Sidgwick, A Study of Shakespeare by Swinburne, and Tales from Shakespeare by Lamb. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."
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"Were it not for the Buddhadharma, says Charles Johnson in his preface to Turning the Wheel, "I'm convinced that, as a black American and an artist, I would not have been able to successfully negotiate my last half century of life in this country. Or at least not with a high level of creative productivity." In this collection of provocative and intimate essays, Johnson writes of the profound connection between Buddhism and creativity, and of the role of Eastern philosophy in the quest for a free and thoughtful life.In 1926, W. E. B. Du Bois asked African-Americans what they would most want were the color line miraculously forgotten. In Turning the Wheel, Johnson sets out to explore this question by examining his experiences both as a writer and as a practitioner of Buddhism.
He looks at basic Buddhist principles and practices, demonstrating how Buddhism is both the most revolutionary and most civilized of possible human choices. He discusses fundamental Buddhist practices such as the Eightfold Path, Taming the Mind, and Sangha and illuminates their place in the American Civil Rights movement.
Johnson moves from spiritual guides to spiritual nourishment: writing. In essays touching on the role of the black intellectual, Uncle Tom's Cabin, and Ralph Ellison, Johnson uses tools of Buddhist thinking to clarify difficult ideas. Powerful and revelatory, these essays confirm that writing and reading, along with Buddhism, are the basic components that make up a thoughtful life.
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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
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Known for his blending of philosophy, spirituality, humor, and a rollicking good story, Charles Johnson is one of the most important novelists writing today. From his magical first novel, Faith and the Good Thing, to his decidedly philosophical Oxherding Tale; from his swashbuckling indictment of the slave trade in the National Book Award-winning Middle Passage, to his more recent imaginative treatment of Martin Luther King Jr. in Dreamer, Johnson has continually surprised, instructed, and entertained his many avid readers. As this collection of interviews suggests, the novelist is as multifaceted and complex as his novels. Trained in cartooning and philosophy, martial arts and meditation, and producing teleplays, photobiographies, and literary criticism in addition to fiction, Charles Johnson represents a model of what he calls "life as art."Jim McWilliams has gathered here the most significant of Johnson’s many interviews in a chronological progression, giving an invaluable account of Johnson’s development from the late 1970s until the early years of the twenty-first century. Drawn from a neighborhood newsletter and an alumni magazine as well as the most prestigious academic journals, these interviews bring up many essential elements of Johnson’s life and work: his religious development from the AME Church to Buddhism; the importance to him of family; his emergence out of the civil rights and the black power movements, and how his writing responds to both; the importance of his relationship with his mentor John Gardner and his own work as a teacher of creative writing; his interest in phenomenology and philosophical fiction. Capping the collection are two previously unpublished interviews that reflect back upon Johnson’s career, even as they look forward to what Johnson calls "Act Three" of his life.
Alluding to the "Three Gates" of Buddhist "Right Speech," the title of this volume aptly captures the generous spirit that characterizes Charles Johnson’s work. An indispensable resource for all of Johnson’s many readers, Passing the Three Gates represents both the transformation of the artist over time and the continuity and endurance of his aesthetic and spiritual vision.
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