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Books : Literature & Fiction : Authors, A-Z : ( J ) : Johnson, James Weldon
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"The Autobiography of an Ex-Colored Man" is James Weldon's Johnson fictional account of a light-skinned mulatto who can pass for white. The anonymous narrator is the son of a black mother and a white father living in the early part of the 20th century in the rural south, the urban north and in Europe. The novel masterfully explores the complexity of race relations between whites and blacks in America and the search for racial identity by one of mixed ethnicity.
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James Weldon Johnson was a leading figure of the Harlem Renaissance, and one of the most revered African Americans of all time, whose life demonstrated the full spectrum of struggle and success. In God’s Trombones, one of his most celebrated works, inspirational sermons of African American preachers are reimagined as poetry, reverberating with the musicality and splendid eloquence of the spirituals. This classic collection includes “Listen Lord—A Prayer,” “The Creation,” “The Prodigal Son,” “Go Down Death—A Funeral Sermon,” “Noah Built the Ark,” “The Crucifixion,” “Let My People Go,” and “The Judgment Day.”
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James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.
Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."
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Written by civil rights leader and poet James Weldon Johnson in 1899, ³Lift Ev¹ry Voice and Sing² is sung in schools and churches throughout America. The popular, timeless song is recognized as a testimonial to the struggle and achievements of African-American people past, present, and future.
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The Autobiography of an Ex-Colored Man was written by James Weldon Johnson who was an important 20th century author, journalist and poet. As one of the early American civil rights leaders he became a major figure in the Harlem Renaissance. This classic publication is James Weldon Johnson's autobiography, and is an excellent resource for those learning about the earliest days of the civil rights movement and a classic tale of how an individual can overcome and achieve what they set their mind to.
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“A canonical collection, splendidly and sensitively edited by Rudolph Byrd.”
–Henry Louis Gates, Jr.
One of the leading voices of the Harlem Resaissance and a crucial literary figure of his time, James Weldon Johnson was also an editor, songwriter, founding member and leader of the NAACP, and the first African American to hold a diplomatic post as consul to Venezuela and Nicaragua. This comprehensive volume of Johnson’s works includes the seminal novel Autobiography of an Ex-Colored Man, poems from God’s Trombones, essays on cultural and political topics, selections from Johnson’s autobiography, Along This Way, and two previously unpublished short plays: Do You Believe in Ghosts? and The Engineer. Featuring a chronology, bibliography, and a Foreword by acclaimed author Charles Johnson, this Modern Library edition showcases the tremendous range of James Weldon Johnson’s writings and their considerable influence on American civic and cultural life.
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The Autobiography of an Ex-Colored Man (1912), James Weldon Johnson’s first book and the first modernist novel written by an African American, is a groundbreaking and subtle account of racial passing, initially published as an anonymous memoir. Its veracity—many believed it to be a genuine autobiography—has made it one of the undisputed masterpieces of African American literature and established Johnson in the African American literary vanguard of the first half of the twentieth century. He was also one of the central figures of the civil-rights struggle of his era, a tireless activist and longtime leader of the NAACP. Until now, however, his innovative and fascinating writings have never been gathered in a one-volume edition.Johnson’s complex career spanned the worlds of diplomacy (as a U.S. consul in Venezuela and Nicaragua), politics (as secretary of the NAACP), journalism (as the founder of one newspaper and longtime editor of another), and musical theater (as lyricist for the Broadway song-writing team of Cole and Johnson Brothers). Writings presents a generous array of Johnson’s essays which, with the early work of W.E.B. Du Bois, established the foundation of twentieth- century African American literary criticism; a selection of his topical editorials from the New York Age; and an offering of his poems and lyrics, including God’s Trombones—a brilliant verse homage to African American preaching—vaudeville songs, protest poems, and perhaps Johnson’s most famous work, “Lift Every Voice and Sing,” a stirring hymn often called the “Negro National Anthem.”
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Black-and-white photographs accompany this version of the song that has come to be considered the African American national anthem.
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This year marks the centenary of "Lift Every Voice and Sing," James Weldon Johnson's most famous lyric, which is now embraced as the Negro National Anthem. In celebration, this Penguin original collects all the poems from Johnson's published works--Fifty Years and Other Poems (1917), God's Trombones (1927), and Saint Peter Relates an Incident of the Resurrection Day (1935)--along with a number of previously unpublished poems.
Sondra Kathryn Wilson, the foremost authority on Johnson and his work, provides an introduction that sheds light on Johnson's many achievements and his pioneering contributions to recording and celebrating the African American experience.
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In this classic work, first published in 1930, James Weldon Johnson, one of the leading lights of the Harlem Renaissance, combined the skills of the historian, social scientist, and the reporter to trace the New York black experience from the earliest settlements on Chatham Square during the pre-revolutionary period to the triumphant achievements of Harlem in the 1920s. But Black Manhattan is by no means simply history; It illuminates Johnson and his contributions to both black literature and black organizations; it provides us with an intimate account of the black theatrical and musical world of which Johnson had been a part; and it raises searching questions about the black people's struggle to find their identity. Black Manhattan remains one of the essential books on the black American experience, losing none of its resonance and value after many decades.
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A landmark anthology of forty poets that brought serious attention to writers such as Countee Cullen and Langston Hughes. The poetry, the prefaces, and Johnson’s critical notes have made this book a classic. Indices.
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The Autobiography of an Ex-Colored Man and Other Writings, by James Weldon Johnson, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.In his long career James Weldon Johnson established himself as a poet, composer, lawyer, diplomat, educator, and journalist. Yet he wrote only one novel: The Autobiography of an Ex-Colored Man. Published anonymously in 1912, it received scant notice until its reissue in 1927 at the height of the Harlem Renaissance. A landmark in African-American writing, The Autobiography of an Ex-Colored Man was the first black novel written in the first person, and a trailblazer for writers exploring racial ambiguity. It served as an eloquent model for later writers ranging from Zora Neale Hurston to Richard Wright and Ralph Ellison.
A coming-of-age story about a man whose light skin enables him to “pass” for white, The Autobiography of an Ex-Colored Man describes a remarkable journey through the strata of black and white society at the turn of the twentieth century. From a cigar factory in Jacksonville to an elite gambling club in New York, from hobnobbing with European aristocrats to jamming with ragtime musicians, the unnamed narrator struggles to forge an identity in a culture that recognizes nothing but color. At the end, he discovers that the decision to pass brings its practitioners little more than a ruinous self-denial.
This edition also includes a selection of Johnson’s poetry and newspaper writings.Noelle Morrissette is Lecturer of African-American Studies and English Literature at Yale University, where she received her Ph.D. in 2002.
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Seven prominent African-American ministers read Johnson's dramatic, poetic accounts of such Bible stories as the Creation, the Flood, the Crucifixion, and Judgment Day, in a presentation highlighted by the singing of traditional spirituals. Book available.
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A poetic retelling of the creation story from Genesis, by a distinguished African-American poet and preacher, describes the making of the heavens and the earth, from the first light, to the coming of the animals, to the creation of humankind.
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