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Books : Literature & Fiction : Authors, A-Z : ( K ) : Kincaid, Jamaica
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A brilliant look at colonialism and its effects in Antigua--by the author of Annie John
"If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the Prime Minister of Antigua. You may be the sort of tourist who would wonder why a Prime Minister would want an airport named after him--why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen . . ."
So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up.
Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.
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The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperback
Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is.
At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.
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Welcome to Ian Frazier's New York, a city more downtown than up, where every block is an event, and where the denizens are larger than life. Meet landlord extraordinaire Zvi Hugo Segal, and the man who climbed the World Trade Center, and an eighty-three-year-old typewriter repairman whose shop on Fulton Street has drawers full of umlauts. Learn the location of Manhattan's antipodes, and meander the length of Route 3 to New Jersey.
Like his literary forbears Joseph Mitchell and A.J. Liebling, Frazier, in his bewitching, inimitable voice, makes us fall in love with America's greatest city all over again, the way he did, arriving as a young man from Hudson, Ohio. In classic evocations of the F train, Canal Street, and Prospect Park, Brooklyn, and in his iconic "Bags in Trees" essay, Frazier gives us New York again, in all its vital and human multiplicity.
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Long out of print in America, Alexandre Dumas’s most daring narrative is now available in this major new translation by Tina A. Kover. Filled with intrigue, romance, and deadly vengeance, Georges is the story of a wealthy mulatto boy who is driven from his island home by racist landowners. Returning to Mauritius as an accomplished young man, Georges pits his strength against a powerful plantation owner, leading a dramatic slave uprising and claiming the heart of a beautiful white woman. Georges stands apart as the only book by Dumas that explores the potent subject of race.
Praise for Georges:
“A rousing and vivid adventure . . . packed with action and atmosphere.”
–The Columbus Dispatch
“A remarkable discovery . . . We are indebted to Werner Sollors and Jamaica Kincaid for providing us with a critical lens for the journey Dumas has created out of his own generous and expansive imagination.”
–Rudolph P. Byrd, Emory University
“As compelling and relevant today as it was back in the 1840s, when it was first published.”
–Adrienne Kennedy, author of Funnyhouse of a Negro
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Jamaica Kincaid's inspired, lyrical short storiesReading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.
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One of our finest writers on one of her greatest loves.Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book): she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book): is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
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No collection of essays can match the Best American series for the variety of subjects explored, the first-rate quality of pieces, and the eclectic approaches to the genre gathered in its pages each year. With characteristic flair, it provides that rare and refreshing opportunity for readers to take stock of the year's most distinguished and provocative nonfiction. Continuing the celebrated tradition, the 1995 edition dazzles and surprises with its inventive, colorful cornucopia of essays drawn from periodicals across the country. Showcased here are the preeminent pieces from the Los Angeles Times and The New Yorker, from Harper's Magazine and The Alaska Quarterly Review, written by some of today's finest prose stylists, including Edward Hoagland, Grace Paley, Cynthia Ozick, William Gass, John Edgar Wideman, and Joseph Brodsky. Guest editor Jamaica Kincaid, one of America's most illustrious storytellers and essayists, has culled her top twenty choices, assembling works of remarkable su
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The beauty of a flower, and the beauty of a family.
A garden and a child-the similarities between the two can be striking. Both require time and patience. Both call for a very special person to look after their needs and to consider their futures. And both will blossom when tended with a mother's love. This heartwarming collection of essays and stories-from beloved classics and modern favorites, authored by writing gardeners and gardening writers alike-celebrates the role of a mother's love in helping her garden and her children grow. Featuring selections from previously published material by noted garden essayists, as well as compelling excerpts from novels and memoirs, this volume is a touching tribute to mothers everywhere, whose perennial gifts of attention and care allow those they love to truly bloom.
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