- Scott, Theresa
- Cohen, Leonard
- Logston, Anne
- Teens
- General
- The Sims
- General
- O'Brien, Edna
- General
- Schoenberg
- Mental Illness
- Fiction
- Directories
- Highland, Frederick
- Namibia
- Christensen, James C.
- ( L )
- Vehicle Design & Construction
- South
- Middle Eastern
- Hubbard, L. Ron
- Tem, Melanie
- Bombay
- Peale, Norman Vincent
- Kincaid, Jamaica
- Limon, Jose
- Financial Planning
- Foster, Alan Dean
- Social Skills
- Lloyd George, David
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( K ) : Kingston, Maxine Hong
-
A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.
From the Trade Paperback edition.
-
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
-
-
Driven by his dream to write and stage an epic stage production of interwoven Chinese novelsWittman Ah Sing, a Chinese-American hippie in the late '60s.
-
"I have almost finished my longbook," Maxine Hong Kingston declares. "Let my life as Poet begin...I won't be a workhorse anymore; I'll be a skylark." To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry. Taking readers along with her, this celebrated writer gathers advice from her gifted contemporaries and from sages, critics, and writers whom she takes as ancestors. She consults her past, her conscience, her time--and puts together a volume at once irreverent and deeply serious, playful and practical, partaking of poetry throughout as it pursues the meaning, the possibility, and the power of the life of the poet.
A manual on inviting poetry, on conjuring the elusive muse, To Be the Poet is also a harvest of poems, from charms recollected out of childhood to bursts of eloquence, wonder, and waggish wit along the way to discovering what it is to be a poet.
(20021001)
-
A long time ago in China, there existed three Books of Peace that proved so threatening to the reigning powers that they had them burned. Many years later Maxine Hong Kingston wrote a Fourth Book of Peace, but it too was burned--in the catastrophic Berkeley-Oakland Hills fire of 1991, a fire that coincided with the death of her father. Now in this visionary and redemptive work, Kingston completes her interrupted labor, weaving fiction and memoir into a luminous meditation on war and peace, devastation and renewal.
-
In 1976 Maxine Hong Kingston burst into American literature with the publication of The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Since then her subsequent works--China Men (1980) and Tripmaster Monkey: His Fake Book (1989)--have startled readers with their complex projections of Asian-American life as a bicultural and bilingual adventure filled with contemporary confusions and ancient legends, inherited values, and new loyalties. Kingston has written of her family upbringing in Stockton, California, of the stories her mother told her as advice and warning, of her father's illegal arrival in the United States, of the exploits of grandfathers who worked on the rails in California, of San Francisco street life in the 1960s, and of traditional Chinese legends. Whatever her subject, she claims America for herself and other Asian Americans whose histories are an essential part of the larger American tapestry.
In this collection of interviews Kingston talks about her life, her writing, and her objectives. From the first, her books have hovered along the hazy line between fiction and nonfiction, memoir and imagination. As she answers her critics and readers, she both clarifies the differences and exults in the difficulties of distinguishing between the remembered and the re-created.
She explains how she worked to bridge her parents' Chinese dialect with American slang, how she learned to explore her inheritance and find new relevance in her mother's "talk stories," and how she developed the complex juxtapositions of myths and memoir that fill her books. Always savvy, often provocative, constantly amused and amusing, Kingston provides a vivid commentary on her writing and offers insight into a body of her work.
Paul Skenazy is a professor of American literature and provost at Kresge College, University of California, Santa Cruz. Tera Martin is completing her doctorate in American literature at University of California, Santa Cruz.
-
The Literature of California is a landmark publication--unmatched by any existing collection and distinguished by its breadth, variety of sources, and historical sweep. The editors have been refreshingly inclusive and imaginative in their selection: some of the writers are internationally known, others are anthologized here for the first time. The richness of material, ranging from Native American origin myths to Hollywood novels dissecting the American Dream; from the familiar voices of John Steinbeck, Jack London, and William Saroyan to the less-well-known narratives of Maria Amparo Ruiz de Burton, Josephine Miles, and Jade Snow Wong--all of it captures the spirit and scope of the state itself.
This first volume of the comprehensive two-volume anthology is divided into four parts. The first includes stories, legends, and songs of the indigenous tribes. The second section comprises letters, diaries, reports, and travel narratives that trace a century of exploration, discovery, and conquest. Part III includes Mother Lode tales by Mark Twain and Bret Harte, the first signs of California poetry, the rise of narrative by California women, the nature writing of John Muir and Mary Austin, and some of the earliest prose from writers of Asian background, as well as the maturing fiction of Jack London and Frank Norris. Part IV traces the period between the World Wars, when California literature came fully into its own.
A lively introduction contextualizes each section, and concise biographical material is included for each writer. Volume Two, to be published in 2007, concentrates on the second half of the twentieth-century, during which California became one of the most active literary regions in the world. A colossal contribution to the culture of the state, The Literature of California broadens our sense of this region's richness, both past and present, offering new ways of perceiving history, community, and oneself.
-
In this collection of eleven pieces, originally issued as a limited hand-printed edition, Maxine Hong Kingston does not attempt to capture Hawai'i but "instead and incidentally" to describe her "piece by piece, and hope that the sum praises her." The essays provide readers with a generous sampling of Kingston's signature: an angle of vision, exquisitely balanced and clear-sighted, that awakens one to a knowledge of things.
-
-