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Books : Literature & Fiction : Authors, A-Z : ( K ) : Kumin, Maxine
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"The power that Kumin draws from and brings to literature is potent and seemingly inexhaustible."—Booklist
Here Maxine Kumin's signature nature poems are shaken up and invigorated by the darker, human realities. She focuses our attention on the pleasures of horse-keeping with poems such as "The Zen of Mucking Out," then exhorts us to "Please Pay Attention," decrying Dick Cheney's "canned hunting / where you don't stay to pluck / the feathers." With equanimity, Kumin faces the disappointments and joys of sixty years of marriage—ending with the unspoken question of "Which of us will go down first...." -
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Compiled by three noted poets, this is an eclectic, stimulating, and informed selection of poets' remarks on poetry spanning eras, ethnicities, and aesthetics. The 102 selections from nearly as many poets reach back to the Greeks and Romans, then draw on Chaucer, Shakespeare, Sidney, and Milton, on to Shelley, Keats, Coleridge, and Poe, then Hopkins, Yeats, Eliot, Rilke, and Pound, concluding with many of our contemporaries, including Hall, Clifton, Mackey, Kunitz, and Rukeyser. Selections from lesser known poets are also included, such as Moira Egan, Phyllis Wheatley, Fanny Howe, Lyn Hejinian, Joy Harjo, and Li-Young Lee.
The book is divided into three sections. "Musing" concerns issues of inspiration, "Making" issues of craft, from diction to meter to persona and voice, and "Mapping," the role of poetry and the poet. Headnotes at the beginning of each selection provide interesting background information about the poet and commentary on the significance of the selection. There is also a useful appendix with a listing of essays arranged according to more specific topics.
As the poets write in their introduction: "This book was intended to deepen readers' understanding of age-old poetic ideas while at the same time pointing out new directions for thinking about poetry, juxtaposing the familiar and the strange, reconfiguring old boundaries, and shaking up stereotypes."
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"Measured but warm, this work draws you in; it is another success among her many titles."—Library Journal
In her fifteenth collection, Maxine Kumin meditates on the social consequences of such events as the bicentennial of the Civil War, and looks to poets writing from circumstances vastly different from her own. With death the central theme, poems of the body and praise songs for beloved animals explore how memory consoles and haunts. -
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This luminous collection is Maxine Kumin's twelfth volume of poetry, the first since her remarkable memoir, Inside the Halo. Themes of loyalty, longevity, and recovery appear here, along with poems addressing the eminent dead: Wordsworth, Gorki, Rukeyser, and others. "Inescapably, many poems come up out of the earth I live on and tend to," Kumin says.
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Collected here for the first time, these early poems inhabit Kumin's own "sneakstorm time," a space one step to the side, where quiet introspection examines the pain of loss, the idealism of youth, and the endurance of the natural world. Her characteristic earthy wisdom snaps with intensity, offering a refreshing perspective on everyday experiences.
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In her essays, as with her Pultizer Prize-winning poetry, Maxine Kumin is equally at ease musing over her garden or discussing poetic form, raising horses or critiquing the work of other poets. For Kumin, poetry is inseparable from daily life. Whether remembering the early days of courtship with her husband (who then worked at Los Alamos during the first nuclear tests) or observing a grandchild learning to swim, poetry is a natural part of the discussion, as when, during an MRI, she recounts the healing role of memorized poems: "Lying in my MRI tomb and doggedly reciting the poem against the terrible rapping, I realized what saved me..."
"Maxine Kumin's practical yet sensual New England reflections are a gift to any lover of the country."-New York Times Book Review
"Kumin, bless her heart, just gets better and better."-Library Journal
In addition to twelve volumes of poetry, Maxine Kumin has published books of essays, short stories, and novels, and collaborated on four children's books with the late Anne Sexton. The recipient of the Pulitzer Prize, she has also served as the Poet Laureate and was, until her recent controversial resignation, a chancellor at the Academy of American Poets. She lives with her husband, Victor, on a farm in central New Hampshire.
Table of Contents
Part One
Excerpts from a June Journal
Beans
June 1, 1991: Sleeping Late
June 16, 1991: Final Foal
Journal Entry, PoBiz, Texas
Notes from My Journal, Kyoto, December 1984Part Two
Interstices
Swimming and Writing
Motherhood and Poetics
October 4, 1995
For Anne at Passover
Recitations
First LovesPart Three
An Appreciation of Marianne Moore's Selected Letters
This Curious Silent Unrepresented Life
Josephine Jacobsen
Back to the Fairground: Mona Van Duyn
A Postcard from the Volcano
Essay on Robert FrostPart Four
Trochee, Trimeter, and the MRI: On A Shropshire Lad
Gymnastics: The Villanelle
A Way of Staying Sane
Word for Word: "Poem for My Son"
Scrubbed Up and Sent to SchoolPart Five
Keynote Address, PEN-New Eng -
Kumin reflects on the process of writing poetry and on life in the country
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From as little as the snail to as big as the giraffe, from the thundering
mastodon of long ago to the ordinary backyard squirrel of today,
the animals in this book inspire our imagination.
Here is a fascinating cornucopia that exudes a whimsical affection
and respect for the creatures with whom we share our kingdom. -
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