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Books : Literature & Fiction : Authors, A-Z : ( L ) : Lardner, Ring
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Ring Lardner first burst upon the literary scene with his greatest popular success, "You Know Me Al". A sportswriter by trade, Lardner had a superb ear for regional peculiarities in speech and was loved for his sense of humor. Funny, sarcastic, sometimes bitter but always ironic, Lardner understood Americans-- their desires, their dreams, and their disappointments. Contained in "Haircut and Other Stories" are some of Lardner's best-known pieces: "Haircut", "Alibi Ike", "The Love Nest", "Zone of Quiet", and "Champion". Through these pages pass con men; an opinionated small-town barber; a nurse who chatters on and on, much to the chagrin of her charges; baseball players who have excuses for everything; and boxers who try to make it in the fight game. Published in "The Saturday Evening Post", "Collier's" and "Vanity Fair", Lardner enjoyed great success and was heralded as a singular talent by F. Scott Fitzgerald, Ernest Hemingway, H. L. Mencken, and Virginia Woolf. "Haircut and Other Stories" is a celebration of people and of America, and is a must for anyone interested in classic American fiction.
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Ring Lardner's quirky imagination and his ear for the American vernacular endeared him to such formidable critics as H.L. Mencken, F. Scott Fitzgerald, Dorothy Parker, and Virginia Woolf. This collection brings together 20 of Lardner's best pieces, including the six Jack Keefe stories which comprise You Know Me Al.
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A complete anthology of baseball fiction by Ring Lardner features short stories that capture the integral role of baseball in American life.
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24 short stories, including the classic You Know Me Al
collection, appear together in this annotated and copiously illustrated edition. Most of the stories describe real teams, real players, and real situations, and the annotation identifies the many references to the real world of early major league baseball that Lardner covered as a reporter. Includes 111 illustrations of ball players, teams, ball parks, newspaper items, and other memorabilia of one of the most fascinating and eventful eras in baseball history. -
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Ring Lardner, Jr.'s memoir is a pilgrimage through the American century. The son of an immensely popular and influential writer, Lardner grew up swaddled in material and cultural privilege. After a memorable visit to Moscow in 1934, he worked as a reporter in New York before leaving for Hollywood where he served a bizarre apprenticeship with David O. Selznick, and won, at the age of 28, an Academy Award for Woman of the Year, the first on-screen pairing of Spencer Tracy and Katherine Hepburn. In "irresistibly readable" pages (New Yorker), peopled by a cast including Carole Lombard, Louis B. Mayer, Dalton Trumbo, Marlene Dietrich, Otto Preminger, Darryl F. Zanuck, Bertolt Brecht, Bert Lahr, Robert Altman, and Muhammad Ali, Lardner recalls the strange existence of a contract screenwriter in the vanished age of the studio system—an existence made stranger by membership in the Hollywood branch of the American Communist Party. Lardner retraces the path that led him to a memorable confrontation with the House Un-American Activities Committee and thence to Federal prison and life on the Hollywood blacklist. One of the lucky few who were able to resume their careers, Lardner won his second Oscar for the screenplay to M.A.S.H. in 1970.
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From his humble beginnings as a journeyman reporter for the South Bend Times in Indiana, to the height of his popularity when his work was syndicated in more than 115 newspapers with a readership of more than eight million, Ring Lardner was the undisputed master of sports journalism and fiction. In his stories, readers found the authentic lives of their heroes and idols, their hopes and fears, and the vernacular of the diamond in all its bawdy and athletic glory. Here then for the baseball fan, in one comprehensive volume, are Lardner's finest writings about baseball during its golden age.
Out of a column written for The Saturday Evening Post evolved his most famous work, You Know Me, Al, which introduced the world to the bush-league pitcher Jack Keefe. Lardner's skills as the finest American humorist since Mark Twain are on full display in the stories "My Roomy," "Horseshoes," "Alibi Ike," and "The Yellow Kid." Also included are his outstanding journalistic pieces about the Chicago Black Sox World Series scandal of 1919 that chronicle his struggle to come to grips with a national betrayal, the memory of which still scars the sport to this day.
LARDNER ON BASEBALL is a full, diverse, and exciting collection of works from a legendary writer who transformed a simple game into the stuff of great literature.
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As the most famous journalist of the early twentieth century, Ring Lardner's wry skills as an observer and satirical bent as a writer weren't just confined to the sporting arenas of his day. In 1918 he packed his kit bag and his biting wit and headed off to France on assignment for Colliers, to cast a Lardneresque eye on the Great War. At the same time, he created a new wartime series of letters from the pen of his most famous fictional character-Jack Keefe-who had traded in his baseball flannels for military drab. LARDNER ON WAR puts together, for the first time, the two masterpieces from this era-"My Four Weeks in France" and "Treat 'Em Rough: Letters from Jack the Kaiser Killer"-to introduce the wit, wisdom, and whimsy of Ring Lardner to a new generation of readers.
Ring Lardner is considered to be one of America's greatest comic geniuses after Mark Twain, and baseball's greatest writer of all time. His writings on baseball are collected in Lardner on Baseball (page 00). He popularized the use of colloquial vernacular in American letters in such classics as You Know Me, Al, and Gullible's Travels. He died in 1933 at the age of forty-eight. -
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They was together every mornin' and evenin' for the five days we was there. In the afternoons Ike played the grandest ball you ever see, hittin' and runnin' the bases like a fool and catchin' everything that stayed in the park. I told Cap, I says: You'd ought to keep the doll with us and he'd make Cobb's figures look sick."
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Well, they's some truth in that. I don't want to go nowheres and I'll take a job if it's the right kind. We could get along on the interest from Ella's money, but I'm tired of laying round. I didn't do a tap of work all the time I was east and I'm out of the habit, but the days certainly do drag when a man ain't got nothing to do and if I can find something where I don't have to travel, I'll try it out.
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"Gullible's Travels," the story from which this book takes its name, has to do with a trip to Palm Beach and was written in 1916. Readers who have never been to Palm Beach and who contemplate going there are warned not to base their budget on figures quoted in the story. In those days you could get a double room with bath at one of the two big hotels for a niggling $17.00 per day. That sum now is just a fair diurnal tip for the house detective. Everything has doubled or trebled in price in the past ten years, and still the influx of eager customers increases. Newspapers continue, from habit, to speak of the place as exclusive, but a person with money who can't crash in there these days would be blackballed from the Rotary club. And for all that, Palm Beach is worth a visit if you are not deaf or blind. The writer was there this winter for only a day, but was repaid for his trouble by the sight of a lady (a prominent society lady, too) in a bathing costume consisting of a big, floppy black silk hat, horn-rimmed spectacles, a black velvet doublet, with choking high collar and long sleeves, black silk tights and black shoes, a black silk umbrella, and WHITE GLOVES. This will remain for me the ne pluribus unum in swimming comfort until some more ingenious mermaid, sacrificing looks for buoyancy, shows up for her morning plunge in the working clothes of an Eskimo traffic policeman.
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A barber regales a customer with stories about some of the characters in his small town.
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