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Books : Literature & Fiction : Authors, A-Z : ( L ) : Lawrence, D.H.
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Perhaps no other of the world’s great writers lived and wrote with the passionate intensity of D. H. Lawrence. And perhaps no other of his books so explores the mysteries between men and women–both sensual and intellectual–as Women in Love. Written in the years before and during World War I in a heat of great energy, and criticized for its exploration of human sexuality, the book is filled with symbolism and poetry–and is compulsively readable.
It opens with sisters Ursula and Gudrun Brangwen, characters who also appeared in The Rainbow, discussing marriage, then walking through a haunting landscape ruined by coal mines, smoking factories, and sooty dwellings. Soon Gudrun will choose Gerald, the icily handsome mining industrialist, as her lover; Ursula will become involved with Birkin, a school inspector–and an erotic interweaving of souls and bodies begins. One couple will find love, the other death, in Lawrence’s lush, powerfully crafted fifth novel, one of his masterpieces and the work that may best convey his beliefs about sex, love, and humankind’s ongoing struggle between the forces of destruction and life.
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FIRST PUBLISHED in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it.
Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.
"The Little Novels of Sicily have that sense of the wholeness of life, the spare exuberance, the endless inflections and overtones, and the magnificent and thrilling vitality of major literature."-- The New York Times
"In these stories the whole Sicily of the 1860s lives before us . . . and whether his subject be the brutal bloodshed of an abortive revolution or the simple human comedy that can attend even deep mourning, Verga never loses his complete artistic mastery of his material."-- The Times Literary Supplement
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In The Rainbow (1915) Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. Condemned and suppressed on first publication for its open treatment of sexuality and its "unpatriotic" spirit, the novel chronicles the lives of three generations of the Brangwen family over a period of more than 60 years, setting them against the emergence of modern England.
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Lawrence was one of the great short story writers of the 20th century. This new collection of ten stories shows the variety of Lawrence's achievement. The works develop from early realism towards myth and fairy tale, murder, and ghost stories.
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Finalist in AudioFile Magazine's 2007 Audie Awards in the category "Audiobook Adapted from Another Medium"This three-CD compilation features some of the best short stories from National Public Radio's Selected Shorts, an award-winning series of classic and contemporary short fiction read by distinguished stage and screen actors and recorded live at the Peter Norton Symphony Space in New York City. More than three hours of recordings in each collection capture the intimacy of live performance, with stories that are alternately exciting, poignant, and funny, making this the perfect accompaniment to any number of daily activities—driving, cooking, exercising, relaxing, or intently listening.
Timeless Classics includes, among others, James Thurber's "The Night the Ghost Got In," read by Isaiah Sheffer; Edith Wharton's "Roman Fever," read by Maria Tucci; Jack London's "Make Westing," read by Steven Gilborn; D. H. Lawrence's "The Rocking Horse Winner," read by John Shea; Shirley Jackson's "The Lottery," read by Marian Seldes; Richard Connell's "The Most Dangerous Game," read by Charles Keating; and Raymond Carver's "Cathedral," read by James Naughton.
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In these impressions of the Italian countryside, Lawrence transforms ordinary incidents into passages of intense beauty. "Twilight in Italy" is a vibrant account of Lawrence's stay among the people of Lake Garda, whose decaying lemon gardens bear witness to the twilight of a way of life centuries old. In "Sea and Sardina", Lawrence brings to life the vigorous spontaneity of a society as yet untouched by the deadening effect of industrialization. And "Etruscan Places" is a beautiful and delicate work of literary art, the record of "a dying man drinking from the founts of a civilization dedicated to life."
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First published in 1923, this anthology provides a cross-section of Lawrence's writing on American literature. It includes landmark essays on Benjamin Franklin, Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville and Walt Whitman. The volume offers the final 1923 version of the text in a newly corrected and uncensored form, and earlier (often very different) versions of many of the essays, and other materials (including four versions of Lawrence's pioneering essay on Whitman).
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Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.
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D.H. Lawrence (1885-1930) made a contribution to poetry that, in the words of Lousie Bogan, 'can now be recognized as one of the most important, in any language, of our time.' Birds, Beasts, and Flowers!, his first great experiment in free verse, was published when he was thirty-eight. This Black Sparrow edition re-sets the text in the format of the first edition (New York: Thomas Seltzer, 1923) and restores several 'indecent' lines suppressed by the original publisher. Lawrence's original jacket artwork is reproduced on the jacket in full color.
Many of these individual poems are popular in anthologies - they are best read, however, in the context and continuum of the whole book. In preparing the original collection for publication, Lawrence grouped the poems in a purposeful sequence and prefaced many of the subsections with brief quotations from the third edition of John Burnet's Early Greek Philosophy, which particularly interested him at the time.
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The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, "Sons and Lovers" (1913) is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations.
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These three novellas explore human relationships and the devastating results of war. In The Fox, a predator targets two young women living on a small farm during the First World War. The Captain’s Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany. In The Ladybird, a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in the hospital.
* Uses the restored texts of the Cambridge edition
* Includes a new introduction, chronology, and further reading
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In this novel, symptomatic of Lawrence's later work, Kate Leslie, an Irish widow visiting Mexico, finds herself equally repelled and fascinated by what she sees as the primitive cruelty of the country. As she becomes involved with Don Ramon and General Cipriano, her perceptions change. Caught up in the plans of these two men to revive the old Aztec religion and political order, she submits to the 'blood-consciousness' and phallic power that they represent.