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Books : Literature & Fiction : Authors, A-Z : ( L ) : Lessing, Doris
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Doris Lessing's love affair with cats began at a young age, when she became intrigued with the semiferal creatures on the African farm where she grew up. Her fascination with the handsome, domesticated creatures that have shared her flats and her life in London remained undiminished, and grew into real love with the awkwardly lovable El Magnifico, the last cat to share her home.On Cats is a celebrated classic, a memoir in which we meet the cats that have slunk and bullied and charmed their way into Doris Lessing's life. She tells their stories -- their exploits, rivalries, terrors, affections, ancient gestures, and learned behaviors -- with vivid simplicity. And she tells the story of herself in relation to cats: the way animals affect her and she them, and the communication that grows possible between them -- a language of gesture and mood and desire as eloquent as the spoken word. No other writer conveys so truthfully the real interdependence of humans and cats or convinces us with such stunning recognition of the reasons why cats really matter.
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I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.
In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother, Emily, spent the war nursing the wounded in the Royal Free Hospital after her great love, a doctor, drowned in the Channel.
In the fictional first half of Alfred and Emily, Doris Lessing imagines the happier lives her parents might have made for themselves had there been no war; a story that begins with their meeting at a village cricket match outside Colchester. This is followed by a piercing examination of their relationship as it actually was in the shadow of the Great War, of the family's move to Africa, and of the impact of her parents' marriage on a young woman growing up in a strange land.
"Here I still am," says Doris Lessing, "trying to get out from under that monstrous legacy, trying to get free." Triumphantly, with the publication of Alfred and Emily, she has done just that.
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Set in Southern Rhodesia under white rule, Doris Lessing's first novel is at once a riveting chronicle of human disintegration, a beautifully understated social critique, and a brilliant depiction of the quiet horror of one woman's struggleagainst a ruthless fate.
Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm works its slow poison. Mary's despair progresses until the fateful arrival of Moses, an enigmatic, virile black servant. Locked in anguish, Mary and Moses—master and slave—are trapped in a web of mounting attraction and repulsion, until their psychic tension explodes with devastating consequences.
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As the summer begins, Kate Brown -- attractive, intelligent, forty five, happily enough married, with a house in the London suburbs and three grown children -- has no reason to expect anything will change. But when the summer ends, the woman she was -- living behind a protective camouflage of feminine charm and caring -- no longer exists. This novel. Doris Lessing's brilliant excursion into the terrifying stretch of time between youth and old age, is her journey: from London to Turkey to Spain, from husband to lover to madness: on the road to a frightening new independence and a confrontation with self that lets her, finally, come truly of age.
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Lermontov’s only novel, A Hero of Our Time examines a weary and cynical man trapped in the futility of his age. Published in the early 19th century, it was to prove a hugely influential work for many subsequent Russian writers. Despite his obvious talents and natural abilities, Pecorin is restless and bored. In a quest for motivation and stimulation, he leaves behind the civilized world of society drawing rooms for the wilds of the Southern Caucasus. Rather than finding the impetus he so craves, he becomes increasingly alienated from those around him. Sickened by the condition of his times, he chooses to reject a life of morality. A probing study of a man—and a society—in crisis, A Hero of Our Time was to become a seminal work of its era. Poet and novelist Mikhail Yurevich Lermontov was a leading figure in Russian Romantic literature.
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"I was born with skins too few. Or they were scrubbed off me by...robust and efficient hands."
The experiences absorbed through these "skins too few" are evoked in this memoir of Doris Lessing's childhood and youth as the daughter of a British colonial family in Persia and Southern Rhodesia Honestly and with overwhelming immediacy, Lessing maps the growth of her consciousness, her sexuality, and her politics, offering a rare opportunity to get under her skin and discover the forces that made her one of the most distinguished writers of our time.
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The celebrated author explores new ways to view ourselves and the society we live in, and gives us fresh answers to such enduring questions as how to think for ourselves and understand what we know.
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(Book Jacket Status: Jacketed)
This wide-ranging collection of the stories by the renowned Nobel Laureate—spanning more than two decades of her astonishing career—highlights her singular gifts for portraying the complex lives of men and women in a modern, often alienating world.
Included are seminal stories like “To Room Nineteen,” in which a woman reacts against the oppression of her banal marriage with dreadful results; “One off the Short List,” which traces the surprising conclusion to a seduction gone awry; “The Habit of Loving,” in which a lonely older man who takes a vivacious, young wife witnesses an unexpected reversal of intimacy. Here are two classic novellas as well: The Temptation of Jack Orkney and The Other Woman, which exemplify Lessing’s grasp of the most essential human psychology. Rich and various in mood and background—the settings range across England and France—these stories powerfully convey the uncompromising insight, intelligence, and vision of one of the most ardently admired writers of our time.
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From Doris Lessing, "one of the most important writers of the past hundred years" (Times of London), comes a brilliant, darkly provocative alternative history of humankinds beginnings.
In the last years of his life, a Roman senator embarks on one final epic endeavor, a retelling of the history of human creation. The story he relates is the little-known saga of the Clefts, an ancient community of women with no knowledge of nor need for men. Childbirth was controlled through the cycles of the moon, and only female offspring were born—until the unanticipated event that jeopardized the harmony of their close-knit society: the strange, unheralded birth of a boy.
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This is the first volume in the series of novels Doris Lessing calls collectively Canopus in Argos: Archives. Presented as a compilation of documents, reports, letters, speeches and journal entries, this purports to be a general study of the planet Shikasta–clearly the planet Earth–to be used by history students of the higher planet Canopus and to be stored in the Canopian archives. For eons, galactic empires have struggled against one another, and Shikasta is one of the main battlegrounds.
Johar, an emissary from Canopus and the primary contributor to the archives, visits Shikasta over the millennia from the time of the giants and the biblical great flood up to the present. With every visit he tries to distract Shikastans from the evil influences of the planet Shammat but notes with dismay the ever-growing chaos and destruction of Shikasta as its people hurl themselves towards World War III and annihilation.
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Here Doris Lessing recounts the cats that have moved and amused her, from her childhood home overrun with kittens, to the wrenching decline of El Magnifico, whose story unfolds in a new essay, appearing here for the first time.
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Intelligent, sensitive, and fiercely passionate, Martha Quest is a young woman living on a farm in Africa, feeling her way through the torments of adolescence and early womanhood. She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.
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The Good Terrorist follows Alice Mellings, a woman who transforms her home into a headquarters for a group of radicals who plan to join the IRA. As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion.