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Books : Literature & Fiction : Authors, A-Z : ( L ) : Levine, Philip
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Always a poet of memory and invention, Philip Levine looks back at his own life as well as the adventures of his ancestors, his relatives, and his friends, and at their rites of passage into an America of victories and betrayals. He transports us back to the street where he was born “early in the final industrial century” to help us envision an America he’s known from the 1930s to the present. His subjects include his brothers, a great-uncle who gave up on America and returned to czarist Russia, a father who survived unspeakable losses, the artists and musicians who inspired him, and fellow workers at the factory who shared the best and worst of his coming of age.
Throughout the collection Levine rejoices in song–Dinah Washington wailing from a jukebox in midtown Manhattan; Della Daubien hymning on the crosstown streetcar; Max Roach and Clifford Brown at a forgotten Detroit jazz palace; the prayers offered to God by an immigrant uncle dreaming of the Judean hills; the hoarse notes of a factory worker who, completing another late shift, serenades the sleeping streets.
Like all of Levine’s poems, these are a testament to the durability of love, the strength of the human spirit, the persistence of life in the presence of the coming dark.
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From the introduction by Philip Levine:
Walter Jackson Bate, in his biography of Keats, has writers, critics, readers, have approached Keats during the last century, on one quality in his writing they have been completely united.
They have all been won by an economy and power of phrase excelled only by Shakespeare." This poet whose greatest ambition was to he "among the English poets" is not only preeminent among those of the past, but for well over a century he has continued to be the yardstick by which those who have written poetry in our language can measure their success. He remains a wellspring to which all of us might go to refresh our belief in the value of this art.
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Interviews with the poet Philip Levine on the subject of his poetry
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A brand-new 151 pages trade softcover collection of poems by Roberta Spear edited with an introduction by Philip Levine, signed by Levine.
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Jaime Sabines is a national treasure in Mexico. He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and "one of the best poets" of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the "Sniper of Literature" by Cuban poet Roberto Fernndez Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.
In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines' streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: "Life bursts from you, like scarlet fever, without warning." Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you'll feel "heaven is sucking you up through the roof."
Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico's most respected poets.Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.
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A compelling second collection of poetry.
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An engaging and intimate collection by an American original
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"...Legaspi, like William Carlos Williams, can find poetry anywhere. And like his mentor Pablo Neruda he seems able to locate the mysterious and the magical in the most common and overlooked objects. It is difficult to overestimate the daring and resourcefulness required to complete successfully this astonishingly original book. I believe this collection of poetry, so rich in the dailyness of the world and what wisdom we can draw from it, is ample evidence that Joseph O. Legaspi has arrived to a place none of his ancestors in life or in poetry have ever journeyed, and we his readers are the richer for it."--Philip Levine
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The Bread of Time is an amalgam of celebration and quest. In this memoir, Philip Levine celebrates the poets who were his teachers--particularly John Berryman and Yvor Winters, writers whose lives and work, he believes, have been misunderstood and misinterpreted. In the process of writing this account of his childhood and young manhood in Detroit and of his middle and later years in California and Spain, Levine came to realize that he was also engaged in a quest, striving to discover "how I am." The resulting work provides a double-edged revelation of the way writers grow. Witty and elegantly rendered in a prose that is as characteristically Levine's as his verse, this is superb--and essential--reading for anyone interested in contemporary poetry and poets.Philip Levine has received many awards for his books of poems, most recently the National Book Award for What Work Is in 1991 and the Pulitzer Prize in Poetry for The Simple Truth in 1995. Levine recently retired from the University of California, Fresno.
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A major reissue in one volume of two early books by one of our finest living poets. In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."
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This digital document is an article from Poetry, published by Modern Poetry Association on February 1, 1999. The length of the article is 320 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: CESARE.(poem)
Author: Philip Levine
Publication: Poetry (Refereed)
Date: February 1, 1999
Publisher: Modern Poetry Association
Volume: 173 Issue: 4 Page: 278(1)
Distributed by Thomson Gale
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This digital document is an article from Poetry, published by Modern Poetry Association on September 1, 2000. The length of the article is 456 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: 1, 1,2000.(Poem)
Author: Philip Levine
Publication: Poetry (Refereed)
Date: September 1, 2000
Publisher: Modern Poetry Association
Volume: 176 Issue: 6 Page: 313
Article Type: Poem
Distributed by Thomson Gale
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This digital document is an article from Poetry, published by Modern Poetry Association on September 1, 2000. The length of the article is 650 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: CALL IT MUSIC.(Poem)
Author: Philip Levine
Publication: Poetry (Refereed)
Date: September 1, 2000
Publisher: Modern Poetry Association
Volume: 176 Issue: 6 Page: 311
Article Type: Poem
Distributed by Thomson Gale
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This digital document is an article from Poetry, published by Modern Poetry Association on April 1, 1999. The length of the article is 375 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: DETROIT, TOMORROW.(Poem)
Author: Philip Levine
Publication: Poetry (Refereed)
Date: April 1, 1999
Publisher: Modern Poetry Association
Volume: 174 Issue: 1 Page: 17
Article Type: Poem
Distributed by Thomson Gale