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Books : Literature & Fiction : Authors, A-Z : ( M ) : Malamud, Bernard
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A classic that won Malamud both the Pulitzer Prize and the National Book AwardThe Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel.Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.
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Introduction by Jonathan Rosen
Bernard Malamud’s second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who “wants better” for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud’s best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the immigrant experience in a way that has proven vital for several generations of writers.
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Winner of the National Book Award for Fiction Introduction by Jhumpa LahiriBernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.
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With a new introduction by Aleksandar Hemon
In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.
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"Is he an American Master? Of course. He not only wrote in the American language, he augmented it with fresh plasticity, he shaped our English into startling new configurations." --Cynthia Ozick God's Grace (1982), Bernard Malamud's last novel, is a modern-day dystopian fantasy, set in a time after a thermonuclear war prompts a second flood-a radical departure from Malamud's previous fiction. The novel's protagonist is paleolosist Calvin Cohn, who had been attending to his work at the bottom of the ocean when the Devastation struck, and who alone survived. This rabbi's son?a "marginal error"?finds himself shipwrecked with an experimental chimpanzee capable of speech, to whom he gives the name Buz. Soon other creatures appear on their island-baboons, chimps, five apes, and a lone gorilla. Cohn works hard to make it possible for God to love His creation again, and his hopes increase as he encounters the unknown and the unforeseen in this strange new world. With God's Grace, Malamud took a great risk, and it paid off. The novel's fresh and pervasive humor, narrative ingenuity, and tragic sense of the human condition make it one of Malamud's most extraordinary books.
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"An overlooked masterpiece. It may still be undervalued as Malamud's funniest and most embracing novel." --Jonathan Lethem
In A New Life, Bernard Malamud--generally thought of as a distinctly New York writer--took on the American myth of the West as a place of personal reinvention.
When Sy Levin, a high school teacher beset by alcohol and bad decisions, leaves the city for the Pacific Northwest to start over, it's no surprise that he conjures a vision of the extraordinary new life awaiting him there: "He imagined the pioneers in covered wagons entering this valley for the first time. Although he had lived little in nature Levin had always loved it, and the sense of having done the right thing in leaving New York was renewed in him." Soon after his arrival at Cascadia College, however, Levin realizes he has been taken in by a mirage. The failures pile up anew, and Levin, fired from his post, finds himself back where he started and little the wiser for it.
A New Life--as Jonathan Lethem's introduction makes clear--is Malamud at his best: with his belief in luck and new beginnings Sy Levin embodies the thwarted yearning for transcendence that is at the heart of all Malamud's work.
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With a new introduction by Thomas Mallon
Dubin's Lives (1979) is a compassionate and wry commedia, a book praised by Christopher Lehmann-Haupt in The New York Times as Malamud's "best novel since The Assistant. Possibly, it is the best he has written of all."
Its protagonist is one of Malamud's finest characters; prize-winning biographer William Dubin, who learns from lives, or thinks he does: those he writes, those he shares, the life he lives. Now in his later middle age, he seeks his own secret self, and the obsession of biography is supplanted by the obsession of love--love for a woman half is age, who has sought an understanding of her life through his books. Dubin's Lives is a rich, subtle book, as well as a moving tale of love and marriage.
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Bernard Malamud gave his first interview in 1958, his last in 1986. During the intervening twenty-eight years he was formally interviewed at least forty times. This book collects twenty-eight of the best interviews, ranging from brief conversations with journalists to more extended and leisurely conversations with academics and writers.Winner of two National Book Awards and a Pulitzer Prize, this universally praised author of The Magic Barrel, The Fixer, The Natural, and many stories that are acclaimed among the masterpieces of American fiction appears in these interviews quite appropriately as an artist devoted more to his work than to discussing it. This collection includes interviews in which Malamud gives a commentary on each of his novels and on many of his short stories. What emerges from these encounters with this great author is a sense of Malamud's deep, lifetime commitment to his art and to a seriousness of purpose.
Though there is very little domestic detail or literary gossip in Malamud's conversations, these interviews reveal the essence of a great writer that the multitudes of readers inspired by his books crave to find and retain.
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Winner of the AudioFile Earphones AwardPulitzer Prize-winning author Bernard Malamuds first novel is also the first--and still the best--novel ever written about baseball. His story of a superbly gifted natural at play in the fields of the old daylight baseball era is invested with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work.
First published in 1952, this novel has since become an American classic. Five decades later, Alfred Kazins comment still holds true: Malamud has done something which--now that he has done it!--looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology.
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