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Books : Literature & Fiction : Authors, A-Z : ( M ) : Mamet, David
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The Penguin Classics debut that inspired a classic film and a current Broadway revival
Reginald Rose’s landmark American drama was a critically acclaimed teleplay, and went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic belief in the U.S. legal system. The story’s focal point, known only as Juror Eight, is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal biases. Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture of America, at its best and worst, to form. -
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Speed-the-Plow's Broadway run is the most recent triumph of the Pulitzer Prize-winning author's astonishingly productive career. "By turns hilarious and chilling....the culmination of this playwright's work to date....Riveting theater."-Frank Rich, New York Times; "A brilliant black comedy, a dazzling dissection of Hollywood cupidity and another tone poem by our foremost master of the language of moral epilepsy... On its deepest level it belongs with the darker disclosures of movie-biz pathology like Nathanael West's The Day of the Locust and F. Scott Fitzgerald's The Last Tycoon. In a sense Speed-the-Plow distills all of these to a stark quintessence: there's hardly a line in it that isn't somehow insanely funny or scarily insane... [It is a] scathingly comic play."-Jack Kroll, Newsweek
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Winner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.
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David Mamet's new Oval Office satire depicts one day in the life of a beleaguered American commander-in-chief.
It's November in a Presidential election year, and incumbent Charles Smith's chances for reelection are looking grim. Approval ratings are down, his money's running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn't ready to give up just yet. Amidst the biggest fight of his political career, the President has to find time to pardon a couple of turkeys — saving them from the slaughter before Thanksgiving — and this simple PR event inspires Smith to risk it all in attempt to win back public support. With Mamet's characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win. -
Chekov's great tragicomic eulogy for a passing way of life is superbly adapted to make a powerful and beautifully playable drama. Plays for Performance Series.
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The Duck Variations is a dialogue between two old men sitting on a park bench. The conversation turns to the mating habits of ducks, but soon begins to reveal their feelings about natural law, friendship, and death. New York magazine has called The Duck Variations “a gorgeously written, wonderfully observant piece whose timing and atmosphere are close to flawless.”
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In this, his third adaptation of a Chekhov play, Pulitzer Prize–winning author David Mamet offers a contemporary, highly accessible version of Chekhov’s The Three Sisters. Working from a literal translation by Vlada Chernomordik, Mamet has rediscovered the characteristically modern chords in this powerful play and breathes new life into a timeless classic. This is Chekhov rendered in direct, colloquial language marked by Mamet’s finely tuned ear for dialogue.
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One hundred years after the first publication of The Voysey Inheritance, David Mamet resurrects Harley Granville-Barker’s classic investigation into the capitalist soul in this brilliant adaptation.
For generations, the Voysey family business has been secretly skimming money from its clients’ accounts. When Edward, designated to take over the firm from his aging father, discovers the embezzlement that has been keeping his relatives in a life of luxury, he must weigh the trappings of wealth and the imperative to preserve his family’s good name against the better principles of his conscience. But moral righteousness turns to self-protection when he comes to understand fully the consequences of his “inheritance.” -
Pulitzer Prize—winning playwright David Mamet’s Romance is an uproarious, take-no-prisoners courtroom comedy that gleefully lampoons everyone from lawyers and judges, to Arabs and Jews, to gays and chiropractors.
It’s hay fever season, and in a courtroom a judge is popping antihistamines. He listens to the testimony of a Jewish chiropractor, who’s a liar, according to his anti-Semitic defense attorney. The prosecutor, a homosexual, is having a domestic squabble with his lover, who shows up in court in a leopard-print thong. And all the while, a Middle East peace conference is taking place. Masterfully wielding the argot of the courtroom, David Mamet creates a world in microcosm in which shameless fawning, petty prejudices, and sheer caprice hold sway, and the noble apparatus of law and order degenerates into riotous profanity. -
This structurally and psychologically compact drama takes place on an estate in 19th-century Russia, exploring the complex interrelationships between a retired professor, his second wife, and the daughter and brother-in-law from his first marriage. Interwoven themes of weakness, delusion, and despair are balanced by an underlying message of courage and hope.
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From the Pulitzer Prize- winning author of Glengarry Glen Ross, here is a collection of thirty-two one-act plays and short dramatic pieces that David Mamet himself considers to be some of the best writing he has ever done.
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In a series of short, spare, and increasingly raw exchanges, we see the estrangement of youth from age and the wider, inevitable, endlessly cyclical rhythm of the world.
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One of America's most provocative dramatists conquers new territory with this droll comedy of errors set in a Victorian drawing room.
Anna and Claire are two bantering, scheming "women of fashion" who live together on the fringes of society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald. Claire, meanwhile, is infatuated with a young girl and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and taunt their hapless maid, Claire's inamorata arrives and sets off a crisis that puts both the valuable emerald and the women's future at risk. Mamet brings his trademark tart dialogue and impeccable plotting, spiced with Wildean wit, to this wickedly funny comedy. -
In this gripping family tragedy, the Pulitzer Prize-winning author of Glengarry Glen Ross endows ordinary language with Hitchcockian menace and Kafkaesque powers of disorientation. This intriguing play is a journey back into childhood and the moment of its vanishing--the moment when the sheltering world is suddenly revealed as a place full of dangers.














