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Books : Literature & Fiction : Authors, A-Z : ( M ) : Miller, Arthur
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Based on historical people and real events, Arthur Miller's play uses the destructive power of socially sanctioned violence unleashed by the rumors of witchcraft as a powerful parable about McCarthyism.
Introduction by Christopher Bigsby
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A drama based on the witch trials in Salem Village.
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The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams' essay "The World I Live In."It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s.
Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.
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The Crucible portrays 17th-century Salem, Massachusetts, as a rigid theocracy eager to ferret out real or imagined deviations from the norm. The play indicts everyone in Salem -- and by extension American society -- for the crimes of intolerance and blind hatred.
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Joe Keller and Herbert Deever, partners in a machine shop during the war, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went on to make a lot of money. In a work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Herbert's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his father's guilt escalate toward a climax of electrifying intensity.
Winner of the Drama Critics' Award for Best New Play in 1947, All My Sons established Arthur Miller as a leading voice in the American theater. All My Sons introduced, themes that thread through Miller's work as a whole: the relationships between fathers and sons and the conflict between business and personal ethics.
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The tragedy of a typical American--a salesman who at the age of sixty-three is faced with what he cannot face; defeat and disillusionment.
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Italian-American immigrant life in the 1950's textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice, and to his niece, Catherine. When Beatrice's impoverished Sicilian cousins enter the U.S. illegally in the hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie's affection for his niece turns into obsession. Directed by Peter Levin.Starring: Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill, Amy Pietz, Don Tieri
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In the inaugural volume of its collected edition of Miller's plays, The Library of America gathers the works from the 1940s and 1950s that electrified theatergoers and established Miller as one of the indispensable voices of the postwar era. Among the plays included are All My Sons, the story of an industrialist confronted with his moral lapses during World War II; Death of a Salesman, the wrenching tragedy of Willy Loman's demise; The Crucible, at once a riveting reconstruction of the Salem witch trials and a parable of McCarthyism; and A View from the Bridge, Miller's tale of betrayal among Italian immigrants in Brooklyn, presented here in both the original one-act and revised two-act versions.This volume also contains the intriguing early drama The Man Who Had All the Luck, the first of Miller's plays to be produced on Broadway, along with his adaptation of Ibsen's An Enemy of the People, the autobiographical one-act A Memory of Two Mondays, and Miller's novella The Misfits, based on the screenplay he wrote for Marilyn Monroe.
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This classic collection-the only one-volume selection of Arthur Miller's work available-presents a rich cross section of writing from one of our most influential and humane playwrights, containing in full his masterpieces The Crucible and Death of a Salesman. This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller's memoir Timebends. An essay by Harold Clurman and Christopher Bigsby's introduction discuss Miller's standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature.
Introduction by Harold Clurman.
Edited by Christopher Bigsby
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Based on historical people and real events, Miller's classic play about the witch hunts and trials in 17th century Salem, Massachusetts, is a searing portrait of a community engulfed by hysteria. Written in 1953, The Crucible is a mirror which Miller uses to reflect the anti-Communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the U.S.
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Telling his life story with humor and passion--displaying throughout the largeness of spirit that has made him one of the most admired writers this country has ever produced--Miller recalls his boyhood, his education, the formation of his political outlook, his career successes and failures, and the remarkable variety of people, both obscure and famous, in his life.
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When Dr. Thomas Stockmann learns that the famous and financially successful baths in his home town are contaminated, he insists they be shut down for expensive repairs. Ridiculed and persecuted by the townsfolk for his honesty, he is declared an "enemy of the people." A powerful drama by the "father of modern drama."
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It is evening. The room is plainly but neatly appointed and furnished. In the right-hand wall are two doors; the farther leads out to the hall, the nearer to the doctor's study. In the left-hand wall, opposite the door leading to the hall, is a door leading to the other rooms occupied by the family. In the middle of the same wall stands the stove, and, further forward, a couch with a looking-glass hanging over it and an oval table in front of it...
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Full cast recording of a theatrical play read by Richard Dreyfuss, Amy Irving, and Harris Yulin. Arthur Miller's deeply moving drama reunites two long estranged middle-aged brothers. Nostalgia and recrimination erupt as they sell off an attic full of furniture, their last link to a family and a world that no longer exist. This 1968 classic is a wrenching saga of plaintive gestures and missed opportunities. A BBC Co-production.
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Arthur Miller's Pulitzer Prize winner, Death of a Salesman, which he describes as "the tragedy of a man who gave his life, or sold it" in pursuit of the American Dream, is as relevant today as it was fifty years ago. Directed by Ulu Grosbard and recorded in 1965, this recording includes an introduction read by Arthur Miller.
The Crucible, first produced in 1953, is Miller's most produced play, addressing mass hysteria, empty piety and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving, but that compels listeners to gather their hearts and consciences in ways that only the greatest theater can. This production was recorded in 1972 and was directed by John Berry.
Full cast recordings of two of Arthur Miller's greatest plays: Death of a Salesman and The Crucible featuring Lee J. Cobb (Willy Loman), Mildred Dunnock (Linda Loman), Dustin Hoffman (Bernard) and Jerome Dempsey (Reverend Parris)
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"After the Fall" presents the riveting struggle of a man attempting to make peace with history - his own and the world's - in order to go forward with his life. Haunted by this relationship with a needy sex symbol, Quentin's remarks to an unseen listener spark a relentless exploration of the past motives and compromises that still shape his present. Directed by Richard Masur.Starring: Amy Brenneman, Amy Aquino, Gregory Itzin, Anthony LaPaglia, Claudette Nevins, Natalija Nogulich, Amy Pietz, Al Ruscio, Raphael Sbarge, and Kenny Williams
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Arthur Miller is one of the most important and enduring playwrights of the last fifty years. This new edition of The Theater Essays has been expanded by nearly fifty percent to include his most significant articles and interviews since the book's initial publication in 1978. Within these pages Miller discusses the roots of modern drama, the nature of tragedy, and the state of contemporary theater; offers illuminating observations on Ibsen, Strindberg, Chekhov, O'Neill, and Williams; probes the different approaches and attitudes toward theater in Russia, China, and at home; and, of course, provides valuable insights into his own vast dramatic corpus. For this edition the literary chronology and cast and production information have been updated, and an extensive new bibliography has been added. The Theater Essays confirms Arthur Miller's standing as a brilliant, eloquent commentator on drama and culture. No one interested in theater should be without this definitive collection.